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Scientific notes of the Gnesins Russian Academy of Music
Reference:
Tatiana Tsaregradskaya (2014). Sekventsiya No 5 dlya trombona: Berio i Grock /
Sequenza V for Trombone: Berio and Grock. Scientific notes of the Gnesins Russian Academy of Music, 1, 24–34. https://en.nbpublish.com/library_read_article.php?id=66100
Tatiana Tsaregradskaya Sekventsiya No 5 dlya trombona: Berio i Grock / Sequenza V for Trombone: Berio and GrockAbstract: The article is centered around an emblematic work of Luciano Berio — Sequenza V for trombone dedicated to the great clown of the first half of the 20th century Grock (real name — Ch.A. Wettach). By the choice of genre, instrument, elements of musical language and specific perfoming gestures Berio fulfils his aesthetic goal — the multivalence and “multilayerness” of the text that create the impression of unlimited shades of meaning in the music. Keywords: L. Berio; Grock; Sequenza No 5; trombone; theatricality of musical performance.
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This article written in Russian. You can find original text of the article here . References
1. Berio L. Poetika analiza / Per. T. Tsaregradskoy) // Uchenye zapiski Rossiyskoy akademii muzyki imeni Gnesinykh. 2012. №
2. S. 80—90. 2. Kirillina L. KhKh vek. Zarubezhnaya muzyka: Ocherki i dokumenty. Vyp. 2. M.: Muzyka, 1995. 3. Shklovskiy V.B. O rozhdenii i zhizni FEKS’ov // Nedobrovo V. FEKS. M.; L.: Kinopechat', 1928. 4. Berio L. Performance notes for Sequenza V for trombone solo. London: Universal Edition, 1968. 5. Berio L. Two interviews with Rossana Dalmonte and Balint Andras Varga / Translated and edited by D. Osmond-Smith. New York; London: Marion Boyars Publishers, 1985. 6. Berio L. Remembering the Future. Cambridge (Mass.): Harvard Univ. Press, 2006. 7. Crocker R.L., Coldwall J., Planchart A. Sequence (I) // The New Grove Dictionary of Music and Musicians. Vol. 23. London: Macmillan, 2001. P. 91—107. 8. Dack J. The Nature of the Instrument: Luciano Berio, Instrumental Thought and Schaefferian Theory // Luciano Berio. Nuove Prospettive / New Perspectives. Firenze: Olschki, 2012. P. 337—358. 9. Dempster S. Commentary on performance of Sequenza V for trombone solo. London: Universal Edition, 1968. 10. Griffiths P. Berio, Luciano. The Oxford Companion to Music / Ed. by A. Latham [Electronic resource] // URL: http://www.oxfordmusiconline.com ( accessed the 31st of October 2008). 11. Halfyard J. Foreword // Berio’s Sequenzas / Ed. by J.K. Halfyard. Aldershot: Ashgate Publishing Ltd, 2007. P. IX—XXII. 12. Halfyard J. Provoking Acts: The Theatre of Berio’s Sequenzas // Berio’s Sequenzas / Ed. by J.K. Halfyard. Aldershot: Ashgate Publishing Ltd, 2007. P. 100—116. 13. Stoianova I. Luciano Berio. Chemins en musique // La Revue Musicale, no 375— 376—377, 1985 |
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