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Soviet Mass Song as a Form of Ideology
Ganskaya Ekaterina Nikolaevna

post-graduate student of the Department of General Theory of Language Arts (Theory of Discourse and Communication) at Lomonosov Moscow State University

1119991, Russia, g. Moscow, ul. Leninskie Gory, 1

ktrzn.h@gmail.com
Другие публикации этого автора
 

 

Abstract.

This article is devoted to the analysis of ideological discourses around the Soviet mass song that have certainly made the influence on the development thereof. Since the moment of creation of the USSR and up to 1960s the musical culture of the Soviet Union had been under full control of the government (all mass media and means of producing and distribution of cultural products were in state hands. According to the Party's opinion, a new country needed a new art. Therefore, in the very first years the USSR created the genre of Soviet mass song. In fact, it was the only form of vocal and instrumental art that was permitted in the country. The interdisciplinary nature of the subject has made the author to appeal to the historical culturological and discoursive methods of analysis. The first researchers of the mass song believed the main fature of the song to be its conformity to the principles of nationality, ideological commitment and specifity, however, today researchers view ideological bias as the main feature of the Soviet state singing culture. The latter reflects the opinion of the researches of those times, too. Based on a number of examples, the author of the articlel demonstrates how the Soviet 'meaning-making machine' functioned. 

Keywords: government procurement, ideology, socialist realism, soviet popular culture, estrada, soviet mass song, social procurement, Jolly Fellows, Vasily Lebedev-Kumach, Leonid Utyosov

DOI:

10.25136/2409-8698.2019.2.29760

Article was received:

15-05-2019


Review date:

15-05-2019


Publish date:

18-06-2019


This article written in Russian. You can find full text of article in Russian here .

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