Reference:
Elena Baykowa.
Looking back and looking forward
// Scientific notes of the Gnesins Russian Academy of Music. – 2014. – № 3.
– P. 82-89.
Read the article
Abstract: The paper is describing philosophical and aesthetic views of Vladimir Minin,
the choir conductor and outstanding musician of our time. At the example of Moscow
Chamber choir the author is analyzing its repertoire strategy that is fostering the growth
of the group’s mastery and professionalism. Vladimir Minin shares with the author
his views on the prospects of modern choir singing, its artistic mission trying to express
his vision of past, present and future of this popular kind of musicianship.
Keywords: V.N. Minin, artistic strategy, repertoire, conductor, choir genre, chamber music.
References:
Dar prekrasnogo iskusstva. Khoru Vladimira Minina 35 let / Avt.-sost. T. Ginzburg. M.: P. Yurgenson, 2007.
Minin V.N. Solo dlya dirizhera. M.: Kompozitor, 2010.
Minin V.N. Eta muzyka dolzhna zvuchat' kak otkrovenie // Georgiy Sviridov v vospominaniyakh sovremennikov. M.: Molodaya gvardiya, 2006. S. 196—205.
Nikol'skaya-Beregovskaya K.F. Russkaya vokal'no-khorovaya shkola. Ot drev-nosti do KhKhI veka: Uchebnoe posobie. M.: Vlados, 2003.
Sarkisova R. Tvorcheskaya slava Rossii: Vladimir Minin // Muzykal'naya akademiya. 2009. № 3. S. 1—4.
Tevosyan A.T. Perezvony: zhizn', tvorchestvo, vzglyady Valeriya Gavrilina SPb.: Kompozitor, 2009.
Tkhareva T. Vladimir Minin: «My opponirovali kazennomu iskusstvu» // Muzykal'naya zhizn'. 2009. № 1. S. 37—39.
Etot udivitel'nyy Gavrilin / Sost. N.E. Gavrilina. SPb.: Kompozitor — Sankt-Peterburg, 2008
Reference:
Alexander Merkulov.
Facial expressions and gestures of a pianist within
the system of performing resources
// Scientific notes of the Gnesins Russian Academy of Music. – 2014. – № 2.
– P. 22-48.
Read the article
Abstract: This is the continuation and final part of a paper dealing with a rarely addressed
topic within musicological discourse: pianist’s behaviour on stage. The paper is based
on documents and records provided by outstanding musicians and musical critics
of the 19th and 20th century.
Keywords: piano; performing arts; facial expressions and gestures of a pianist.
References:
Ayzenshtadt S. Uchitel' muzyki. Zhizn' i tvorchestvo Karla Cherni. M.: Kompozitor, 2010.
Alekseev A. Iz istorii fortepiannoy pedagogiki. Rukovodstvo po igre na klavishno-strunnykh instrumentakh (ot epokhi Vozrozhdeniya do serediny XIX veka). Khrestomatiya. Kiev: Muzichna Ukraina, 1974.
Alekseev A. Istoriya fortepiannogo iskusstva: uchebnik dlya muz. vuzov v trekh cha-styakh. Ch. 2. M.: Muzyka, 1967.
Asaf'ev B. Shopen v vosproizvedenii russkikh kompozitorov // Shopen, kakim my ego slyshim: Sb. st. / Sost.-red. S.M. Khentova. M.: Muzyka, 1970. S. 69—85.
Barenboym L. Fortepiannaya pedagogika: Uchebnoe posobie po kursu metodiki fortepiannogo obucheniya / Predislovie G.G. Neygauza. Ch. 1. M.: Muzgiz, 1937.
Barenboym L. Emil' Gilel's: Tvorcheskiy portret artista / Red. T.N. Golland. M.: Sovetskiy kompozitor, 1990.
Beylina S. V klasse Razumovskoy. Printsipy i priemy obucheniya // Uroki Razumovskoy / Sost., vstup. st. S. Beylinoy. M.: Klassika — XXI, 2007. S. 26—68.
Berni Ch. Muzyka