Abstract: The subject of this research is the innovative entrepreneurship as a factor of transition towards the innovative economy – the unrealized opportunities of the Russian reform period in the late XX century. Based on the modern historical knowledge, the article examines the theory of innovative entrepreneurship of the foreign and Russian scholars from metaphysical to contemporary behavioristic and psychosocial. The author describes the three “waves” in development of the theory of innovative functions of entrepreneurs reflected in a number of aspects of the conceptual constructs of the representatives of Austrian, German, French, and Dutch schools. The article demonstrates the specificity of theories of the Russian scholars that depicts the rapid formation of the new Russian entrepreneurship that is forced to lean not upon the national entrepreneurial culture, values and traditions, but interact with the business world of a foreign culture. The scientific novelty lies in revealing the structural-functional nature of the modern Russian entrepreneurship alongside the new unrealized functions of the state, which led to the large and dangerous historical delay that resulted in preservation of the technological backwardness and collapse of economy. At the same time, the scientific and technological innovations possess the specific functions: disrupting the ever-aging technological stability of production, they generate the structural shifts that allow defining the innovations as a factor of self-development of the entrepreneurial system. The author introduces the model of innovation development of economic system, the main conditions of which are the all-round promotion of innovation and experimentation at all levels and all departments of the corporation; establishment of a specific creative atmosphere; orientation of all innovation activity towards the social needs and national security.

Abstract: The subject of this research is the cinematographic interpretation of history and historical perception of the film: to the theoretical-methodological problems of the study of history of the Russian historical cinematography: on the example of Primorsky Krai (1938 – June of 1941). Based on the newly acquired historical knowledge, the author examines the establishment of the theory of cinematography during confrontation between Russian and foreign schools, directions, and concepts, as well as its transformation into the theory of Soviet cinematography that performed the ideological orientations of the All-Union Communist Party of Bolsheviks and Soviet authorities as the means of influence upon general public, encouraging them towards the collective labor heroism under the changing domestic and external conditions. The scientific novelty lies in demonstration of the structural-functional “nature” of Soviet cinematography along with the impact of the historical reality upon the Russian cinematography in the context of “history and cinema”. This article, based on the example of Primorsky Krai, is first to study the specificity of establishment of the functions of cinematography as a social institution, form of art, means of mass communication, and the necessity of using the historical experience in the modern circumstances.