Ðóñ Eng Cn Translate this page:
Please select your language to translate the article


You can just close the window to don't translate
Library
Your profile

Back to contents

Litera
Reference:

Lexical Representation of the Concept «Ãîðå/tongku» in Russian and Chinese Languages

Yan Tszy

Postgraduate Student; Department of Theory and Practice of Foreign Languages; Peoples’ Friendship University of Russia named after Patrice Lumumba

Miklukho-Maklaya str., 9, Moscow, 117198, Russia

1042235158@pfur.ru

DOI:

10.25136/2409-8698.2025.1.72806

EDN:

CCZRUB

Received:

22-12-2024


Published:

15-01-2025


Abstract: The article examines the concepts of “ãîðå” in Russian and “痛苦” in Chinese through their lexical representation and cultural significance. It analyzes dictionary definitions, semantic fields, and related lexical units of these concepts. The study discusses similarities and differences in the expression of these emotions, their intensity, and sources. Particular attention is given to the cultural perception and representation of “ãîðå” and “痛苦” in Russian and Chinese. The research highlights the importance of studying the emotional worldview for intercultural communication and the role of these concepts in conveying cultural values and traditions. Research subject: the semantics and lexical representation of the concepts “ãîðå” in Russian and “痛苦” in Chinese. Research aim: to identify similarities and differences in the lexical expression of “ãîðå” and “痛苦” through an analysis of their dictionary definitions, semantic fields, and related lexical units. The study employs methods of definitional analysis, lexical-semantic analysis, and comparative-typological methods. The results show that “ãîðå” in Russian emphasizes emotional suffering tied to losses and tragedies, while “痛苦” in Chinese covers a broader range of negative experiences, including physical and emotional pain. These differences reflect cultural and philosophical traditions: Russian focuses on the intensity and drama of emotions, while Chinese highlights universality and harmony. The findings are applicable to intercultural communication, linguistic theory, translation studies, and teaching Russian and Chinese. The study’s novelty lies in its comparative analysis of emotional concepts based on their lexical and semantic representation, revealing cultural and linguistic specificity. The conclusions underline key differences in the perception and lexical expression of emotions in Russian and Chinese, shaped by their unique cultural and linguistic traditions.


Keywords:

grief, tongku, emotions, lexical expression, definitional analysis, lexical-semantic field, Russian language, Chinese language, cultural differences, intercultural communication

This article is automatically translated. You can find original text of the article here.

The relevance of the work is determined by the need to identify similarities and differences in the lexical expression of emotional concepts in two languages, which contributes to the deepening of knowledge about intercultural communications and the specifics of the emotional worldview of the Russian and Chinese languages.

The purpose of the work is to compare the lexical expression of the concepts "grief" in Russian and "痛苦" in Chinese to identify their common and distinctive features.

To achieve this goal, it is necessary to solve the following tasks::

1. Analyze the dictionary definitions of the concepts "grief" and "痛苦" in Russian and Chinese.

2. Explore the semantic fields associated with these concepts and identify key vocabulary.

3. Compare the ways of expressing emotions related to concepts in terms of their intensity and emotional sources.

4. To identify the cultural and linguistic specifics of the lexical design of concepts.

The object of the research is the concepts of "grief" and "痛苦" in Russian and Chinese.

The subject of the research is the semantics and lexical representation of the concepts "grief" in Russian and "痛苦" in Chinese.

The novelty of the research lies in the comparative analysis of emotional concepts in terms of their lexico-semantic expression in two languages, which allows us to identify cultural and linguistic specifics.

In modern linguistics, the study of emotions is an important area of research, as V. I. Shakhovsky notes, "emotions are one of the forms of reflection of the world"[12, p. 24], emotions are not only a universal part of human experience, but also a key element reflecting the specifics of cultures and languages. Research on emotional concepts is usually conducted at the intersection of several linguistic theories, which makes this approach multifaceted and complex.

The theoretical basis of this work is based on the following approaches:

1. Theory of concepts. "A concept is, as it were, a bundle of culture in a person's mind; that in which culture enters the mental world of a person"[9, p. 40]. The concept is considered as a complex mental structure that includes both linguistic and cultural elements. The concept of "grief" in Russian and "痛苦" in Chinese is interpreted as part of an emotional picture of the world, representing experiences of negative emotions.

2. Semantic analysis. Considering the topic of concepts, "one cannot help but notice that it is literally permeated with semantically saturated elements, the analysis of which seems extremely important" [6, p. 66]. This approach helps to explore the meaning of a concept and lexical units representing emotions in a language, as well as their relationship to the cultural context.

3. Intercultural communication is "the exchange of information carried out by native speakers of different cultures"[2, p. 8], being one of the approaches to studying how cultural and linguistic differences in the expression of emotions affect interlanguage and intercultural interaction.

At the intersection of these theories, the work explores how the concepts of "grief" and "痛苦" are lexically expressed in Russian and Chinese, which aspects reflect their emotional nature, and how they relate to the cultural and linguistic context.

The concepts of "grief" and "痛苦" are of particular interest for comparative analysis, since they are at the center of the emotional picture of the world of the two languages. However, their lexico-semantic expression shows significant differences due to different cultural traditions, perception of emotions and ways of their verbalization.

According to Kudinova E. A., "the core of a concept is best reflected by the semantics of a keyword (lexeme) having a concept"[4, p. 49]. And O. M. Burakova believes that "the linguistic representation of a concept can be studied by analyzing the corresponding semantic field" [1, p. 88]. So, in order to accomplish the above tasks and in-depth analysis of the concepts of "grief" and "痛苦", it is necessary to refer to their dictionary definitions and semantic fields. Then, within the framework of the study, related lexical expressions will be analyzed, which can be roughly divided into three categories: by the source of emotions, by the degree of their intensity and by the method of expression. This approach will help identify similarities and differences in the presentation of these concepts in Russian and Chinese.

Ⅰ. Semantic comparison of the concepts "grief" and "痛苦"

When studying cultural concepts, researchers inevitably turn to lexicographic sources [5, p. 74]. This part presents a semantic analysis of the concepts of "grief" in Russian and "痛苦" in Chinese, based on a comparison of dictionary definitions and semantic fields.

Dictionary definitions and semantic field of the concept "grief" in Russian

According to Ozhegov's Explanatory Dictionary, the concept of "grief" has the following basic meanings: "1) Sorrow, deep sadness, for example: to get sick from grief; 2) Misfortune, for example: great grief happened; 3) In combination with other words, "grief" is used to mean something bad, inept For example: would-be fisherman, would-be business executive, would-be leader"[11].

The semantic field of the concept "grief" can be viewed through synonymous rows, which allows for a deeper understanding of its semantic structure and cultural significance.:

The concept of "grief" is included in a wide range of words that are close in meaning, which reveal different aspects of its semantics.:

- "sadness, sorrow, suffering"[3] — focus on the emotional side of grief, emphasizing the inner experience of loss or pain.

- "misfortune, disaster, tragedy"[3] — focuses on the external circumstances associated with grief, especially if it is caused by events beyond a person's control.

- "bitterness, anguish, loss"[3] — add an individual or even metaphorical connotation, indicating the consequences or understanding of the situation.

Based on dictionary definitions and semantic analysis, it can be concluded that the concept of "grief" in Russian covers a wide range of meanings related to emotional, social and cultural aspects of human experience. On the one hand, it indicates the depth of personal experiences related to loss and unhappiness, on the other hand, it is used as a means of evaluation in an ironic or metaphorical context. Thus, "grief" is a multifaceted and significant element of the linguistic worldview, reflecting the values, worldview and mentality of Russian culture.

Dictionary definitions and semantic field of the concept "痛苦" in Chinese

According to "新华词典" ("Xinhua Dictionary"), the concept of "痛苦" has the following meanings: 1) 身体或精神感到非常难受 (Feeling of severe physical or psychological suffering); 2) 使身体或精神感到非常难受的事 (a Situation or event that causes suffering); 3) 疼痛苦楚 (a term that describes the pain and suffering); 4) 犹沉痛,深刻 (Deep and strong feelings of grief or sadness)[8].

We will also consider the semantic field "痛苦" through synonymous series, which allows us to reveal its complex structure and a variety of shades of meaning.:

The concept of "痛苦" encompasses a wide range of emotionally and physically significant words that convey various aspects of the emotion of "痛苦":

- "悲伤 (sadness), 哀痛 (sorrow), 伤心 (broken heart)"[13] — indicate the emotional experience of losses and losses associated with mental pain and grief.

- "痛楚 (suffering), 折磨 (torment), 煎熬 (severe trials)"[13] — focus on physical or psychological pain, conveying a state in which a person is faced with insurmountable discomfort.

- "苦难 (difficulties), 不幸 (unhappiness), 困境 (difficult situation)"[13] — emphasize the external circumstances that cause suffering, including life difficulties, misfortunes or crisis situations.

- "悲哀 (bitterness), 酸楚 (bitterness), 绝望 (despair)"[13] — reflect a person's subjective perception of tragic events related to pain or loss.

The study of dictionary definitions and semantic fields shows that the concept of "痛苦" is a complex and multifaceted phenomenon, encompassing both internal emotional experiences and external events leading to physical or psychological pain. He reveals both the individual aspect of suffering and its universal nature, which makes "痛苦" an important part of the Chinese linguistic worldview. In language, he expresses not only a subjective sense of pain and loss, but also a philosophical understanding of life's difficulties, reflecting cultural values and worldview.

Thus, the conducted research has shown that the concepts of "grief" and "痛苦" have both similarities and differences due to cultural and linguistic traditions. Both concepts are associated with deep suffering and emotions, however, "grief" in Russian more often emphasizes emotional and tragic loss, while "痛苦" in Chinese covers both emotional and physical suffering, emphasizing their universality. These differences reflect the specifics of national mentalities and worldviews. In the next part, an in-depth analysis of related lexical expressions will be conducted, taking into account their emotional sources, intensity and modes of expression.

Ⅱ. Lexical expressions related to "grief" and "痛苦"

In this part, special attention is paid to the comparison of lexical units related to the concepts of "grief" and "痛苦" in Russian and Chinese. We classify these lexical expressions into three main categories.: 1. sources of emotions; 2. intensity of emotions; 3. ways of expressing emotions.

1. Sources of emotions

Based on the dictionary definitions associated with the concept of "grief", the following typical sources of emotions are distinguished in the Russian language:

Loss:

- "loss, death, separation" [7] — are associated with deep personal experiences caused by the loss of loved ones or the severance of important ties.

The misfortune:

- "disaster, failure, catastrophe"[7] — denote external events that destroy the usual order of life and cause grief.

Suffering:

- "poverty, sorrows, need"[7] — describe social and material problems that create long-term states of suffering.

And in Chinese, according to the definitions of the word "痛苦", there are such sources of emotions:

Physical pain:

- "疼痛 (pain)"[10] — reflects the physical sensations that cause suffering.

- "疾病 (illness)"[10] — describes a condition associated with a health disorder.

- "创伤 (injury)"[10] — indicates physical injuries that cause pain.

Psychological pain:

- "悲伤 (sadness)"[10] — describes deep emotional pain.

- "抑郁 (depression)"[10] — focuses on the state of depression.

- "失落 (loss)"[10] — reflects the feeling of losing something important.

Life's difficulties:

- "失败 (failure)"[10] — highlights the difficulties associated with losing goals.

- "困难 (difficulties)"[10] — indicates problems and obstacles in life.

- "挫折 (defeats)"[10] — describes conditions associated with obstacles or frustration.

Based on the above, the Russian concept of "grief" mainly focuses on tragic loss or external disaster, while the Chinese concept of "痛苦" covers not only emotional and physical pain, but also a wider range of life difficulties. These differences highlight the different aspects of the perception of suffering in Russian and Chinese cultures.

2. Intensity of emotions

The following words are often used in Russian to express the varying intensity of emotions associated with "grief.":

Low intensity:

- "sadness, sadness, longing"[7] — denote mild but prolonged emotional experiences associated with a lack of joy or a slight loss.

Average intensity:

- "grief, bitterness, bitterness"[7] — convey deeper feelings caused by significant losses or unpleasant events.

High intensity:

- "hopelessness, despair, horror"[7] — reflect the extreme forms of emotional state associated with the inability to cope with tragic circumstances.

In Chinese, the intensity of emotions associated with "痛苦" is also divided into three levels:

Low intensity:

- "难受 (unpleasant feeling)"[10] — conveys mild discomfort, both physical and emotional.

- "悲观 (pessimism)"[10] — reflects a slight feeling of sadness and loss of faith in the best.

- "忧伤 (sadness)"[10] — indicates mild emotional pain caused by loss.

Average intensity:

- "苦痛 (torment)"[10] — indicates moderate emotional or physical pain.

- "郁闷 (oppression)"[10] — describes a depressed state caused by difficulties or lack of an exit.

- "煎熬 (suffering, torment)"[10] — focuses on long and painful experiences.

High intensity:

- "极痛 (extreme pain)"[10] — emphasizes the intensity of physical or psychological pain.

- "绝望 (despair)"[10] — conveys a state of complete loss of hope.

- "哀恸 (deep sorrow)"[10] — describes a strong experience associated with a tragic loss.

As mentioned above, the Russian concept of "grief" emphasizes the emotional side of suffering, especially related to loss, and differs in a specific gradation of the intensity of experiences. The Chinese concept of "痛苦" is broader, including both the physical and psychological aspects of pain, and divides emotional states in more detail according to their severity, which emphasizes a more structured approach to describing experiences.

3. Ways of expressing emotions

In Russian, the ways of expressing emotions related to "grief" can be divided into several categories:

Physical manifestations — emotions associated with "grief" are often accompanied by bodily reactions:

- "Crying" [7] is a natural reaction to loss, allowing you to reduce emotional stress.

- "Sobbing"[7] is an intense expression of grief, often accompanied by deep sobs.

- "Groan"[7] — expresses depression and suffering, often without words.

Verbal reactions — The Russian language is characterized by a rich range of verbal expressions of emotions:

- "Complaints"[7] — convey feelings of resentment, disappointment, or powerlessness.

- "Curses"[7] — reflect a violent reaction to circumstances or their cause.

- "Screams"[7] — loud, emotionally charged screams indicating extreme pain.

Behavioral manifestations — the behavior of a person experiencing grief can change dramatically:

- "Solitude" [7] — the desire to distance oneself from others and be alone with oneself.

- "Fading" [7] is a state of emotional immobility caused by severe shock.

- "Inaction" [7] — loss of motivation for any action associated with internal devastation.

In Chinese, the ways of expressing emotions related to "痛苦" are also divided into three categories:

Physical manifestations:

- "哭泣 (crying)"[10] — expresses mild or moderate emotional pain.

- "抽泣 (sobbing)"[10] — reflects a deeper and more lasting experience.

- "叹息 (sigh)"[10] — symbolizes a feeling of hopelessness or depression.

Verbal reactions:

- "抱怨 (complain)"[10] — verbal expressions of discontent or pain.

- "呼喊 (shout)"[10] — loud and expressive manifestation of severe pain.

- "诉苦 (complaining about difficulties)"[10] — a frank account of their sufferings in order to find understanding or support.

Behavioral manifestations:

- "沉默 (silence)"[10] — unwillingness to share your feelings caused by inner suffering.

- "孤立 (isolation)"[10] — avoidance of social contacts and the desire to be alone.

- "自 ( (closeness)"[10] — an extreme form of social isolation caused by severe mental pain.

To summarize the above, Russian and Chinese emphasize both the physical and behavioral aspects of expressing emotions. However, in Russian, the emphasis is on the intensity of experiences through shouting and cursing, while in Chinese there is a greater emphasis on social aspects such as silence and isolation.

Table 1 summarizes the typical lexical expressions associated with "grief" and "痛苦".

Table 1. Typical lexical expressions associated with "grief" and "痛苦"

Classification

lexical expressions related to "grief"

lexical expressions related to "痛苦"

Sources of emotions

Loss

- loss

- death

- separation

Physical pain

- 疼痛 (pain)

- 疾病 (illness)

- 创伤 (injury)

The misfortune

- disaster

- failure

- disaster

Psychological pain

- 悲伤 (sadness)

- 抑郁 (depression)

- 失落 (loss)

Suffering

- poverty

- sorrows

- need

Life's difficulties

- 失败 (failure)

- 困难 (difficulties)

- 挫折 (defeats)

intensity of emotions

Low intensity

- sadness

- sadness

- longing

Low intensity

- 难受 (unpleasant feeling)

- 悲观 (pessimism)

- 忧伤 (sadness)

Average intensity

- grief

- grieving

- Bitterness

Average intensity

- 苦痛 (torment)

- 郁闷 (oppression)

- 煎熬 (suffering, torment)

High intensity

- hopelessness

- despair

- the horror

High intensity

- 极痛 (extreme pain)

- 绝望 (despair)

- 哀恸 (deep sorrow)

ways of expressing emotions

Physical manifestations

- Crying

- Sobbing

- Groan

Physical manifestations

- 哭泣 (crying)

- 抽泣 (sobbing)

- 叹息 (sigh)

Verbal reactions

- Complaints

- Curses

- Screams

Verbal reactions

- 抱怨 (complain)

- 呼喊 (shouting)

- 诉苦 (complain about difficulties)

Behavioral manifestations

- Privacy

- Fading

- Inaction

Behavioral manifestations

- 沉默 (silence)

- 孤立 (isolation)

- 自 ( (closeness)

Conclusion

The conducted research revealed a deep relationship between language and culture in the process of lexical design of the concepts of "grief" and "痛苦". Using the example of two languages, Russian and Chinese, it became obvious that language not only captures universal human experiences, but also forms ways of their perception and expression, determined by cultural and historical conditions.

The concepts of "grief" and "痛苦" demonstrate how different cultures interpret the phenomenon of suffering. In Russian, "grief" is often considered as a separate, isolated condition associated with fateful changes and tragic events. In Chinese, "痛苦", on the contrary, is a more multifaceted concept that encompasses a wide range of negative emotions and physical sensations. This difference highlights the importance of language as a tool for structuring and making sense of human experience.

In addition, the study revealed a significant influence of cultural norms and philosophical traditions on the ways of expressing emotions. Russian is dominated by an emphasis on emotional openness and intensity, while Chinese reflects a desire for inner balance and social harmony. This distinction highlights the importance of cross-cultural understanding in the study of emotional vocabulary.

This study contributes to the study of intercultural semantics and provides grounds for further analysis of other emotional concepts. The results obtained emphasize the importance of comparative research for understanding the universal and specific in human experiences, which is of great importance both for linguistic theory and for practical fields, including intercultural communication, translation studies and foreign language teaching.

References
1. Burakova, O. M. (2007). Methodology of Linguistic Description of a Concept Through the Construction of a Semantic Field. Bulletin of MGPU Named After I.P. Shamyakin, 1(16), 84–89. Mozyr.
2. Guzikova, M. O., & Fofanova, P. Yu. (2015). Fundamentals of the Theory of Intercultural Communication. Textbook for Academic Baccalaureate. Yekaterinburg, Russia.
3. KARTASLOV.RU. Retrieved from https://kartaslov.ru/ïîäîáðàòü-ñèíîíèìû-îíëàéí
4. Kudinova, E. A. (2008). Concept and Its Correlation with the Lexical-Semantic Field. Gramota Publishing, 1(2), 48–50. Tambov.
5. Liu, Juan. (2004). The Concept of "Journey" in Chinese and Russian Linguocultures. Diss. [Volgograd State Pedagogical University].
6. Medvedeva, M. A, & Romakh, O. V. (2008). Semantic Analysis of the Concepts of Celebration. Analytics of Culturology, 10, 66–71. Tambov.
7Russian National Corpus. Retrieved from https://ruscorpora.ru/
8Xinhua Dictionary. Retrieved from https://xhzd.net.cn/
9. Stepanov, Yu. S. (1997). Constants. Dictionary of Russian Culture. Research Experience. Moscow, Russia.
10. Xun, Endong, Rao, Gaoqi, Xiao, Xiaoyue, & Zang, Jiaojiao. (2016). Development of the BCC Corpus in the Era of Big Data. Corpus Linguistics, 1. Beijing.
11Explanatory Dictionary by Ozhegov S. I. Retrieved from https://gufo.me/dict/ozhegov
12. Shakhovsky, V. I. (1987). The Category of Emotions in the Lexical-Semantic System of Language. Voronezh, Russia.
13Encyclopedia of Synonyms. Retrieved from https://jinyici.gjcha.com/

First Peer Review

Peer reviewers' evaluations remain confidential and are not disclosed to the public. Only external reviews, authorized for publication by the article's author(s), are made public. Typically, these final reviews are conducted after the manuscript's revision. Adhering to our double-blind review policy, the reviewer's identity is kept confidential.
The list of publisher reviewers can be found here.

This scientific article is devoted to the lexical expression of the concept "grief/tongku" in Russian and Chinese. The purpose of the study is to provide a comparative analysis of the lexical expression of the concept "grief/tongku" in Russian and Chinese, with an emphasis on identifying cultural, emotional and social aspects that are reflected in these linguistic units. The author's research is aimed at understanding how different cultures interpret and express feelings of grief, including the study of semantic differences and similarities in the context of two languages. The relevance of the study of the lexical expression of the concept "grief /tongku" in Russian and Chinese is due to the need to understand cultural differences in the perception and expression of emotions. Grief is a universal human experience, and its interpretation can vary depending on the cultural context. Comparative analysis will help to identify the unique aspects associated with this emotion, which contributes to intercultural dialogue. In addition, the study of lexical semantics will deepen knowledge about how language reflects emotional experience and psychosocial processes. It is also important to take into account the social norms and traditions that influence the expression of grief in different cultures. The lexical expression of grief is also important for the analysis of literary and artistic works, enriching the interpretation of cultural heritage. Thus, this study has both theoretical and practical significance. The author of the scientific article in the framework of this work has revealed a deep relationship between language and culture in the process of lexical design of the concepts of "grief" and "痛苦". Using the example of two languages, Russian and Chinese, it became obvious that language not only captures universal human experiences, but also forms ways of their perception and expression, determined by cultural and historical conditions. The results of this analysis revealed a significant influence of cultural norms and philosophical traditions on the ways of expressing emotions. Russian is dominated by an emphasis on emotional openness and intensity, while Chinese reflects a desire for inner balance and social harmony.This difference highlights the importance of cross-cultural understanding in the study of emotional vocabulary. Comments on the article: 1. The Introduction section does not specify the relevance, object, purpose and novelty of the research, does not meet the design requirements. 2. Sources are not indicated for examples in a foreign language. In terms of content and style, this article does not meet the requirements for scientific articles submitted to the peer-reviewed journals of the Higher Attestation Commission. In accordance with the above, it is advisable to reject the submitted material with the right to resubmit it to the Litera journal only if the author takes into account the reviewer's comments.

Second Peer Review

Peer reviewers' evaluations remain confidential and are not disclosed to the public. Only external reviews, authorized for publication by the article's author(s), are made public. Typically, these final reviews are conducted after the manuscript's revision. Adhering to our double-blind review policy, the reviewer's identity is kept confidential.
The list of publisher reviewers can be found here.

The article under review is devoted to the semantics and lexical representation of the concept of "grief/tongku" in Russian and Chinese. The relevance of the work is beyond doubt: the cognitive field is considered one of the most promising and important in modern linguistics as a whole, and linguistic conceptology is an integral and essential part of this field. As the article correctly notes, the concept of "grief" is "of particular interest for comparative analysis, since it is at the center of the emotional picture of the world of two languages," "emotions are not only a universal part of human experience, but also a key element reflecting the specifics of cultures and languages." Thus, the relevance of the research is determined by the need to identify similarities and differences in the lexical expression of emotional concepts in the two languages, which contributes to the deepening of knowledge about intercultural communications and the specifics of the emotional worldview of the Russian and Chinese languages. The theoretical basis of the work was the works of such domestic and foreign researchers as Yu.S. Stepanov, V. I. Shakhovsky, E. A. Kudinova, O. M. Burakova, M. A. Medvedeva, O. V. Romakh, Xun Endong, Zhao Gaozi, Xiao Xiaoyue, Tsang Jiaojiao, Liu Juan, devoted to the concept and its correlation with lexico-semantic semantic analysis of the concepts "holiday" and "journey"; categories of emotions in the lexico-semantic system of language; methodology of linguistic description of the concept through the construction of a semantic field. The bibliography consists of 13 sources, including four lexicographic ones (S. I. Ozhegov's Explanatory Dictionary, Xinhu Dictionary, etc.), an Encyclopedia of synonyms and a textbook (Guzikova M. O., Fofanova P. Yu. Fundamentals of the theory of intercultural communication). There are only seven scientific sources used, which is insufficient to generalize and analyze the theoretical aspect of the problem under study. In addition, the author(s) do not appeal to relevant scientific papers published in the last 3 years, which does not allow us to judge the real degree of study of this problem in the modern scientific community. In the future, we recommend that the author(s) refer to more relevant scientific sources in the theoretical review. The research methodology is determined by the set goal and objectives (to analyze the dictionary definitions of "grief" and "痛苦" in Russian and Chinese; to explore the semantic fields associated with the concept of "grief / 痛苦" and identify key vocabulary; to compare ways of expressing emotions associated with this concept in terms of their intensity and emotional sources to identify the cultural and linguistic specifics of the lexical design of the concept) and is of a complex nature: general scientific methods of analysis and synthesis, scientific search, descriptive method, including observation, generalization, interpretation, classification of material, comparative method, methods of definitional component and socio-cultural analysis are used. During the analysis of the theoretical material and its practical justification, the author(s) examined the dictionary definitions and semantic fields of the concept "grief"; analyzed related lexical expressions by the source of emotions, by their degree of intensity and by the way of expression, which allowed "to identify similarities and differences in the representation of these concepts in Russian and Chinese" and they formulated the conclusions that "language not only captures universal human experiences, but also forms ways of perceiving and expressing them, determined by cultural and historical conditions"; "the concept of grief demonstrates how different cultures comprehend the phenomenon of suffering. In Russian, "grief" is often considered as a separate, isolated condition associated with fateful changes and tragic events. In Chinese, "痛苦", on the contrary, is a more multifaceted concept, covering a wide range of negative emotions and physical sensations," etc. The theoretical significance of the research is associated with a certain contribution of the results of the work done to the development of such modern scientific fields as cognitive linguistics, pragmatics, linguoculturology; to the comprehensive study of the concept of "grief". The practical significance lies in the possibility of using its results in university courses on intercultural communication, linguoculturology, lexicology and translation studies. The material presented in the paper has a clear, logically structured structure. In general, the style of presentation of the material meets the requirements of scientific description. Please note to the author(s) that the table name is capitalized. The manuscript has a complete form; it is quite independent, original, will be interesting and useful to a wide range of people and can be recommended for publication in the scientific journal Litera.