Journalism
Reference:
Shafir T.V., Kulakova D.V., Nikonov S.B.
The historical aspect of the transformation of the International Union of Journalists
// Litera.
2024. ¹ 3.
P. 1-10.
DOI: 10.25136/2409-8698.2024.3.69893 EDN: HVLRUU URL: https://en.nbpublish.com/library_read_article.php?id=69893
Abstract:
The scientific article is a study on the history of the creation of the International Federation of Journalists (IFJ). The article presents an analysis of the history of the creation and development of the IFJ. The authors pay special attention to the reasons and prerequisites underlying the emergence of the International Federation of Journalists, as well as expand the data on the creation of the IFJ. The study draws attention to the circumstances that led to the establishment of the IFJ in the post-war period. Special attention is paid to the influence of geopolitical factors on the formation and development of the organization. The consideration of the reasons for the split of the MOJ includes differentiated approaches and strategies adopted by various participating countries, in particular, in the context of the professional activities of journalists. The data on the current state of affairs of the Russian Union of Journalists as part of the International Federation of Journalists are presented. The research methods used include historical analysis: the study of historical documents, archival materials, protocols of congresses related to the creation and development of the IFJ. A content analysis of the texts of articles, statements and reports related to organizations was carried out in order to identify key topics, approaches and dynamics in their activities. The novelty of this study lies in the fact that there are very few such materials in the scientific literature devoted to the history of journalism in Russia, and they mainly concerned the regions of Russia and the development of regional journalism. The main conclusion of this study is the understanding that currently non-governmental international organizations formed on the principles of professionalism are changing and becoming similar to political organizations, which in turn can lead to a split in these organizations and the termination of their existence. After Russia launched a special military operation in February 2022, the unions of journalists of Finland, Norway, Denmark and Iceland announced their intention to leave IFJ due to the presence of the national Union of Journalists of the Russian Federation in it. In February 2023, despite the fact that the organization claims that it is not connected with politics, but is exclusively engaged in protecting the rights of journalists, the IFJ "froze" the membership of the Russian Federation in the organization. It will be possible to return to the issue of Russia's return to work as part of the International Federation of Journalists only in 2026, if necessary.
Keywords:
history of journalism, history of journalistic organizations, Cold War, Russian Union of Journalists, International Federation of Journalists, International Organization of Journalists, non-governmental organizations, journalism, information confrontation, Information war
Linguoculturology
Reference:
Wang J.
Phraseological units with the semantics of "human character" in Russian and Chinese
// Litera.
2024. ¹ 3.
P. 11-20.
DOI: 10.25136/2409-8698.2024.3.70072 EDN: ZBBEOS URL: https://en.nbpublish.com/library_read_article.php?id=70072
Abstract:
The object of this research is the phraseological field with the semantics of "human character" as a fragment of the linguistic picture reflecting the peculiarities of perception of the world by native speakers of Russian and Chinese languages. The subject of the study is national peculiarities and common features of cultural components of the meaning of phraseological units about human character in the Russian and Chinese languages. In the first part of the article, the author gives a brief description of the theoretical understanding of phraseology as a phenomenon of Russian and Chinese linguistics, draws parallels between the concepts of phraseological unit and chengyu, comparing the key characteristics of the two terms and specifying the subject of research. Having defined the theoretical boundaries of the concept of phraseology, the author of the article systematizes the research material in accordance with the semantic features. The second part of the study is devoted to the comparative linguistic, cultural and semantic analysis of phraseological units expressing the "character of a person" in Russian and Chinese. Methods of classification, lexico-semantic analysis, linguistic and cultural analysis, comparison, generalization are used. The sample of the study includes 400 phraseological units about the character of a person (200 Russian and 200 Chinese), which were studied using quantitative and qualitative methods of analysis. The research contributes to the study of linguistic and cultural peculiarities of the perception of human character by representatives of Russian and Chinese cultures. The scientific novelty of the article lies in the application of comparative lexico-semantic and linguistic-cultural analysis to phraseological units with the meaning of "human character". Russian and Chinese studies of the quantitative correlation of phraseological and semantic groups in the phraseological field with the semantics of "human character" in Russian and Chinese, as well as the identification of cultural and historical features and patterns in the perception of human character traits in the Russian and Chinese language worldviews, revealed the presence of a universal and specific perception of human character. All this made it possible to establish a connection between different historical and social development, the influence of different religious and philosophical teachings in Russia and China, and the perception of human character reflected in the corresponding fragment of the phraseological field.
Keywords:
universal, linguistic and cultural features, the character of a person, an idiomatic expression, steady expression, Chengyu, phraseologism, specific, Russian, Chinese language
Literary criticism
Reference:
Klimenko I.V.
Interaction between the big adventure form and the composition of a neo-romantic literature
// Litera.
2024. ¹ 3.
P. 21-30.
DOI: 10.25136/2409-8698.2024.3.70125 EDN: JQHAEP URL: https://en.nbpublish.com/library_read_article.php?id=70125
Abstract:
The subject of the study is the composition of a neo-romantic story, the object is the stories by Alexander Grin «The Headless Horseman (18th Century Manuscript)», «The Taboo», «Hundred miles along the river». The author examines such aspects as the neo-romantic compositional features of the small genre, which probably emerged as a result of appealing to adventure novels, and attempts to correlate the concepts of «neo-romantic literature» and «adventure literature». Grin’s short stories, describing one event, are typically divided into chapters. This contradicts the genre logic, since it slows down the pace of the narrative. Allusions to the adventure attributes cement the composition and imagery system of the neo-romantic story and adventure novel. The affinity of poetics makes it possible to project the theory of adventure composition onto the neo-romantic work. It allows systematizing the neo-romantic composition features. The analysis draw the following conclusions. Division short stories into chapters seems to be an allusion to the adventure novel, for which is a way of structuring a large number of events. Allusiveness and play with points of view reflect the principle of dialogicity. The reader’s perception of allusions to adventure works performs a genre-forming function for an adventure novel, placing it in the context of adventure literature. In a neo-romantic story, allusions open up the dialog and play with readers’ expectations and non-neo-romantic poetics. The principle of play is innate in adventure as a phenomenon: events are lived through by the protagonist for their own sake. Although the techniques are common, the goals of a neo-romantic story and an adventure novel differ. A neo-romantic story deals with the personality behind its usual reality, not extreme situations as such, and a single event is sufficient to achieve this goal.
Keywords:
allusiveness, the principle of play, point of view, dialogicity, composition, supra-genre genre, big adventure form, adventure literature, Alexander Grin, Neo-romantic story