' . ( )' PHILHARMONICA. International Music Journal nbpublish.com
Eng During last 365 days Approved articles: 1901,   Articles in work: 386 Declined articles: 429 
Library

Back to contents

PHILHARMONICA. International Music Journal
Reference:

Metaphysics of Yu. Gontsovs music (the experience of philosophical analysis)

Soboleva Elena Anatolievna

PhD in Philosophy

associate professor at Astrakhan State Conservatory

4140000, Russia, g. Astrakhan', ul. Sovetskaya, 23

elenso10@mail.ru

 

 

DOI:

10.7256/2453-613X.2019.2.29318

Review date:

23-03-2019


Publish date:

06-05-2019


Abstract.

The research subject is the work of a modern composer from Astrakhan Yu.P. Popov; the research object is the music culture of the 20th century. The author studies the scope of the composer’s works containing his metaphysical ideas commonly found in the Russian philosophical doctrine - unitotality, communal spirit, and the idea of Sophia. Analysing the composer’s works, the author manages to describe his views on the world order. The author uses the following methods: analytical (when analysing the form, music style and language), philosophical-hermeneutical (when analysing the content of the pieces of music). The author detects the key constants of the metaphysical strivings of the composer. Special attention is given to the composer’s reference to the program character which includes not only the title of a piece of music and its parts, but also text epigraphs and the method of instrumental intoning of a text. The most significant author’s contribution is the use of the philosophical-hermeneutical method for the analysis of the content of the pieces of music. The scientific novelty consists in the fact that this music material hasn’t been studied before.

Keywords: Russian philosophy, musical language, Logo, unity, Sofia, collegiality, metaphysics, music by Gontsov, music, content analysis
This article written in Russian. You can find full text of article in Russian here .

References
1.
Gontsov Yu.P. Nekotorye osobennosti notatsii v muzyke KhKh stoletiya. Rostov-na-Donu: Izdatel'stvo Foliant, 2005. 164 s.
2.
Egorov L.N. Yurii Petrovich Gontsov // Kamerton. Vestnik Astrakhanskoi gosudarstvennoi konservatorii. Vypusk 16. S. 58-64.
3.
Petrov V.O. Lyuboi khudozhnik translyator idei, kotorye k nam prikhodyat svyshe (interv'yu s kompozitorom Yuriem Gontsovym) // Problemy prepodavaniya muzykal'no-ispolnitel'skikh distsiplin: Sb. statei. Vyp. VI. Maikop: Izd-vo Magarin O.G., 2015. S. 140-156.
4.
Vasiruk I.I. Polifonicheskie tsikly KhKh veka: Uchebnoe posobie. Volgograd: Izdatel'stvo Magarin O.G., 2012. 190 s.
5.
Soboleva E.A. Rol' festival'nogo dvizheniya Soyuza kompozitorov v razvitii muzykal'noi kul'tury regionov (na primere astrakhanskogo festivalya sovremennoi muzyki) // PHILHARMONICA. International Music Journal. 2019. 1. S. 43-52.
6.
Gontsov Yu.P. Otkroveniya. Dlya truby i fortepiano. M.: Izdatel'skii dom Kompozitor, 2009. 40 s.
7.
Solov'ev V. Filosofskie nachala tsel'nogo znaniya. M.: Akademicheskii proekt, 2011. 154 s.
8.
Solov'ev V. Dukhovnye osnovy zhizni. SPb.: Bukvoed, 2012. 144 s.
9.
Solov'ev V. Rossiya i Vselenskaya tserkov'. M.: Fabula, 1991. 448 s.