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PHILHARMONICA. International Music Journal
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Ivan Sokolov’s triptych “About Cage”: on the problem of synthesis of music and text

Petrov Vladislav Olegovich

Doctor of Art History

Docent, the department of Theory and History of Music, Astrakhan State Conservatory

414000, Russia, Astrakhan, Sovetskaya Street 23

petrovagk@yandex.ru
Другие публикации этого автора
 

 

DOI:

10.7256/2453-613X.2019.6.31458

Review date:

22-11-2019


Publish date:

30-12-2019


Abstract: The research object is a piano cycle by a Moscow composer Ivan Sokolov About Cage. The author uses the comprehensive approach to reveal the key composition and performance patterns such as the combination of a music and a verbal principles, emphasizing the manifestation of instrumental theatre, the improvisation style, and the synthesis of music idioms typical for both composers  - the one who is the object of the analyzed piano cycle, and its author and performer. The research methodology is based on the analytical method which helps to understand the specificity of Ivan Sokolov’s work in the context of vanguard ideas of American composer-innovator John Cage. The author attempts to compare the composition innovations of both authors so vividly embodying the traits of one of the most popular genres of the late 20th century - instrumental theatre - in their compositions. The article is directed to professional musicians and modern music enthusiasts.


Keywords: stage dramaturgy, fine art, the content of art, musical art, theory of music, philosophy of music, musicology, art history, 20th century music, modern composition
This article written in Russian. You can find full text of article in Russian here .

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