Sychugova L.A., Evlasev A.P. —
Linguistic peculiarities of functionality of authorial commentaries in the English literary text (based on the English-language novel “Sister Carrie” by Theodore Dreiser)
– 2020. – ¹ 12.
– P. 1 - 9.
DOI: 10.25136/2409-8698.2020.12.34369 URL: https://en. nbpublish.com/library_read_article.php?id=34369
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This article is dedicated to examination of verbal means of expression of authorial commentaries in English fiction. The relevance of the selected topic is defined by the fact that the question of characteristics of authorial commentaries remain an insufficiently studied area within the framework of interpretation of a literary work. Such linguists as R. Posner in the “Theory of Commentaries”, I. V. Arnold in the “Stylistics of Decoding”, and N. D. Arutyunova in her work “On the Problems of Structural Linguistics” have been dealing the topic at hand. Examination of the authorial commentaries allows assessing the depth and wholeness of the literary work. The article presents the analysis of linguistic means of functionality of authorial commentaries in the English-language novel “Sister Carrie” by Theodore Dreiser. Authorial commentaries manifest as one of the means for explication of dialogical nature of the literary text. Linguistic means emphasize the expressiveness of authorial commentaries within the framework of progression of a storyline. Most of the authorial commentaries in T. Dreiser's novel “Sister Carry” represent the contrasting contexts, reflected in the development of two thematic lines. To the first theme includes the associative series: beast – nature – the forces of life. The second semantic layer is demonstrated in the line: human – man – free will. Contrasting contexts originate the oppositions not only on the level of meaningful-logical information, but also on the level of subtext.
grammatical means, lexical means, semantic features, emotional expressiveness, plot motive, text modality, author's commentary, author's image, literary text, stylistic means
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Literary rhythm of the cycle by Isaac Babel “Red Cavalry”
– 2020. – ¹ 12.
– P. 10 - 17.
DOI: 10.25136/2409-8698.2020.12.34407 URL: https://en. nbpublish.com/library_read_article.php?id=34407
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This article examines the cycle by Isaac Babel “Red Cavalry in the context of literary trends of the 1920s. I. Babel avoided various literary organizations and loud manifestos; therefore, his role within the post-revolutionary literary system remains somewhat isolated: he had a reputation of a realist writer (although with some reservations) mostly due to specifically historical backstory of his military cycle. In this regard, his literary style is rarely viewed as a phenomenon of modernist literature – metareflective, intertextual, centered on the experiments with literary form. However, the works of I. Babel can be viewed as a characteristic to modernism phenomenon of “synthesis of arts” – not only painting and cinematography, but music as well. His musicality is traced both on the semantic level and particular recurring images, an on the level of rhythmic structure of the text. The article demonstrates “pretexts” (genre and stylistic models) that underlie the cycle “Red Cavalry”: folk songs, revolutionary marches, poetry of French symbolism (namely A. Rimbaud), which targeted to substitute versification with a rhythmic prose. Thus, some elements of I. Babel's prose are interpreted as variations of a free verse, which corresponds to the draft genre definitions given by the author to his stories, as well as to his writing style testified by some of his contemporaries.
Arthur Rimbaud, short story, french poetry, Revolution, soviet literature, music, rhythmic prose, Isaak Babel, synthesis of arts, theory of prose
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Evlasev A.P., Sychugova L.A. —
The peculiarities of functionality of evaluative lexis in the English-language political discourse (on the text of US mass media)
– 2020. – ¹ 12.
– P. 18 - 28.
DOI: 10.25136/2409-8698.2020.12.34377 URL: https://en. nbpublish.com/library_read_article.php?id=34377
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This article is dedicated to examination of the questions of functionality of evaluative lexis in political discourse of the United States. The relevance of the topic is substantiated by the heightened interests of research towards the peculiarities of expressing evaluative meanings in various types of discourse. In modern linguistics, the analysis of functionality of evaluative lexis in the political discourse is of unequivocal interest, since axiological interpretation significantly affects the life of modern society. Research methodology is comprised of the work of such Russian linguists as I. S. Alekseeva, A. A. Ufimtseva, T. A. Znamenskaya, N. D. Arutyunova, and others. Special attention is given to the method of realization of negative evaluations. The goal of this article consists in the methods of expression of evaluative meanings s using stylistic means, as the language is an effective weapon in the world of politics. The political texts of US mass media served as the material for this research due to the fact that mass media influence the formation of public opinion, the course of political discussions and referendums, rating of political and public figures, political parties, and public organizations. The conducted analysis demonstrates that the US political discourse includes different lexical and stylistic means applied for exertion of ideological influence, as well as formation of certain attitudes on certain realities of political life among the recipients.
phraseology, lexical unit, stylistic means, lexical means, evaluative lexis, word meaning, political discourse, axiology, semantics, politician
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Vavichkina T. —
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DOI: 10.25136/2409-8698.2020.12.34372 URL: https://en. nbpublish.com/library_read_article.php?id=34372
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language of the Internet community, transliteration, macaronic language, Arabic, standard language, dialect, Arabizi, written speech, oral speech, non-verbal means
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