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PHILHARMONICA. International Music Journal
Reference:

On the definition of “genre” in ethnomusicology
Ivanova Ol'ga Anatol'evna

head of the division at Astrakhan State Conservatory

4140000, Russia, g. Astrakhan', ul. Sovetskaya, 23

nofany4@mail.ru
Другие публикации этого автора
 

 

Abstract.

The article considers the notion of “genre”. The author uses the set of vocal items to demonstrate the principles of folkloric material classification.  The author enumerates the factors influencing on confinedness and non-confinedness of the material and the dependence of defining the elements composing the genre traits in the field of study. The author also considers the research of other scholars in the field and cites the key findings of such scholars as I.I. Zemtsovsky, Yu.N. Tynjanov, A.N. Veselovsky, G.N. Pospelov, Yu. G. Kruglov, F.A. Rubtsov, V.L. Goshovsky, E.V. Gippius, V.A. Lapin, E.A. Dorokhova, O.A. Pashina. The author notes the most popular interpretation of the criteria of evaluating folkloric vocal items proposed by E.V. Gippius. The scientific novelty of the study consists in the fact that the author corroborates theoretical materials in the field of genre studies with the musical materials of the local tradition of Astrakhan region. The problem is that at the current stage of scientific development, there is a plethora of opinions of scientists basing on the data typical for a particular territory and a particular tradition. Thus, the set of elements under consideration is often varying and incomparable. Therefore, using local materials, scholars can work on their own arguments proving their hypotheses.
 

Keywords: transformation of genres, genre-style dominant, song type, syntactics, folklore, art history, theory of genres, ethnomusicology, system of folklore, typology of genre

DOI:

10.7256/2453-613X.2018.4.29037

Article was received:

21-02-2019


Review date:

21-02-2019


Publish date:

25-02-2019


This article written in Russian. You can find full text of article in Russian here .

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