'Song creativity of Suleiman Aleskerov' PHILHARMONICA. International Music Journal nbpublish.com
Eng Cn Translate this page:
Please select your language to translate the article


You can just close the window to don't translate
Library
Your profile

Back to contents

PHILHARMONICA. International Music Journal
Reference:

Song creativity of Suleiman Aleskerov

Niftiyeva Ulfat Namig

Dissertation, Department of Music Theory, Baku Music Academy named after Uzeyir Hajibeyov

AZ1000, Azerbaidzhan, g. Baku, Azerbaidzhan, ul. Ul. Sh. Badalbeili, 98

ulfatniftiyeva@gmail.com

DOI:

10.7256/2453-613X.2022.1.37307

Review date:

14-01-2022


Publish date:

14-03-2022


Abstract: The subject of the research is the study of the specific stylistic features of the songwriting of the outstanding composer Suleiman Aleskerov, who played an exceptional role in the prosperity and development of the musical art of Azerbaijan, the study of the role of vocal music in the composer's work, the identification of the main features of his songs by analysis. The object of the study is the songwriting of Suleiman Aleskerov. In this context, the object of the study is to study the composer's attitude to the sources of song creativity, to the sources of folk music, to identify the national characteristics of the musical language of his songs, its originality. His songwriting is analyzed from the point of view of thematic and genre diversity, special attention is paid to the study of musical form, rhythm, mugham, melodic language of his songs. The main results of the study are that, despite the fact that Aleskerov's songs differ in musical structure, textural features, the definiteness of the national mugham is clearly expressed in them, the content of the melody, the intonation core is revealed. The author's special merits in studying the topic are that the main feature manifested in the melodies of songs is associated with the appearance of such mughams as shchur, segah, shushtar, bayat shiraz, which occur above the harmonic structure of a major or minor. Although his lyrical songs show the qualities inherent in folk songs, they differ in musical language. So, here the peculiarities of the romance genre come to the fore, and not folk songs. This is especially evident in the widely developed, smooth melody, which in its style is associated with mugham. The scientific novelty of the research lies in the fact that the songwriting of Suleiman Aleskerov was studied, the musical language of his songs and the stylistic features of the composer were revealed. The composer's songs in various genres were analyzed, the themes of his work, genre features, creative attitude to folk music and mugham were revealed.


Keywords:

Suleiman Aleskerov, composer, song, music analysis, verse, chorus, lad, rhythm, mugam, style

This article is automatically translated. You can find original text of the article here.


References
1.
Axmedova D. Janrovie i stilisticheskie osobennosti pesen Djaxanqira Djaxangirova // Konservatoriya. 2014. 6. S. 2328.
2.
Safarova Z. Yu. Istoriya muzyki Azerbaydjana. Chast 2. Baku, 2017. 584 s.
3.
Kasimova S. Nekotorie stilisticheskie osobennosti pesen Tofika Quliyeva // Mir muzyki. 2000. 1(2). S. 36-37.
4.
Mutallimova S. Stilisticheskie osobennosti pesennoqo tvorchestva Qadji Xanmamedova // Konservatoriya. 2018. 3. S. 2023.
5.
Maxmudova D. E. Poeziya i muzika v pesnyax azerbaydjanskoqo kompozitora. Baku, 2009. 253 s.
6.
Qadjizade X. Tematicheskoe raznoobrazie pesen Ramiza Mirishli // Konservatoriya. 2017. 3. S. 7383.
7.
Yusifova T. A. Vzqlyad na pesennoe tvorchestvo Oktaya Kazimi // Konservatoriya. 2017. 3. S. 2833.
8.
Maxmudova D. E. Vzaimosvyazi slova i muzyki v pesnyax Elzi Ibraqimovoy // Mir muzyki. 2008. 1(2). S. 113-116.
9.
Aleskerov S. A. Pecni truda i otvaqi. Baku, 1990. 94 s.
10.
Qadjibekov U. A. Osnovi azerbaydjanskoy narodnoy muzyki. Baku, 1985. 152 s.
11.
Aleskerov S. A. Pesni. Dlya qolosa fortopiano. Baku, 1960. 13 s.
12.
Aleskerov S. A. Pesni xrabrost i serdcha. Baku, 1978. 73 s.
13.
Shixaliyev I.N. Ladovaya teoriya azerbaydjanskoy muzyki. Baku, 2015. 172 s.