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«PHILHARMONICA. International Music Journal» (18+)
"PHILHARMONICA. International Music Journal" is published since 01/02/2014. Until the middle of 2015 the journal was published in printed form with ISSN: 1339-4002.
Since April 1st, 2015 the journal is published only as an online publication. Online journal has ISSN: 2453-613X.

¹ 3 (July, 2018)
Published since
2014 year
Frequency
Quarterly
ISSN
2453-613X
"PHILHARMONICA. International Music Journal" is published since 01/02/2014. Until the middle of 2015 the journal was published in printed form with ISSN: 1339-4002. Since April 1st, 2015 the journal is published only as an online publication. Online journal has ISSN: 2453-613X.
Output information "PHILHARMONICA. International Music Journal"
Issue was released at: 22-11-2018
Founder: Danilenko Vasiliy Ivanovich, w.danilenko@nbpublish.com
Publisher: <AURORA GROUP s.r.o.>
Main editor: Petrov Vladislav Olegovich, Doctor of Art History, petrovagk@yandex.ru
ISSN: 2453-613X
Contact:
Managing Editor - Zubkova Svetlana Vadimovna
E-mail: info@nbpublish.com
Phone: +7 (966) 020-34-36
Address of the editorial board : 117465 , Moscow , Russia , st. Gen. Tuleneva , 31 / 1-210 .
Url of Library : https://en.nbpublish.com/library_tariffs.php

Contents
Music Aesthetics
P. 1 - 6
History of Music
P. 7 - 13
Problems of Music Theory
P. 14 - 21
History and Theory of Musical Performance
P. 22 - 25
Jazz
P. 26 - 33
Contents details
Music Aesthetics
Reference:
Litvinova O.A. — // PHILHARMONICA. International Music Journal. – 2018. – ¹ 3. – P. 1 - 6. DOI: 10.7256/2453-613X.2018.3.27832 URL: https://en. nbpublish.com/library_read_article.php?id=27832
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Keywords: Tristan Murail, birth of new music, creative method, musical aesthetics, spectralism, spectral music, avant-garde, postmodernism, contemporary music, art history
References (transliterated):
Artem'ev E.N. Zametki ob elektronnoy muzyke // Pod. red. A. Artem'eva / Elektronnyy resurs: http://www/electroshock.ru/records/articles/elmusic / (data obrashcheniya: 25.03.2017).
Pereverzeva M.V. Sonaty i interlyudii dlya preparirovannogo royalya Dzhona Keydzha // Muzyka i vremya. 2004. ¹ 9. S. 30-37.
Russolo L. Iskusstvo shumov // Elektronnyy resurs: http://www.etheroneph.com/audiosophia/112-lrussolo-iskusstvo-shumov.html/ (data obrashcheniya: 19.05.2016).
Shutko D.V. Frantsuzskaya spektral'naya muzyka 1970-1980-kh godov (Teoreticheskie osnovy muzykal'nogo yazyka): Diss. …kand. isk. SPb., 2004. — 181 s.
Murail T. Mémoire / Erosion // Elektronnyy resurs: http://www.tristanmurail.com/en/oeuvre-fiche.php?cotage=TR1419 (data obrashcheniya: 24.02.2016).
Murail T. The Revolution of Complex Sounds // Contemporary Music Review. 2005. Vol. 24. No. 2/3. Rp. 121-135.
History of Music
Reference:
Soboleva E.A. — // PHILHARMONICA. International Music Journal. – 2018. – ¹ 3. – P. 7 - 13. DOI: 10.7256/2453-613X.2018.3.27988 URL: https://en. nbpublish.com/library_read_article.php?id=27988
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Keywords: Union of composers, musical culture, regional organization, Astrakhan composers, musical culture of Astrakhan, music festival, modern music, Commonwealth of composers, regional history, Lower Volga
References (transliterated):
Programma muzyki dlya russkikh narodnykh instrumentov. – Voronezh: Oblastnaya tipografiya, 1986.
Khrushcheva M. G. Vstrecha s kompozitorom // Volga. 1986. ¹40 (15 iyunya). S. 4.
Bazov V. S. Vechera sovetskoy muzyki: dlya chego i dlya kogo? // Sovetskaya muzyka. 1989. ¹ 10. S. 20-21.
Zvereva O. E. Iskaniya, vedushchie k istine // Komsomolets Kaspiya. 1986. ¹ 43 (10 iyulya). S. 4.
Savvina L. V. Muzyka astrakhantsev // Komsomolets Kaspiya. 1984. ¹25 (24 aprelya). S 3-4.
Khrushcheva M. G. Avtorskiy kontsert // Volga. 1985. ¹33 (21 maya). S. 3.
Savvina L. V. Za gumanizm, za mir i druzhbu // Volga. 1981. ¹69 (27 sentyabrya). S. 3.
Etinger M. A.Tvorchestvo kompozitorov Povolzh'ya //Volga. 1980. ¹26 (27 aprelya). S. 4.
Etinger M.A. V raznykh zhanrakh. U astrakhanskikh kompozitorov // Volga. 1978. ¹ 3 (6 yanvarya). S. 4.
Semenov S. N.Sozvuchno vremeni // Volgogradskaya pravda. 1977. ¹ 91 (9 dekabrya). S. 3.
Burmistrov S. V. Muzyka, kotoraya eshche zhdet // Astrakhanskie izvestiya. 1995. ¹4 (26 yanvarya). S. 4.
Dunaev Yu. A. Plenum kompozitorov
Problems of Music Theory
Reference:
Rais M. — // PHILHARMONICA. International Music Journal. – 2018. – ¹ 3. – P. 14 - 21. DOI: 10.7256/2453-613X.2018.3.27233 URL: https://en. nbpublish.com/library_read_article.php?id=27233
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Keywords: instrumental timbre, Josef Tal, Edison Denisov, Stockhausen, Boulez, stereophony, electro-acoustic music, vocal timbre, electronic timbre, structure
References (transliterated):
Dvuzhil'naya I. F. «Raznye poezda» Stiva Raykha kak muzykal'nyy dokument pamyati zhertv Kholokosta. URL: http://www.muzfond.lv/site/pics/friends/dvuzil/doklad/id1.htm#_edn2
Josef Tal – in memoriam. Site of International Association of Music Information Centre. URL: https://web.archive.org/web/20110723150217/http://www.iamic.net/news/israel/josef-tal-–-memoriam
Kholopov Yu. N., Tsenova V. S. Edison Denisov. M.: Kompozitor, 1993. 299 s. Tsit. po http://wikilivres.ru/Edison_Denisov_(Kholopov,_Tsenova)/Glava_IV/6
Bershadskaya T. S. Lad – kategoriya izbiratel'no ili vseobshche deystvuyushchaya? // V ladakh s garmoniey, v garmonii s ladom. SPb konservatoriya, 2011. 92 s.
Imaginary Landscape No. 3. URL: https://en.wikipedia.org/wiki/Imaginary_Landscape_No._3
Aldoshina I., Merzlyakov D. Obertony i spektr, tembr zvuka. Sayt Vyacheslava Margashova. URL: http://margashov.com/maker/oberton.html
Rays M. Monodiya i elektroakusticheskaya muzyka: skhodstvo i razlichiya // PHILHARMONICA. International Music Journal. 2017. ¹ 2. S.6-15. DOI: 10.
History and Theory of Musical Performance
Reference:
Petrova Y.S. — // PHILHARMONICA. International Music Journal. – 2018. – ¹ 3. – P. 22 - 25. DOI: 10.7256/2453-613X.2018.3.27543 URL: https://en. nbpublish.com/library_read_article.php?id=27543
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Keywords: Sergey Rachmaninov, musical performance, literature and music, composer's archive, 20th century music, the content of art, philosopher's philosophy, stage dramaturgy, instrumentalism, musicology
References (transliterated):
Rakhmaninov S.V. Interpretatsiya zavisit ot talanta i individual'nosti // Sergey Rakhmaninov. Literaturnoe nasledie. T. 1. M.: Sovetskiy kompozitor, 1978. S. 115-124.
Rakhmaninov S.V. Novoe o pianizme // Sergey Rakhmaninov. Literaturnoe nasledie. T. 1. M.: Sovetskiy kompozitor, 1978. S. 83-90.
Rakhmaninov S.V. Kompozitor kak interpretator // Sergey Rakhmaninov. Literaturnoe nasledie. T. 1. M.: Sovetskiy kompozitor, 1978. S. 128-132.
Rakhmaninov S.V. Sergey Rakhmaninov - odin iz vydayushchikhsya sovremennykh kompozitorov - govorit o Rossii i ob Amerike // Sergey Rakhmaninov. Literaturnoe nasledie. T. 1. M.: Sovetskiy kompozitor, 1978. S. 77-83.
Jazz
Reference:
Shak F.M. — // PHILHARMONICA. International Music Journal. – 2018. – ¹ 3. – P. 26 - 33. DOI: 10.7256/2453-613X.2018.3.27657 URL: https://en. nbpublish.com/library_read_article.php?id=27657
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Keywords: Jazz music, jazz label, jazz improvisation, nonconformism, publishing policy, music publishing, streaming, African American music, jazz, art studies
References (transliterated):
Strakovich Yu. Tsifrolyutsiya. Chto sluchilos' s muzykoy v KhKhI veke. M.: Klassika-XXI, 2015. 352 s.
Taylor T. D. Music and Capitalism: A History of the Present. University of Chicago press, 2015. 240 p.
Krims A. Urban and music geography. Routledge, 2007. 278 p.
The Music Industry (Introducing Issues With Opposing Viewpoints). Hammilton J. ed. Greenhaven Press, 2009. 144 p.
Consuming Music Together. Social and Collaborative Aspects of Music Consumption Technologies. Ed. OHara K. Brown B. Springer, 2006. 311 p.
Meyson P. Postkapitalizm. Putevoditel' po nashemu budushchemu. M.: Ad Marginem, 2015. 415 s.
Snuker R. Popular Music. Key Concepts. Routledge, London&New-York, 2005. 384 p.
Sibruk D. Mashina pesen. Vnutri fabriki khitov. M.: Ad Marginem, 2016. 335 s.
Broven J. Record Makers And Breakers. Voices of the Independent Rockn Roll Pioneers. University of Illinois Press, 2009. 584 p.
News and Notes on 2016 RIAA. Shipment and Revenue Statistics http://www.riaa.com/wp-content/uploads/2017/03/RIAA-201
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