Abstract: This work is carried out within the framework of the current direction of modern philological science related to the study of local supertext (local text) in the national literatures of Russia. The subject of the research in the article is the "Sernur text" in the lyrics of the modern Mari poet Zoya Dudina, considered by us on the material of her poems included in the collection "Kuanyshym, kuemndal..." (Rejoiced, hugging a birch...) (2012). In this aspect, the lyrical works of this author are studied for the first time in the Mari literary science. The article identifies, describes and analyzes the main components of the "Sernur text" (images, motifs, artistic details, author's assessments and the ideological and conceptual component of individual lyrical texts and the collection as a whole), their place in the artistic structure of Zoya Dudina's lyrics. The methodology of the research consists of a historical-genetic and structural-semantic analysis of the author's lyrical texts, which allows us to identify and describe the structural and semantic levels of the "Sernur text", textual elements of the local subtext, revealing the author's concept of the world and man, the character of the lyrical heroine. The most important textual elements of the "Sernur text" in Zoya Dudina's lyrics are toponyms and anthroponyms and related spatial and character images – reconstructing/ transforming their primary etymological or real meanings, expressing one or another author's axiology. The main meaning of the "Sernur text" is summarized in the very title of the book (rural space, the land of ancestors, the Mari world), which carries the idea of the lyrical heroine's "merged" life with the Mari world and the world of nature. The structural and semantic levels of the "Sernur text" and textual elements of the local subtext (images and motifs, artistic details, documentary realities, framework components, etc.) reveal the author's concept of the world and man, imbued with respect for folk mythological culture and ancestral memory, their reflection in modernity, as well as the character of the lyrical heroine Zoya Dudina, marked by a genuine and grateful love for his native land.

Abstract: This article is prepared as part of the study of the actual problem of local supertext in the literature. It examines the "Sheklyanur text" of the documentary-fiction (autobiographical, memoir) novel by the Mari writer Yivan Osmin "Kava den mlande koklashte" ("Between Heaven and Earth"). The author identifies, describes and analyzes the main components of the "Sheklyanur text" (the problems tied to the Sheklyanur plot line and the Sheklyanur part of the biography of the central character acting as a narrator, the system of characters and events, descriptions, administrative and geographical realities, ethnographic scenes and details, language features), their place in the artistic structure of the novel and also highlights the historical context of the "Shakespearean text", most clearly visible in its ring composition and having a dramatic and tragic orientation. The methodological basis of the research is the historical-genetic method and the structural-semantic analysis of the work. They made it possible to identify and adequately interpret the meaningful lines of the "Shakespearean text" to the maximum extent, to describe the key elements of its poetics. Yyvan Osmin's novel "Between Heaven and Earth" for the first time in regional and Russian science has become the object of special analysis, it is studied in the context of the actual, almost unexplored in Mari philology problem of local overtext in literature. The "Sheklyanur text" of the novel is considered as a focus of information about the specific aspects of the village of Sheklyanur (as a socio-cultural space) of the mid-1930s, sustained within the framework of an artistic and documentary (memoir, autobiographical, primary) narrative. The "Sheklyanur text" is filled with memorable everyday scenes of a personal and social nature, which, together with open ethnographic elements, recreate pictures of the Mari world and some features of its manifestation in a particular place of residence of Mari. The exceptional signs of the "Shakespearean text" were the authentic names of real characters, their destinies, topographical and administrative-economic realities, lexical features of the narrator's speech.

Abstract: The article is devoted to the study of the poetics of the modern Mari novel in the aspect of the poetics of psychologism. The purpose of this work is to identify the main techniques of psychologism and their artistic functions in V. N. Berdinsky's novel "You are to me, I am to you". The research material was the text of V. N. Berdinsky's novel "You are for me, I am for you", as well as research about him in modern Mari literary science. The methodology of the research is determined by the structural and semantic analysis of the work, which made it possible to identify and describe in detail the conceptual, semantic and typological components of the psychological level of this novel text. The article proves that psychologism in the novel of the Mari writer manifests itself at the plot (internal plot) and character (techniques of internal characterization of characters) levels of the text, and it is also important in the context of the author's assessments of the depicted events and phenomena (improper-direct speech). Among the means of psychological characterization in Berdinsky's novel, the psychological detail plays a dominant role (external in the role of psychological and actually psychological). It is concluded that psychologism is the dominant style of V. N. Berdinsky's novel "You are to me, I am to you" and plays an important role in the formation of the author's artistic concept.

Abstract: The article examines the folklore intertext of the novel "Elnet" by the classic of Mari literature Sergey Grigoryevich Chavain at the level of folk songs, reveals their place in the artistic structure of the novel text, analyzes their role in revealing the people's perception of the world and the nature of the creative personality of the intellectual-Mari, in the expression of the author's ideas. The song texts of the novel, directly borrowed from folklore or reworked by the author, as well as created by Chavain himself in the likeness of the content and stylistics of folk-poetic works, give the artistic narrative romantic sublimity, poetry, drama and national specificity, strengthen the author's concept of the world and character. The methodology of the research is determined by the structural and semantic analysis of the works. The article for the first time identifies and describes in detail the semantic and typological components of the folklore-song intertext of Chavain's novel "Elnet", its significance for the expression of its artistic content. It is proved that the song texts of the novel mostly reveal the traditional cultural way of life of the Mari people, their natural existence, orientation to myths and ideals (labor songs; ritual songs: wedding, including lamentation songs; lyrical, mainly love and orphan songs). They are directly related to the national issues of the novel and the author's concept based on the uniqueness of the Mari people and their culture. A lot of space is occupied by songs that highlight the difficulties of the pre–revolutionary social life of the Mari people, the inequality of ethnonational existence, which became the reason for the formation of revolutionary predilections in the popular environment (recruiting - about seeing off to war, orphans, lamentations). This folklore intertext helps to clarify the ideological and moral quest of Mari in the pre-revolutionary era, the search for ways of social and national liberation brewing in the depths of the people.

Abstract: In the article, as part of the study of the poetics of the Mari literature, the paremiological level of the folklore intertext of the novel "Elnet" by the founder of Mari literature Sergey Grigoryevich Chavain is considered. The authors of the article identified different semantic types of proverbs and sayings in the text of the Chavain work, identified their artistic functions in the text. In this aspect, the novel creativity of the writer is being investigated for the first time. The methodology of the research is determined by the structural and semantic analysis of the works, which made it possible to identify and describe in detail the semantic and typological components of the folklore intertext of Chavain's novel "Elnet" at the paremiological level, its significance for the expression of its artistic content. The article proves that the proverbs and sayings used in the novel "Elnet" in one way or another represent the creative portrait of the founder of the Mari national literature Chavain. We are faced with a writer with a folk worldview, brought up on folk culture and in the living language of Mari folklore. The semantic component of the proverbs and sayings used by the author is an integral part of the conceptual world of the novel and the basis of the author's axiology. Forming a folklore intertext in the novel, they also influence its narrative structure, plot movement, participate in the process of creating characters, they are also important in the context of the author's assessments of the depicted events and phenomena.

Abstract: In her article, Kudryavtseva analyzes Vasily Pekteev's lyrics as part of analysis of modern Mari national poetry, in particular, poems from his poetic series 'Man from the Kingdom of Bees' (2018). Until now these poems have never been the matter of analysis. The research grounds include analysis of the artistic space of Mari poetry. The main attention is paid to the multicomponent and multi-value topos 'world' that most brightly reflect the author's artistic axiology. The methodological basis of the research involves historical typological and structured semantic analysis of works which has allowed to define and describe structural semantic levels of the 'world' topos actualizing the author axiology in Vasiliy Pekteyev's lyrics. The researcher proves that spacial elements of the 'world' topos including archetypes, fully reveal the spirit of a lyrical hero, demonstrate the writer's values and the nature of artistic axiology of modern Mari poetry. She also shows that modern Mari lyrics confirm personal freedom, life and nature beauty, creativity as well as nature-orientation and spirituality of the Mari world. Everything which is aimed at destruction and supression of the aforesaid is viewed as anti-values.  

Abstract: This article is devoted to the artistic manifestation of the axiological problematics in the Mari novel about the Great Patriotic War of the second half 1940s - early 1980s as part of the study of the value-based paradigm of Mari national literature. The authors focus on the genre-style solutions found by writers (genre subspecies of 'military' novel as well as stylistic dominants, in particular, forms and techniques of psychologism used by writers) aimed at actualisatino of the axiological content of their works. The methodological basis of the research includes historico-typological and structural-semantic analysis of writings wich demonstrates not only value-based aspects of the problematics of a 'military novel' but also manifestates poetological aspects of the genre. The authors of the article prove that axiological problematics is most brightly expressed in such subspecies of Mari 'military' novel as lyrico-dramatic, lyrico-philosophical and documentally biographic novels and the aforesaid problematics helped to develop such stylistic dominants of Mari flash fiction as psychologism, dramatism and narrative philosophization. 

Abstract: Within the axiological paradigm of modern literature in the Volga region, an artistic solution to the topic of bread in Mari and Chuvash prose is considered. The subject of the concrete analysis is the value nature of the image of bread in the stories of the Mari writer Yuri Artamonov “A weighty loaf” and the Chuvash writer Eva Lisina “A piece of bread”. The article reveals the value-semantic potential of the topic of bread in its universal, ethnodirectional and individual authorial expression of it; considered some aspects of the poetics of works, actualized in the framework of their axiological content. The research methodology is determined by the structural-semantic and comparative analysis of works. The results of the study can be in demand when building a modern scientific strategy of comparative literature in the Volga region and its practical implementation. It is proved that in both works an important component of the author's concept is the idea of bread as the source of life and happiness. But if, in the story of Yu. Artamonov, this thought gives rise to the image of an almost ideal hero-worker creating this value, then in the story by E. Lisina, inserted into the context of the artistic description of an absurd world, it, while retaining its moral component, is combined with a humanistic appeal.

Abstract: The subject of this article is the relation of modern student youth of Yoshkar-Ola to the Mari language, as well as place of this language within the system of its communication and value interests. The task at hand is viewed with consideration of the opposition of ethnic factor inherent to the Mari El Republic (Russians, Mari, and other ethnic groups). Its relevance is associated with the need for studying the current socio-linguistic situation in the polyethnic constituents of the Russian Federation, and the place of national (regional state) languages within them. The article manifests as a generalization of results of the sociological survey “Social Portrait of Student Youth”, conducted in 2015 by the department of Sociology of the Mari Scientific Research Institute of Linguistics, Literature, and History among the students of two universities (Mari State University and Volga State University of Technology). The scientific novelty of this work consists in the applied empirical material that is introduced into the academic discourse for the first time, as well as its problematic (communicative and value components of the Mari language in perception of the modern student youth of a polycultural city) that is also being examined for the first time in the regional ethno-sociological and socio-linguistic science. Attention is centered around the following aspects of reflection of the students regarding the Mari language: educational practice (place of Mari language in the system of studying/already learnt languages), communication prospect (necessary knowledge of Mari language for future life), educational paradigm (necessary teaching in all schools of the Republic), and ethnic-value reflection (acknowledgement of Mari language as native). The article proves that the Mari language as the regional state language in a modern polycultural city Yoshkar-Ola preserves its importance, primarily within the system of communication and value interests of the Mari student youth; however, even in such environment it loses its positions, but maintains its ethnic value significance.

Abstract: The subject of the research is the attitude of married couples living in the cities of the Mari El Republic towards the Mari language, the place of the Mari language in the communication and values system of an urban family. The problem set by the authors is viewed taking into account the ethnofactor opposition between a mononational Mari family when both spouces identify themselves as Mari and multicultural family when one of the spouces of Mari and the other is Russian. The rationale of the research is caused by the need to study the modern sociolinguistic situation in polyethnic Russian Federation constituents and to define the role of national (regional) dialects. The research is based on the sociolinguistic data obtained in 2012 by the sociological department of Vasiliev Mari Research Institute of Language, Literature and History as a result of the survey dedicated to the topic 'The Language Situation in the Mari El Republic'. The research methods include statistical analysis, systematisation, analysis and generalisation. The author has also used the sociological tools such as random non-repetition quote sample, standard inteview, etc. The scientific novelty of the research is caused, first of all, by the empirical material that is introduced to the academic community for the first tijme, and, secondly, by the problems raised by the authors (communicative and values role of the Mari language in the minds of a modern urban family) that is viewed from the point of view of regional ethnosocial and sociolinguistic studies. The authors focus on the following questions that allow to define the attitude of spouces in the aforesaid two types of married urban couples towards the Mari language: recognition/denial of Mari as a native language, competence in Mari, concerns about the future of the Mari language, attitude to the status of the Mari language and its functions in the society, and prospects for developing Mari as a state language. The authors of the article prove the fact that mononational and multinational families have very different attitudes to the Mari language. Multicultural families tend to deny the ethnic importance of Mari which creates opportunities for their further language assimilation.

Abstract: The present article is devoted to the Finno-Ugric literature community as the subject for comparative analysis as well as the general periodization of Finno-Ugric nations as the problem of comparative philology. The rationale of such periodization is caused by both the artistic creative practice of Finno-Ugric writers with their real interest in national identity sources and modern status of the literature theory, especially in the Urals-Volga region that demonstrate a strong interest towards issues of comparative methodology. The author pays special attention to such typological aspect of Finno-Ugric literature research as the literature in terms of its relation to folklore. This article is of theoretical and methodological nature. Therein the author applies analytical, systems approach, comparative methods of literary studies. in her research Kudryavtseva analyzes all Russian and foreign philological approaches to the systems research of the history of Finno-Ugric literature of Russia and the other world from the point of view of their importance and application as part of the modern academic strategy of Finno-Ugric comparative literary studies. 
 

Abstract: The subject of this article is the attitude of population of the Republic of Mari El towards mass media (TV and radio programs, newspapers, and magazines), fiction in Mari language, as well as their place within the information and communication environment of this polyethnic region in the middle of 2010’s. The problematic in hand is examined considering such factors as national affiliation, age, and place of residence of the respondents. The article represents generalization of the results of sociological survey among the residents of the Republic of Mari El, carried out in 2015 by the sociological department of Mari Language, Literature and History Scientific Research Institute named after V.M.Vasilyev on the topic “Interethnic and Interconfessional Relations in the Republic of Mari El”. The author implements the method of discourse-analysis, within the framework of which examines public consciousness of the population in its census multilayerdness.  The Mari TV and radio broadcasts, newspapers, magazines, and fiction primarily represent interest for the indigenous (Mari) population of the Republic, but such interest is not widespread; it attracts very little attention of the representatives of other nationalities. This work proves the relevance for the region of formulation of the ethnocultural and integration strategy in public consciousness that is aimed at preservation of ethnic identity through the media and fiction in native language, as well as development of bilingualism and polylingualism, particularly within the Russian, urban and youth environment.