Review: This article analyzes the approaches to understanding the aesthetic architectonics of coloristics and transcendental clarification of the dramaturgy of knowledge on color, as well reveals potential for its spiritual dimension. Viewing aesthetics as a form of metaphysical history of origin that changes modus of the ability to reason, and the aesthetics of color itself as what R. Arnheim calls metaphorical clash of modalities, the author demonstrates the emergence of text linguistics of coloristics as a manifestation of the observed at the limit, as a perception of unthinkable in creativity. The question that still remains open is one of how it is possible speak of transcendental vision of color, if the transcendental itself cannot be captured in a burst of passion or get inspired by it. Nonetheless, namely these acts are of great importance for comprehending all that suggests the presence of aesthetic predicates. For the first time it is shown that the conducted by Husserl analysis of the problem of perception of color is a paramount prerequisite for the phenomenological concept of intentionality of aesthetic consciousness. Transcendental phenomenology discovers fundamental grounds of this concept (also enabling aesthetic interpretation of the phenomena of consciousness) by modally intentioning understanding of the concept of color perception, finely structuring and describing it as a manifestation of activity of the consciousness on different levels.

Keywords: painting, color, aesthetics, consciousness, postphenomenology, phenomenology, Transcendentalism, creativity, Kant, Husserl

Review: This article discusses the problem of transformation of memorial practices of religious community in the context of modern cultural space. The subject of research is the memorial practices of religious communities, while the main goal is to determine their specificity in terms of intensification of post-secular trends and individualization of culture. The author reveals the initial correlation of religious community with the processes of maintaining collective identity and the ways of preserving collective remembrances; and later analyzes the process of their changeability, highlights the development stages and fundamental characteristics of religious communities. Based on functional approach proposed by E. Durkheim, M. Halbwachs and D. Hervieu-Léger, the article analyzes the situation of transformation of functions of collective memory and ways of referring to it in the context of spatial dynamics. The author’s main contribution consists in determination of transformation stages of the cultural space (culture of canon, culture of trauma, culture of dialogue), which allows indicating the prerequisites for secularization of memorial practices, as well as possibility for their studying in the context of post-secular trends. The conclusion is formulated that in modern culture, the religious community is established on the principles of individualization, homogenization and migration, which implies the refusal of presumption of continuity of collective memory, and transition towards its interpretation as a configurable element of the identity of religious community. The emerging gap between the need in religious beliefs and affiliation to the tradition creates a social request for the formation of local religious communities.

Keywords: functions, cultural space, identity, memorial practices, religious community, collective memory, cultural memory, individualization, migration, group