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About the Concept of the First Symphony by Robert Smith

Petrova Yuliya Sergeevna

University teacher, Astrakhan Musial College named after M.P. Mussorgsky, adviser, Russian Academy of Natural Sciences

414000, Russia, g. Astrakhan', ul. Molodoi Gvardii, 3

uspetrova@yandex.ru
Другие публикации этого автора
 

 

DOI:

10.7256/2453-613X.2017.3.25076

Review date:

23-12-2017


Publish date:

16-01-2018


Abstract.

The article is devoted to one of the most striking embodiments of the work iconic for the whole world literature - The Divine Comedy by  Dante Alighieri - in the musical opus by Robert Smith, a contemporary American composer. The author draws figurative parallels between the literary source and the composition of the composer, and defines the ways of interaction between musical form and content revealing their involvement in the synthesis of arts. The article focuseson the factors that Robert Smith refers to helping the audience/listener understand the image-and-content components of the Dante poem, in particular, on use of principles of instrumental theater (singing and reciting by members of the orchestra). The author when considering one musical opus has undertaken its integral analysis that implies a contextual approach to the phenomenon under study. The symphony by Robert Smith appears as a literary and musical manifesto of the composer, the main meaning of which is to instruct the young generation on moral and aesthetic rightness. The work is considered in stages (one part after another) to reach a deeper understanding of the general concept. 

Keywords: modern music, Robert Smith , postmodernism , Dante , programming, symphonic music, form and content, musical image, synthesis of arts, contemporary music
This article written in Russian. You can find full text of article in Russian here .

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