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Surrealism in Art: Genesis, Aesthetics, Extension

Petrov Vladislav Olegovich

Doctor of Art History

Docent, the department of Theory and History of Music, Astrakhan State Conservatory

414000, Russia, Astrakhan, Sovetskaya Street 23

petrovagk@yandex.ru
Другие публикации этого автора
 

 

DOI:

10.7256/2454-0625.2017.4.17516

Review date:

07-01-2016


Publish date:

11-06-2017


Abstract: The subject of the article is surrealism as one of the brightest art movement of the twentieth century. In his research Petrov considers the development and basic aesthetic patterns of surrealism especially the connection between actualized images and substantive aspects of Freud's theory, the theory of sleep and theory of the lack of reality itself. As an example, the researcher analyzes Dali's paintings, A. Breton's, L. Aragon's and K. Firing's poems, movies by L. Bunuel, theatrical performances by E. Satie and J. Cocteau. The researcher attempts to cover the substantive world of surrealism as an integral phenomenon as well as to discover philosophical grounds of surrealism based on historical and social functions of those times. The integral approach to the phenomenon of surrealism as an important stylistic trend of the 20th century in general (without 'limiting' it to 1920  1930s providing that surrealism has been extended up to our days) proves an important role and unique nature of surrealism in a wide range of stylistic trends and movements. 


Keywords: innovations, еpatage, Dali, sleep, aesthetics, artistic style, art history, Freud, reality, surrealism
This article written in Russian. You can find full text of article in Russian here .

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