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Culture and Art
Reference:

Features of structure and types in the traditional headdress of Chinese Orochons

Vei Ven'

PhD in Art History

Postgraduate student, Senior Lecturer of the Department of Arts and Design of the School of Arts and Humanities of the Far Eastern Federal University (Russia); Heihe University, Heihe (China)

690922, Russia, Primorsky region, Vladivostok, blvd. Ajax 10, k.7.1, sq. 423

vei.ve@dvfu.ru
Fedorovskaya Natalia Alexandrovna

PhD in Art History

Doctor of Art History, Professor, Director of the Department of Arts and Design of the School of Arts and Humanities of the Far Eastern Federal University.

690922, Russia, Primorsky region, Vladivostok, blvd. Ajax 10, K.f, of. 406

fedorovskaya.na@dvfu.ru

DOI:

10.7256/2454-0625.2023.12.68896

EDN:

PLWUYK

Received:

06-11-2023


Published:

18-01-2024


Abstract: The object of the study is the cap of the Chinese Orochon tradition. The subject of the study is the head decoration of Chinese orochons made of goat skin. The article discusses the main types of caps and their structural features and production technology. Orochons make a special headdress from the head skin of a roe deer, which demonstrates the gender and status of the person wearing this decoration. The Orochon hat belongs to traditional Chinese clothing and serves as one of the indicators of this nation. Against the background of globalization, the culture and aesthetic thinking of Orochon art provide rich ideological sources and practical directions for the development of aesthetics and art of the world. The purpose of the study is the characteristics of traditional Orochon headdresses, the symbolic meaning of headdresses and the importance of animal skin headdresses. This article uses such research methods as the method of literature analysis, the method of investigation and research documentary interview and examines the art of Orochon head ornaments. Thus, we can lead to the following conclusion: the traditional Orochon head decoration is an important component of the Chinese and world culture of the art of head jewelry. Orochon head jewelry in its long history of development has acquired an elegant and attractive appearance and exquisite workmanship. Chinese researchers pay more attention to the aesthetic and ethnological studies of these products, which has created great theoretical value for us and provides a strong reference basis. The novelty of the article lies in the distribution of symbolic meanings and artistic features of Orochon head ornaments, in particular, their hats. The history of their development and cultural connotation are systematically analyzed, the description and communication of artistic features and symbolic meanings are carried out.


Keywords:

national minorities of China, Chinese Orochons, roe deer scalp, manufacturing technology, orochon headdresses, orochon, art, costume, pattern, Traditional culture

This article is automatically translated. You can find original text of the article here.

Globalization processes, which are rebuilding culture and art all over the world, lead to the actualization of local cultures and types of traditional decorative and applied arts, the study and development of which makes it possible to preserve national cultural identity in modern conditions. Of particular interest are the small peoples who still lead a traditional way of life to one degree or another and preserve their traditions. The indigenous peoples living on the borders of Russia and China largely demonstrate the proximity of cultures, which makes them interesting for Russian and Chinese specialists to study. In the decorative and applied arts of the Evenks, Tunguses, Nanais from the Russian and Daurians and Orochons from the Chinese side, products made from animal skins are of great importance. The article examines the features of the structure and types of traditional headdress of the Orochona people living in the border territories of China.

Orochons is the Russian name for a group of ethnic minorities in China, currently living in the Amur River Basin (Heilongjiang). Note that "modern Chinese researchers prefer to use olongchun (pinyin: ?l?nch?n z?) and the English-language version of oroqens (oroquins)… According to Chinese studies, orochons (simplified Chinese ? l?n ch?n z?, traditional Chinese ? l?n ch?n z?, pinyin: ?l?nch?n z?), Oroqen, Orochen, Orochon, Olongchun" [1, C. 5]. It is believed that the first name "orochi" (there is also a variant of "orochisel") was recorded by the French traveler Galo de La Perouse, who found himself on the lands of this people in the XVIII century [1, p. 6]. This small ethnic group has an original art of creating products from animal fur, which can be called the "skin culture" of the northern hunting people. The geography of their residence in the North of China affects the mountainous territories of Xinanlin (Maly Khingan), which begins south of Blagoveshchensk and goes southeast along the Sungari River and divides the Amur River Valley [2]. Since hunting requires climbing mountains, and the winter in the Amur basin is cold and long, the traditional costume of the Orochon people is durable and frost-resistant.

Roe deer skin has become the preferred material for Orochon clothing in daily practice. Back in the early 20th century, Russian ethnographers S. M. and E. N. Shirokogorov (in Chinese transcription Shi Luguo — Shi Lugo) during the Manchurian expedition of 1915-1917 recorded the skills of making fur and leather among the Orochon people, especially their magnificent fur, which covered conical yurts [3, pp. 64-85]. N. V. Kocheshkov in his essay also points to the manufacture of clothes and hats from roe deer skin by Russian Orochons (Evenks) [4].

The headdress of the Orochons. General technological techniques

The most specific and memorable in the traditional costume complex of the Oroch is a headdress made of roe deer skin in the form of a specific hat, which is called “mi? t? a w?n ” in Oroch. Apparently, this headdress was originally part of the hunting men's costume complex, but gradually became part of the children's and women's costume, entering the everyday life of the Orochons, which indicates the further expansion and improvement of the aesthetic perception of this headdress.

The very use of the roe deer's head, along with the utilitarian function associated with hunting, when a male hunter could get close to the herd thanks to a hat with an animal's head, opens up a deep layer of the mythological worldview of this people and the legends and myths about the deer god common among these peoples [5-6].

The hat is made of a whole skin taken from the head of a roe deer and imitates the head of an animal. The headdress has several varieties, taking into account the gender, age and social status of its wearer. The skin from the head of the roe deer is completely removed, the slits of the eyes and nose of the roe deer are preserved. The eyes themselves are made of black, white leather or fabric to make them brighter. In some cases, the horns of the roe deer are also preserved, as well as its ears. For example, roe deer ears are preserved on children's hats, whereas on adult men's hats they are cut off. Then two artificial ears are specially made from the skin of a roe deer and sewn onto the cut-off ears of a roe deer. The Orochons say that this is done in order to distinguish a hunter in a hat from a real roe deer on the hunt. The lower edge of the roe deer's head is lined with a circle of skin, facing outward in the lower part with fur. The body of the cap is connected to the ears on both sides. Usually it is turned up and lowered when it is cold with the fur inside.

Varieties of Orochon hats

Men's

The roe deer skin, extracted at different times of the year, has features that the Orochon people actively use. So, in winter, the roe deer has thick fur, it does not have hard horns. Therefore, hats made of winter-mined leather, without horns and with a pair of ears, are very warm and easy to wear. This hat is used by men when they are not hunting. Photos 1-3 show men's Orochon hats made of roe deer skin, which are part of the collections of the Aigun Historical Museum in Heihe and the Ethnic Museum of Orochons in the settlement of Shunke. Examples of men's hats without horns are shown in photos 1-3.

 

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Photo 1. Men's hat made of roe deer skin. Aigun Historical Museum (Heihe, China)

Photo 2. Men's roe deer skin hat from the collections of the Orochon Ethnic Museum (Xiunke village, China)

Photo 3. Men's roe deer skin hat from the collections of the Orochon Ethnic Museum (Xiunke village, China)

 

In early autumn, roe deer grow hard horns that take on a straight shape. Men's hats are made from this skin. This type of Orochon headdress has become the most famous and memorable. Now it has been preserved among hunters who wear horned hats on their heads (photos 4-6) [7].

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Photo. 4 Men's roe deer leather hat

Photo. 5 Men's roe deer skin hat from the collections of the Orochon Ethnic Museum (Xiunke village, China)

Photo. 6 Men's roe deer skin hat from the collections of the Orochon Ethnic Museum (Xiunke village, China)

Young and elderly Oroch mostly wear this type of hat at festivals and on holidays. It is said that the more branched horns a cap has, the stronger the orochon's family ties [8].

Childish

Children's hats are made from the skin of a roe deer, harvested in the spring. Children's hats are made of the skin of young roe deer, have small or velvet horns. This headdress is worn by boys, which means that one day they too will become brave hunters like their fathers. The children's version often uses buttons or embroidered eyes similar to the eyes of animals, red ears are hung on the sides to make these hats more cute and funny (photos 7-9).

 

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Photo. 7 Spring baby hat. Aigun Historical Museum (Heihe, China)

Photo. 8 Autumn children's hat. Aigun Historical Museum (Heihe, China)

Photo. 9. Teenage hat from the collections of the Orochon Ethnic Museum (Xiunke village, China)

After leaving the hunting costume complex, gradually this original type of headdress became widely known and became fashionable, for example, as a headdress for children of Han nationality. In this regard, skins from the heads of other animals, for example, a rabbit, as well as imitations of the head shapes of cubs, kittens, puppies, foxes, etc., began to be used.

Female

Women's hats are also made of roe deer leather. The peculiarity of women's hats is the absence of horns, which means that they do not participate in hunting. In addition, an abundance of jewelry is allowed for the female version [9, pp. 54-55]. For example, the use of decoration by attaching various types of patterns cut from thin colored leather (geometric, so-called "cloudy", imitating cirrus clouds, etc.) to the surface of the cap is also allowed to attach animal fur [10, p. 40]. The decorations of some headdresses imitate the eyes of animals (photos 10-12).

In the 1990s, the number of wild animals declined sharply, which threatened the traditional production methods of the Orochon people. On January 23, 1996, the People's Government of the Orochon Autonomous Region issued a notice prohibiting hunting of wild animals in order to save endangered wild animals and maintain an ecological balance. Since then, the Orochon people have said goodbye to the traditional culture of hunting [11, pp. 521-526]. Now hats made of roe deer skin are imitated by other materials.

Conclusion

Thus, the traditional Orochon headdress is not only a convenient part of the costume from the point of view of operation in the cold living conditions of this people, but also carries a deep meaning. The features of these headdresses are dictated by the traditional culture and worldview of a small people. Hats are traditionally divided into men's, women's and children's, and, thanks to the design, the presence of certain decorative elements, such as the size and type of horns, one can see the social status of a person, his place in the traditional structure of society. The simplicity of the design, decoration with traditional ornaments, and ease of use allow this product to be preserved in the traditional culture of the Orochons until now.

The specific hat of the Orochons has become the hallmark of this people, telling about their ethnic traditions, formed as a result of many years of life practice and having high artistic value. The preservation of the tradition of wearing this headdress and its dissemination among other peoples familiar with this culture testifies to the vitality of this part of the traditional Orochon costume.

 

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Photo 10. Women's Festive Leather Hat

Photo 11. Women's orochon leather hat .

Photo 12. Women's festive leather hat from the collections of the Orochon Ethnic Museum (Xiunke village, China)

References
1. Wei, V. (2022). Genesis of the Orochona people in Chinese historical and cultural studies. Scientific notes of Komsomolsk-on-Amur State Technical University, 8(64), 4-8.
2. Soldatov, V., Manchuria. Encyclopedic dictionary of Pomegranates. Retrieved from http://granat.wiki/enc/m/manchzhuriya
3. Sirina, A.A. (2018). The Manchurian Expedition of S.M. and E.N. Shirokogorvykh (1915-1917). Ethnography,  1, 64-85.
4. Kocheshkov, N.V. (1999). Non-Han peoples of Northeastern China (historical and ethnographic essay). Russia and the Asia-Pacific Region, 1. Retrieved from https://cyberleninka.ru/article/n/nehanskie-narody-severo-vostochnogo-kitaya-istoriko-etnograficheskiy-ocherk
5. Wu, Y.Z. (2006). The last legend. Research of the Orochon culture. Beijing: Beijing University of China Minzu Publishing House.
6. Barmina, E.V. (2019). The image of a deer in the traditional culture of the indigenous peoples of Eastern Siberia. Socio-economic and humanitarian Journal of the Krasnoyarsk State Agrarian University, 2(12).  Retrieved from https://cyberleninka.ru/article/n/obraz-olenya-v-traditsionnoy-kulture-korennyh-narodov-vostochnoy-sibiri.
7. Bai,L. (1991). The Orochon tribe. Beijing: National Publishing House.
8. Gomboeva, S. V. (2015). Features of the material culture of the Orochons of China (based on the material of expeditions). Bulletin of BSU, 8. Retrieved from https://cyberleninka.ru/article/n/osobennosti-materialnoy-kultury-orochonov-kitaya-na-materiale-ekspeditsiy
9. Go, T. L. (2008). The skill of decorating with fur of the Orochon people. Hunting in the North. Inner Mongolia Science Technology and Economics, 23, 54-55.
10. Ji, M. (2006) Hezhe, Orochons, Dahaners. A study of the art of costume. Heilongjiang: Heilongjiang Fine Arts Publishing House.
11. Liu, X.B.(2018).  Entering the Orochons. Centennial Chronicle of the Orochona tribe, 2, 521-526.

First Peer Review

Peer reviewers' evaluations remain confidential and are not disclosed to the public. Only external reviews, authorized for publication by the article's author(s), are made public. Typically, these final reviews are conducted after the manuscript's revision. Adhering to our double-blind review policy, the reviewer's identity is kept confidential.
The list of publisher reviewers can be found here.

The subject of the study, as well reflected in the title of the article ("Features of the structure and types of traditional headdress of Chinese Orochons"), is the traditional headdress of Chinese Orochons (one of the ethnic groups of the Evenks). The author appropriately clarifies the self-designation of the small-numbered people of Northern China (although he does not indicate that the self-designation "Orochi" comes from the word "oron", which in the group of Tungusic-Manchurian languages means domestic deer), traditionally engaged in hunting artiodactyl wild animals (roe deer) until 1990. The author appropriately connects the appearance of the traditional headdress of the Chinese Orochons with the main traditional craft of the people, hunting. But the self-designation of the people is also important, since it is closely related to the principles of cultural self-identification. The author dwelt in detail on the features of men's, children's and women's headdresses, traditionally made from the skin from the head of a roe deer, revealing the relationship of their details with socio-cultural attributes. So, the presence of horns on the headdress and sewn ears distinguishes men's hats, and the size and branching of the horns characterizes the head of the family or clan, i.e. the social status of the hunter in the tribe. Women's headdresses, in turn, were distinguished by the presence of natural ears and the absence of horns, as well as numerous decorative elements. The author appropriately accompanied the detailed description of the headdresses with illustrations (photographs of exhibits from Chinese ethnographic museums), which is also of research interest. In general, the subject of the study is well disclosed at a theoretical level worthy of publication in the journal Culture and Art. The research methodology is based on the descriptive method, traditional for ethnography and research of objects of material culture, enhanced by comparing the characteristics of men's, children's and women's headdresses. The concise research program is clearly visible in the logic of the narrative. The methodically weak (undeveloped) side is the lack of an assessment of the degree of study of the features of the structure and types of traditional Chinese Orochon headdress in the scientific literature, as well as the lack of discussions with colleagues on poorly studied problematic issues, which to some extent reduces the scientific significance of the publication, complicating the verification of the scientific novelty achieved by the author. However, this comment of the reviewer can be attributed to a wish, the implementation of which would be appropriate in further work on the research topic. The author explains the relevance of the chosen topic by saying that the globalization processes that are rebuilding culture and art around the world lead to the actualization of local cultures and types of traditional decorative and applied arts, the study and development of which allows preserving national cultural identity in modern conditions. It is necessary to agree with the author that small peoples who still lead a traditional way of life to one degree or another and preserve their traditions are of particular interest. Of course, the indigenous peoples living on the borders of Russia and China demonstrate the proximity of cultures in many ways, which makes them interesting for Russian and Chinese specialists to study. In addition, it should be noted that the worldview of those who seek to preserve the traditional way of life of small peoples is particularly environmentally friendly. While maintaining the direct connection of the traditional way of life with the harmony of the environment, the traditional cultures of small peoples demonstrate irreplaceable experience in the ecology of management and social organization, which certainly deserves more careful study in the light of the aggravation of global environmental problems. Scientific novelty, as noted above, could have been spelled out more clearly if the author had set and solved the task of including the results of his research in a broader context of scientific discussions. But even in the presented form, the scientific novelty of the work, which consists in a detailed description of the features of men's, children's and women's headdresses of Chinese orochons, in photo illustrations based on the exhibits of ethnographic museums of China, in explication into the Russian ethnographic discourse of scientific literature of Chinese colleagues, is beyond doubt and deserves trust. The style of the text in the article is generally scientific, although some points require the author's attention to improve the quality of the publication: 1) the text requires literary proofreading by a native speaker of the Russian language, since in some phrases there is an incorrect agreement of words (for example: "... the manufacture of clothes and hats from roe deer skin of Russian orochons ...", "... this headdress was originally a hunting men's costume complex ...", "... adopted by this group of small peoples by legends and myths about the deer god..." etc.); 2) if the subtitle is highlighted in the text with a separate strict dot at the end is not put ("The headdress of the Orochons. General technological techniques."). The structure of the article reflects well the logic of presenting the results of scientific research. The bibliography, taking into account the author's reliance on the analysis of empirical material, sufficiently reveals the problem area of research, but the description of the literature should be slightly adjusted based on the requirements of the editorial board and GOST. Appealing to opponents is generally correct. According to the reviewer, the article is of interest to the readership of the journal "Culture and Art" and after a little revision can be recommended for publication.

Second Peer Review

Peer reviewers' evaluations remain confidential and are not disclosed to the public. Only external reviews, authorized for publication by the article's author(s), are made public. Typically, these final reviews are conducted after the manuscript's revision. Adhering to our double-blind review policy, the reviewer's identity is kept confidential.
The list of publisher reviewers can be found here.

The author presented his article "Features of the structure and types of traditional headdress of Chinese Orochons" to the magazine "Culture and Art", in which a study of the element of the traditional costume of the small Chinese people as a sample of decorative and applied art, a marker of folk culture was conducted. The author proceeds in the study of this issue from the fact that the specific cap of the Orochons has become the hallmark of this people, telling about their ethnic traditions formed as a result of many years of life practice and having high artistic value. The preservation of the tradition of wearing this headdress and its dissemination among other peoples familiar with this culture testifies to the vitality of this part of the traditional Orochon costume. The relevance of this study is due to the increased interest of both representatives of the scientific community and the general public in traditional Chinese art in the context of the current geopolitical and socio-cultural situation, as well as the revival of interest in the art of national minorities within the country. The practical significance of the work lies in the fact that the study of the traditional artistic culture of national minorities in the Northeast region can contribute to the understanding, dissemination and development of traditional art in the regions of China. The methodological basis was formed by an integrated approach, including analysis, synthesis and classification, as well as descriptive and socio-cultural analysis. The empirical base includes images and descriptions of the headdresses of the Orochon (Olongchun) people. The purpose of this work is to characterize the features of the traditional headdress of one of the ethnic minority groups - the Orochon people, who live in northeast China. The subject of the study is the peculiarities of handicrafts of the Orochon people, namely: men's, children's and women's hats. Unfortunately, the author has not carried out an analysis of the scientific validity of the studied problem, which makes it difficult to make a conclusion about the scientific novelty of the study. The author presents ethnographic reference information about the ethnic minority of northeastern China, currently living in the Amur River basin: the history of development and ethnographic research, the territory of residence. To achieve the purpose of the study, the author conducted a socio-cultural analysis, the result of which was the position that the traditional Orochon headdress is not only a convenient part of the costume from the point of view of exploitation in the cold living conditions of this people, but also carries a deep meaning. The features of these headdresses are dictated by the traditional culture and worldview of a small people. Hats are traditionally divided into men's, women's and children's, and, thanks to the design, the presence of certain decorative elements, such as the size and type of horns, one can see the social status of a person, his place in the traditional structure of society. The simplicity of the design, decoration with traditional ornaments, and ease of use allow this product to be preserved in the traditional culture of the Orochons until now. In modern times, after leaving the hunting costume complex, gradually this original type of headdress became widely known and became fashionable as a headdress for children of Han nationality. In this regard, skins from the heads of other animals, for example, a rabbit, as well as imitations of the head shapes of cubs, kittens, puppies, foxes, etc., began to be used. In conclusion, the author presents a conclusion on the conducted research, which contains all the key provisions of the presented material. It seems that the author in his material touched upon relevant and interesting issues for modern socio-humanitarian knowledge, choosing a topic for analysis, consideration of which in scientific research discourse will entail certain changes in the established approaches and directions of analysis of the problem addressed in the presented article. The results obtained allow us to assert that the study of the unique culture of a certain people, its material and spiritual cultural heritage is of undoubted theoretical and practical cultural interest and can serve as a source of further research. The material presented in the work has a clear, logically structured structure that contributes to a more complete assimilation of the material. An adequate choice of methodological base also contributes to this. The bibliographic list of the study consists of 11 sources, which seems sufficient for the generalization and analysis of scientific discourse on the subject under study. The author fulfilled his goal, received certain scientific results that allowed him to summarize the material. It should be stated that the article may be of interest to readers and deserves to be published in a reputable scientific publication after the specified drawback has been eliminated.

Third Peer Review

Peer reviewers' evaluations remain confidential and are not disclosed to the public. Only external reviews, authorized for publication by the article's author(s), are made public. Typically, these final reviews are conducted after the manuscript's revision. Adhering to our double-blind review policy, the reviewer's identity is kept confidential.
The list of publisher reviewers can be found here.

The article "Features of the structure and types of traditional headdress of Chinese Orochons" is devoted, in the words of the author himself, "to the features of the structure and types of traditional headdress of the Orochon people living in the border territories of China." The researcher correctly justified the relevance of his article: "The globalization processes that are rebuilding culture and art all over the world lead to the actualization of local cultures and types of traditional decorative and applied arts, the study and development of which makes it possible to preserve national cultural identity in modern conditions. Of particular interest are the small peoples who still lead a traditional way of life to one degree or another and preserve their traditions. The indigenous peoples living on the borders of Russia and China demonstrate in many ways the proximity of cultures, which makes them interesting for Russian and Chinese specialists to study." We should add that the scientific community's interest in the history and culture of the East is steadily growing, and therefore this article is becoming particularly relevant. Its scientific novelty is also beyond doubt, as well as its practical value. The research methodology is extremely diverse and includes comparative historical, analytical, descriptive, etc. methods. We have before us a small, but very informative and worthy scientific study in which the style, structure and content fully meet the requirements for articles of this kind. It is characterized by an abundance of useful information and important conclusions. The text is interesting and easily perceived by the reader. It is very commendable that the author provided the work with a number of photos, which show, for example: "a men's roe deer skin hat from the funds of the Orochon Ethnic Museum (Xiunke village, China), a men's roe deer skin hat from the funds of the Aigun Historical Museum (Heihe, China), a spring children's hat, an autumn children's hat, etc." The article is clearly and logically structured, has 3 parts: introduction, main part and conclusions. In the introduction, the researcher gives an interesting insight into the history of the origin of the Orochon people. Next, the author examines the following in detail: "The headdress of the Orochons. General technological techniques Varieties of Orochon hats for Men, Children, and Women" Let's focus on a number of positive aspects of this worthy research in every sense. The researcher demonstrates a deep knowledge of the subject, the ability to describe it in detail and colorfully, as well as to draw the right conclusions not only at the end of the work, but also during the course of the study: "The most specific and memorable in the traditional costume complex of the Orochon is a headdress made of roe deer skin in the form of a specific hat, which in Orochon is called "mi? t? a w?n ” (????). Apparently, this headdress was originally part of the hunting men's costume complex, but gradually became part of the children's and women's costume, entering the everyday life of the Orochons, which indicates the further expansion and improvement of the aesthetic perception of this headdress. The very use of the roe deer's head, along with the utilitarian function associated with hunting, when a male hunter could get close to the herd thanks to a hat with an animal's head, opens up a deep layer of the mythological worldview of this people and the legends and myths about the deer god common among these peoples." Or: "The hat is made of a whole skin taken from the head of a roe deer and imitates the head of an animal. The headdress has several varieties, taking into account the gender, age and social status of its wearer. The skin from the head of the roe deer is completely removed, the slits of the eyes and nose of the roe deer are preserved. The eyes themselves are made of black, white leather or fabric to make them brighter. In some cases, the horns of the roe deer are also preserved, as well as its ears. For example, roe deer ears are preserved on children's hats, whereas on adult men's hats they are cut off. Then two artificial ears are specially made from the skin of a roe deer and sewn onto the cut-off ears of a roe deer. The Orochons say that this is done in order to distinguish a hunter in a hat from a real roe deer on the hunt." Here is another example: "Children's hats are made from the skin of a roe deer, harvested in the spring. Children's hats are made of the skin of young roe deer, have small or velvet horns. This headdress is worn by boys, which means that one day they too will become brave hunters like their fathers. The children's version often uses buttons or embroidered eyes similar to the eyes of animals, red ears are hung on the sides to make these hats more cute and funny (photos 7-9)." The bibliography of the study is extensive, includes the main, including foreign, sources on the topic, and is designed correctly. The appeal to the opponents is sufficient and made at a decent professional level. The conclusions, as we have already noted, are serious and extensive, here are just a part of them: "Thus, the traditional Orochon headdress is not only a convenient part of the costume from the point of view of operation in the cold living conditions of this people, but also carries a deep meaning. The features of these headdresses are dictated by the traditional culture and worldview of a small people. Hats are traditionally divided into men's, women's and children's, and, thanks to the design, the presence of certain decorative elements, such as the size and type of horns, one can see the social status of a person, his place in the traditional structure of society. The simplicity of the design, decoration with traditional ornaments, and ease of use allow this product to be preserved in the traditional culture of the Orochons until now. The specific hat of the Orochons has become the hallmark of this people, telling about their ethnic traditions formed as a result of many years of life practice and having high artistic value." In our opinion, the article will be of great importance for a diverse readership - researchers, practitioners, students and teachers, historians, art historians, etc., as well as all those who are interested in the history of costume and international cultural cooperation.