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Visual Poetry in Ancient Persian Poetry
Poulaki Parvane

PhD in Philology

post-graduate student of the Department of the History of Newest Russian Literature and Modern Literary Process, Philological Faculty at Lomonosov Moscow State University

1112134, Russia, Moskva oblast', g. Moscow, ul. Akademika Pilyugina, 14

parvanehpoulaki33@gmail.com

 

 

Abstract.

This article is devoted to the analysis of visual peotry in the literature of ancient Iran as well as the relation between ancient Persian literature of the Xth century and European (French) poetry of the XIXth - XXth century, in particular, the influence of the latter on the former. Based on the example of calligrams of a French avant-garde poet Guillaume Apollinaire the author of the article studies the hypothesis about European authors borrowing graphical forms and visual techniques from ancient Persian sources. Pulaki focuses on such genre of Persian visual poetry as توشیح (toshih) and its kinds. In addition,the author also views the phenomenon of visuality in the Azerbaijani style of Iran poetry of the XIIth century. The researcher analyzes forms of visual poetry in the literature of ancient Iran as well as analyzes the relation between ancient Persian literature of the Xth century and European (French) poetry of the XIXth - XXth century expressed as the influence of the former on the latter based on the examples of calligrams of a French avant-garde poet Guillaume Apollinaire. 

Keywords: visuality, calligram, acrostic, Azerbaijani style, ancient Persian poetry, ancient Persian literature, concrete poetry, Visual poetry, imagery, chart

DOI:

10.25136/2409-8698.2019.2.29923

Article was received:

06-06-2019


Review date:

03-06-2019


Publish date:

18-06-2019


This article written in Russian. You can find full text of article in Russian here .

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