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«Scientific notes of the Gnesins Russian Academy of Music»
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ARTICLES of rubric«Страницы истории оперы»
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Reference:
Irina Susidko. Tommaso Traetta: between Manheim and St. Petersburg // Scientific notes of the Gnesins Russian Academy of Music.  2014. № 2.  P. 57-62. DOI: 10.7256/2227-9997.2014.2.66095 URL: https://en.nbpublish.com/library_read_article.php?id=66095
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Abstract: Tommaso Traetta’s ‘Sofonisba’ (Manheim, 1762) and ‘Antigona’ (St. Petersburg, 1772) are among the best examples of reformatory operas of the second half of the 18th century. The author shows the influence of different national traditions on Traetta’s style giving the examples of the famous Manheim orchestra’s manner of performance and also highly acclaimed vocal culture of Russian choral singing.
Keywords: Tommaso Traetta; ‘Sofonisba’; ‘Antigona’; opera-seria; opera reform.
Reference:
Margarita Grigor'eva. Ikonografiya Dzhezual'do: vymysel i pravda // Scientific notes of the Gnesins Russian Academy of Music.  2012. № 1.  P. 30-36. DOI: 10.7256/2227-9997.2012.1.66268 URL: https://en.nbpublish.com/library_read_article.php?id=66268
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Reference:
Natela Enukidze. Russkie vampuki do i posle «Vampuki»: nekotorye nablyudeniya nad istoriei opernoi parodii // Scientific notes of the Gnesins Russian Academy of Music.  2012. № 1.  P. 37-58. DOI: 10.7256/2227-9997.2012.1.66269 URL: https://en.nbpublish.com/library_read_article.php?id=66269
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Keywords: «Vampuka»; opera; parodiya; teatrkabare.
Reference:
Tat'yana Tsaregradskaya. ”Summings ist der Dichter”: ptitsy i struktury // Scientific notes of the Gnesins Russian Academy of Music.  2012. № 1.  P. 59-68. DOI: 10.7256/2227-9997.2012.1.66270 URL: https://en.nbpublish.com/library_read_article.php?id=66270
Creative Commons License This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
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