Review: This article trace the origins of using permanent metal jewelry in traditional clothing of the Mordovian people, as well as characterizes the role of metal products in culture. From the perspective of the currently popular brocade, sparkling fabrics, it seems relevant to refer to the domestic tradition of costume embroidery with metal pendants, beads, pearls that shine in the sun, and to the analysis of peculiarities of of Erzya and Moksha embroidery of the XIX – early XX centuries, known for simple but very effective methods of decorating female costume. The novelty of this work is defined by the absence of special research dedicated to permanent metal décor of the Mordovian costume; the need to determine the ratio between natural and synthetic materials used in embroidery; their interrelation with the traditional norms and aesthetic preferences of the Mordovian people. The object of this research is the traditional Mordovian costume, while the subject is the specificity of including small metal items (pendants, beads, pearls) into embroidery of the elements of festive and ritual clothes of the XIX – early XX centuries. The goal consists in analysis of the tradition of using metal items in embroidery, as well as in cognition of the meanings of this material in folk culture. Analysis is conducted on the new archaeological and ethnographic sources, archival materials on the history of culture and art of the Mordovian region. The author highlights and characterizes various techniques of using sequins in the Moksha and Erzya embroidery of the XIX – early XX centuries, which testify to the complexity of ethnogenesis of the Mordovian people.

Keywords: embroidery, non-removable jewelry, lead, tin, gold, silver, copper, traditional costume, Mordovian culture, tradition

Keywords: ditty, dance, song, quadrille, dance figures, tune, regional features, Russia, measure, saltation

Keywords: photography, documentary photography, Russian photographers, English photographers, photojournalism, photography analisys, photography as a tool, visual analysis, Orthodoxy in Russia, Orthodoxy

Keywords: work, understanding, òåêñò, interpretation, reconstruction, author, reader, reality, events, openness

Keywords: image of the Mother of God, Flemish painting, flower garlands, religious painting, painting of the seventeenth century, Jan Bruegel the Elder, Daniel Seghers, Nicholas van Verendael, Flemish artists, baroque painting

Keywords: art, psyche, reaction, affect, thinking, personality, catharsis, understanding, activity, imagination