Zverev A.S. —
Hans Sedlmayr on the two sciences about art
// Philosophy and Culture. – 2018. – ¹ 7.
– P. 69 - 74.
DOI: 10.7256/2454-0757.2018.7.26706
URL: https://en.e-notabene.ru/fkmag/article_26706.html
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Abstract: This article analyzes the views of the Austrian historian of arts Hans Sedlmayr on the science about art, which main problem he believed was that it turns into science about art without art and is reduced to the external description. The reason lies in the fact that such science about art studies the universal and singular uncoupled from each other. The foundation of the second science about art in Seldmayr’s opinion must become the studying of separate works of art, under which, following the traditions of German classical philosophy, he understands not the external objects, but the phenomena that represent the unity between the subject and object. The scientific novelty consists in actualization of the views of Hans Sedlmayr upon the work of art. A holistic work of art, in his opinion, must be reconstructed according to certain orientation of a subject towards an object that forms the perception of such object. The attitude, defined by the cultural context, touches upon not only the conscious, but also unconscious scope of activity of a subject.
Zverev A.S. —
The Idea of the Integrity of Art Work in Hans Sedlmayr's Researches
// Culture and Art. – 2018. – ¹ 3.
– P. 41 - 47.
DOI: 10.7256/2454-0625.2018.3.25918
URL: https://en.e-notabene.ru/camag/article_25918.html
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Abstract: The subject of the research is the theoretical views of an Austrian art historian Hans Sedlmayr on interpretation of art work. The corner stone of Hans Sedlmayr's approach is the idea of integrity. According to the art historian, art work is not just a system of external relations or formal structure but an organic whole that can be perceived both intellectually and sensually. The most important feature of integrity is a graphic nature of art work which was understood by Hans Sedlmayr as the unity of the sensual and spiritual, abstract and concrete, subjective and objective based on traditions of classical German philosophy. The method of this research is the systems approach that allows to understand ideas of Hans Sedlmayr as one whole. The novelty of the research is caused by the fact that the researcher views the ideas of Hans Sedlmayr in terms of classical German philosophy but not only as part of Vienna School of art. This approach allows to take another look at the main categories used by Hans Sedlmayr to analyze art work, in particular, the midpoint and graphic (visual) nature.