Reference:
Pronkina A..
Cosmetic practices of transformation of human body in the conditions of modern culture: terminology, typology, and spheres of functionality
// Man and Culture. – 2017. – ¹ 1.
– P. 56-71.
DOI: 10.7256/2409-8744.2017.1.20653.
DOI: 10.7256/2409-8744.2017.1.20653
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Abstract: The subject of this research is the process of implementation of cosmetic practices of body transformation in the context of modern culture. The author examines such phenomenon as the ways of ordinary or specialized visual bodily transformation associated with the scenic or scenic-sculptural arrangement of person’s appearance avoiding the violation of the biological structures of a body. Special attention is given to the development of phenomenological characteristic of bodily “procedures” that support its sociocultural status, as well as establishment of correlation between the realizations of human cultural existence at present stage. The main goal of the article consists not in just pointing out at the problem itself, but also attempt establishing the thoughts and such thoughts and limits, in which takes places the scenic and scenic-sculptural transformation of natural modality of the body by means of terminological, typological, and functional fixation. The scientific novelty consists mainly in actualization of discourse of the cosmetic practices of transformation within the framework of scientific formulation of the problems of natural and artificial body at present stage of cultural development. The article demonstrates that all of them from the perspective of its structure are realized in both, ordinary and specialized areas, as well as capture such cultural complexes as science, lifestyle, fashion, education, and art.
Keywords: body art, face art, make-up, body painting, cosmetic transformation, practices of transformation of human body , bodily practices, fashion, scenic development of body, aesthetics of body
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