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Critical Discourse about Russian Rock-Culture in Soviet Musical Samizdat Press
Ganskaya Ekaterina Nikolaevna

post-graduate student of the Department of General Theory of Language Arts (Theory of Discourse and Communication) at Lomonosov Moscow State University

1119991, Russia, g. Moscow, ul. Leninskie Gory, 1

ktrzn.h@gmail.com
Другие публикации этого автора
 

 

Abstract.

In this article Ganskaya focuses on the texts of Soviet musical samizdat press, the only specialized musical periodicals of those times (1970 - 1980s). The language and format of their articles were obviously dictated by the environment. Just like Western journalists created the mythology of rock-music, Russian authors did not only adopt it to the Soviet environment but even tried to impose their own values and stereotypes as opposition to both censored Russian culture and commercial Western culture.  The in-depth analysis of the matter requires the use of both discursive and historical-cultural analysis as well as analysis of not only texts but also the environment in which they had been created. Despite the fact that researchers of Soviet/Russian rock underline the importance of samizdat press for the rock-culture of those times, the phenomenon of censored musical press is still understudied. This article is supposed not only to attract attention of researchers to this gap but also to partly fill it in. 

Keywords: Russian rock music, be-in, censorship, underground, musical journalism, fanzine, samizdat press, rock poetry, Alexander Kushnir, Artemy Troitsky

DOI:

10.25136/2409-8698.2019.2.29557

Article was received:

18-04-2019


Review date:

19-04-2019


Publish date:

21-04-2019


This article written in Russian. You can find full text of article in Russian here .

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