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PHILHARMONICA. International Music Journal
Reference:

Performance Art: Genesis and Evolution

Petrov Vladislav Olegovich

Doctor of Art History

Docent, the department of Theory and History of Music, Astrakhan State Conservatory

414000, Russia, Astrakhan, Sovetskaya Street 23

petrovagk@yandex.ru
Другие публикации этого автора
 

 

DOI:

10.7256/2453-613X.2016.1.17073

Review date:

23-11-2015


Publish date:

11-04-2016


Abstract: This article is devoted to one of the most common phenomena in contemporary
art – the actual performance of the work of art. The article deals with the issues of its
origin. In this respect, it covers different forms of art of the past, such as syncretic
ritual, medieval street theater, commedia dell'arte, and some synthesized works of the
Renaissance and the Baroque period, and their modifications in the XXth – early
XXIst century. Some common features in the well-known performance pieces of the
past and the present are compared. The works by Tan Dun, L. Lipkis, K.
Stockhausen, I. Xenakis, J. Cage and others are given as an example. Performance is
considered as a single phenomenon of modern culture that reveals the main constant
of postmodernism - a synthesis of the arts. In this connection, a method of holistic
analysis is used in addition to the analytical method of presentation. The conclusions
demonstrate the main genre features of performance, which appeared in the past eras
(works by da Vinci, L. Bernini, etc.), and represent performance as a genre in the
twentieth century.


Keywords: Synthesis of arts, Postmodernism, Synaesthesia, Performance, Actionism, History of art, Genre, Theatricality, Ritual, Music
This article written in Russian. You can find full text of article in Russian here .

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