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PHILHARMONICA. International Music Journal
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On the notion of a musical form in terms of social communication

Petrov Vladislav Olegovich

Doctor of Art History

Professor at the department of Theory and History of Music of Astrakhan State Conservatory

414000, Russia, Astrakhanskaya oblast', g. Astrakhan', ul. Sovetskaya, 23

petrovagk@yandex.ru
Другие публикации этого автора
 

 

DOI:

10.7256/2453-613X.2018.4.28525

Review date:

26-12-2018


Publish date:

25-02-2019


Abstract: The article unfolds the phenomenon of a musical form in terms of its definition in social communication. In spite of the fact that particular studies within musicology discuss this issue (A.Sokhor, V. Zukerman, V. Kholopova, E. Nazaikinsky, M. Aranovsky), a precise definition of musical form does not exist. Its social and communicative significance is interpreted especially unclearly. The author uses the analytical research method based on the principle of selection of significant definitions of a musical form. The scientific novelty of the study consists in the approach to a musical form as a subject of social communication. Through the prism of the analytical approach, the author detects the degree of dependence of a form on focusing on a particular listener, on their perception in terms of concert platform or another performance principle.  


Keywords: social communication, the content of art, musical art, theory of music, genre in music, genre and society, theoretical musicology, genre, art history, musicology
This article written in Russian. You can find full text of article in Russian here .

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