Culture and Art
Reference:
Potokina, O. V. (2012). Formula of Cinematograph: Poetics of Hong Kong
Police Movie. Culture and Art, 4, 62–66. https://en.nbpublish.com/library_read_article.php?id=61222
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Culture and Art
Reference:
Potokina, O. V. (2012). Formula of Cinematograph: Poetics of Hong Kong
Police Movie. Culture and Art, 4, 62–66. https://en.nbpublish.com/library_read_article.php?id=61222
Potokina, O. V. Formula of Cinematograph: Poetics of Hong Kong Police MovieAbstract: Hong Kong cinematograph is one of the least studied phenomena in Russian cultural studies. Its history is closely connected both with a Chinese traditional culture and the newest achievements of mass media during ÕÕ–ÕÕI centuries. Popular genre of police movie can be studied with the use of the method of typological analysis. The author of the article comes to a conclusion that the structure and artistic language of such movies have formulaicity that complies with a certain genre canon. The canon combines both the best achievements in Hong Kong cinematograph and new successful elements. This very important genre of Hong Kong cinematograph well reß ects Hong Kong modern society. Keywords: cultural studies, foreign cinematograph, Hong Kong art, Chinese cinematograph, history of foreign cinematograph, genre movie, mass culture, canon, tradition.
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This article written in Russian. You can find original text of the article here . References
1. Toroptsev S. Kinematografiya Tayvanya. M., 1998.
2. Bordwell D. Planet Hong Kong. Cambridge, 2000. 3. Dannen F., Long B. Hong Kong Babylon. London, 1997. 4. Law K., Bren F. Hong Kong Cinema. Lanham, 2004. 5. Oxford History of World Cinema. Oxford; New York, 1996. 6. Teo S. Hong Kong Cinema. Berkeley, 1998. 7. The Cinema of Hong Kong: History, Arts, Identity. Cambridge, 2000. 8. Vick T. Asian Cinema: a Field Guide. New York, 2007 |