|
Library
|
Your profile |
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.|
Culture and Art
Reference:
D.L. Karavaev
The Fatherland War of 1812: the paths
and dead-ends of screen interpretation
// Culture and Art.
2013. ¹ 3.
P. 314-320.
URL: https://en.nbpublish.com/library_read_article.php?id=62832
D.L. Karavaev The Fatherland War of 1812: the paths and dead-ends of screen interpretationAbstract: the article explores the experience of movie-making – both, theater cinema and television cinema which is dedicated to the Fatherland War of 1812, all the way from silent movies made in Europe and Russia (“Grenadier Rolan ” by L. Maggi, “1812” by V. Goncharov) to modern filming of “War and Peace” of L.N. Tolstoy and Russian commercial productions devoted to 200-th anniversary of the Fatherland War. The author analyzes the role of cinematographic arts in the War’s memorialization. Keywords: history of arts, Fatherland War of 1812, historical movie, “Grenadier Rolan” by L. Maggi, screen version, memorialization, “War and Peace”, historic character, Alexander I, Napoleon I.
This article can be downloaded freely in PDF format for reading. Download article
This article written in Russian. You can find original text of the article here . References
1. V. Vishnevskiy. Khudozhestvennye fil'my dorevolyutsionnoy Rossii. M.: Goskinoizdat, 1945.
2. Kino na voyne. Avt.-sost. V.Fomin. – M.: «Materik», 2005. 3. Ot Tarutino do Maloyaroslavtsa. Sb. statey. Sost. N. Kotlyarova, E. Nazaryan. – Kaluga, «Zolotaya alleya», 2002. 4. V. Pudovkin. Sobr. soch. V 3-kh t. M.: «Iskusstvo», 1975 |
© 1998 – 2024 Nota Bene. Publishing Technologies. NB-Media Ltd.
Eng
