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PHILHARMONICA. International Music Journal
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Traditional Instruments in Electro-Accoustic Music as a Consistent Pattern

Rais Mark

Editor of the electronic journal "Israel XXI"

6753054, Izrail', g. Tel' Aviv, ul. Tslilei-Khanina, 5, kv. 8

mbl-205@mail.ru
Другие публикации этого автора
 

 

DOI:

10.7256/2453-613X.2018.3.27233

Review date:

24-08-2018


Publish date:

22-11-2018


Abstract: The subject of the research is the place of traditional academic or folklore instruments as well as their assemblies, vocalists and choirs in electro-accoustic music. Electro-accoustic music is traditionally divided into two large groups, music played out from an electronic media, and music where the sound is accompanied with instrumental music. The author demonstrates that the latter group is an inevitable  consequence of the former. The first electro-accoustic composers emphasized that the music was perceived in a special way due to the briefness of its structure. The participation of traditional instruments united these brief structures, and the product became more familiar to the human ear, although the functional patterns between sounds remained in principle the same. The article is based on the analysis of the structures of musical works from simpler to more complex use of instruments in them. Fundamentally new in the article is the statement itself of the fact that "pure" electro-acoustic works reproduced from electronic media, and those in which instruments and voices are used, constitute a single group with identical functionality. The forms that the instrumental part can take are considered; and it is shown that not all works where the phonogram is used are electro-acoustic.


Keywords: vocal timbre, instrumental timbre, Josef Tal, Edison Denisov, Stockhausen, Boulez, stereophony, electro-acoustic music, electronic timbre, structure
This article written in Russian. You can find full text of article in Russian here .

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