Ðóñ Eng Cn Translate this page:
Nota Bene. Books, journals, publishing technologies.
Please select your language to translate the article


You can just close the window to don't translate ☒
Library
 Your profile
Creative Commons License This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Back to contents

Scientific notes of the Gnesins Russian Academy of Music
Reference:

Dina Kirnarskaya Arkhitektonicheskii slukh v strukture odarennosti kompozitora

Keywords:

This article can be downloaded freely in PDF format for reading. Download article

This article written in Russian. You can find original text of the article here .
References
1. Asaf'ev B.V. Slukh Glinki // Asaf'ev B.V. Izbrannye trudy. T. 1: Izbrannye raboty o M.I. Glinke. — M.: Izd-vo AN SSSR, 1952. — S. 289—330.
2. Vebern A. Lektsii o muzyke. Pis'ma / Per. s nem. — M.: Muzyka, 1975. — S. 141.
3. Glinka M.I. O muzyke i muzykantakh. — M.: Muzgiz, 1954. — S. 87.
4. Kirnarskaya D.K. Muzykal'no-yazykovaya sposobnost' kak komponent muzykal'noi odarennosti // Voprosy psikhologii. — 1989. — ¹ 2. — S.47—56.
5. Maler G. Pis'ma. Vospominaniya / Per. s nem. — M.: Muzyka, 1964. — 635 s.
6. N.K. Metner: Vospominaniya, stat'i, materialy. — M.: Sovetskii kompozitor, 1981. — 352 s.
7. Mil'shtein Ya.I. Sovety Shopena pianistam. — M.: Muzyka, 1967. — 119 s.
8. Pamyati Sergeya Ivanovicha Taneeva: Sb. statei. — M.; L.: Muzgiz, 1947.
9. Pekelis M.S. Aleksandr Sergeevich Dargomyzhskii i ego okruzhenie. T. 1. — M.: Muzyka, 1966. — 495 s.
10. Puankare A. Matematicheskoe tvorchestvo. — Yur'ev, 1909. — 24 s.
11. Rakhmaninov S.V. Literaturnoe nasledie. T. 1: Vospominaniya, stat'i. Interv'yu. Pis'ma. — M.: Sovetskii kompozitor, 1978. — 668 s.
12. Rimskii-Korsakov N.A. Letopis' moei muzykal'noi zhizni. — 9-e izd. — M.: Muzyka, 1982. — 440 s.
13. Rimskii-Korsakov N.A. Muzykal'nye stat'i i zametki (1869—1907). — SPb.: tip. Stasyulevicha, 1911. — XLVI, [2], 223 s.
14. Stravinskii I. Dialogi. L.: Muzyka, 1971. — XVI, 414 s.
15. Chaikovskii M.I. Zhizn' Petra Il'icha Chaikovskogo: V 3 t. — M.; Leiptsig: Yurgenson, 1903.
16. Bernstein L. Findings. New York: Anchor Books, 1983. — 381 p.
17. Borsi N. Modern architects. — Nashville: Reavers, 1977.
18. Brittin R., Sheldon D. Comparing continuous versus static measurements in music // Journal of Research in Music Education. — Vol. 43 (1995). — P. 36—46.
19. Deliege I., Melen M., Stammers D., Cross I. Musical schemata in real-time listening to a piece of music // Music Perception. — Vol. 14 (1996). — P. 117—160.
20. DeWitt L.A.; Samuel A.G. The role of knowledge-based expectations in music perception: Evidence from musical restoration // Journal of Experimental Psychology: General. — Vol. 119 (1990). — P. 123—144.
21. Gammond P. Scott Joplin and the Ragtime Era. — London: Abacus, 1995.
22. Karno M., Konecni V. The effect of structural interventions in the First Movement of Mozart’s symphony in G minor of Aesthetic Preference // Music Perception. — Vol. 10 (1992). — P. 63—72.
23. Madsen, Clifford K. Emotional response to music as measured by the two-dimensional CRDI // Journal of Music Therapy. — Vol. 34 (1997). — P. 187—199.
24. Menuhin Y. Unfinished Journey. — London: MacDonald and Janes, 1979.
25. Paul McCartney in his own words. — New York: The Putnam Publishing Group, 1983.
26. Sekowski A. Personality predictors of music achievement // Polish Psychological Bulletin. — Vol. 19 (1988). — P. 131—137.
27. Schoenberg A. Style and Idea. — New York, 1949.
28. Walker E. The Man Verdi. — Chicago: Univ. of Chicago Press, 1982. — 526 p
Nota Bene
 
For authors
 
Other
 
Our sites
© 1998 – 2024 Nota Bene. Publishing Technologies. NB-Media Ltd.