Ðóñ Eng Cn Translate this page:
Please select your language to translate the article


You can just close the window to don't translate
Library
Your profile

Back to contents

Philosophy and Culture
Reference:

Shcherbakova A.I. Homo Faber – the creating human: artist and his message to the world

Abstract: Any research in the cultural field unchangeably turns to human – its creature and creator, who throughout centuries was establishing a structure of world culture. The constant relevance of such researches is substantiated by the fact that the essence of Homo Faber – the Creating Human is responsible for the achievements of humanity in culture, science, technologies, as well as for the blood shedding wars that took millions of lives. It is quite evident that the future of humanity always remains a topic of intense discussions, which are marked by the clashes of optimistic and pessimistic scenarios of its further development. A theoretical substantiation of the social role of an artist in the further formation of culture, arouses a significant interest. Scientific novelty consists in the determination of a number of relevant problems, which represent pressure points characteristic to a contemporary stage of cultural development, and in solution of which the society plays an essential role. The main conclusion is the message of the artist to the world – the process of creating artistic-aesthetic channels of spiritual communication, which allow involving its audience into an active intercultural dialogue that is based on the aesthetics of thinking, reflecting a creative essence of human. This explains the social mission of the artist that encourages realization of the optimistic scenarios of the further development of culture.


Keywords:

Art, Culture, Music, Musician, Creative work, Artist, Spiritual communication, Artistic-aesthetic values, Aesthetics of thinking, Aesthetics of feelings


This article can be downloaded freely in PDF format for reading. Download article

This article written in Russian. You can find original text of the article here .
References
1. Tishchenko B. Geniy  v sostoyanii preodolet' durnoe vliyanie svoey epokhi //Muzykal'nyy mir v novom tysyacheletii: vzglyad iz Peterburga. Chast' I. Interv'yu s kompozitorami.-Sost. i otv. hed. A.V. Epishin.-SPb.: Kompozitor * Sankt-Peterburg, 2012.-S.87-93.
2. Belov G. Iskusstvo snachala dolzhno proniknut' v serdtse, a zatem — rastrevozhit' razum // Muzykal'nyy mir v novom tysyacheletii: vzglyad iz Peterburga. Chast' I. Interv'yu s kompozitorami.-Sost. i otv. hed. A.V. Epishin.-SPb.: Kompozitor * Sankt-Peterburg, 2012.-S. 39-53.
3. Mamardashvili M. Estetika myshleniya.-M.: «Moskovskaya shkola politicheskikh issledovaniy», 2001.-416 s.
4. Belimov S. Novoe-eto khorosho zabytoe vechnoe // Muzykal'nyy mir v novom tysyacheletii: vzglyad iz Peterburga. Chast' I. Interv'yu s kompozitorami.-Sost. i otv. hed. A.V. Epishin.-SPb.: Kompozitor * Sankt-Peterburg, 2012.-S. 29-38.
5. Desyaterik D. Al'ternativnaya kul'tura: Entsiklopediya.-Ekaterinburg: Ul'tra, Kul'tura, 2005.-240 s.
6. Ivanov S.P. Psikhologiya khudozhestvennogo deystviya sub'ekta.-M.: Izdatel'stvo Moskovskogo psikhologo-sotsial'nogo instituta; Voronezh: Izdatel'stvo NPO «MODEK», 2003.-640 s.
7. Esipov V.V. Dialog «khudozhnik i vlast'» kak innovatsionnyy resurs kul'tury / Avtoreferat na soiskanie uchenoy stepeni kandidata kul'turologii.-SPb.-SpbGUP, 2007.-24 s.
8. Roshak T. Istoki kontrkul'tury.-M.: AST, 2014.-380 s.
9. Semenenko I.S. Rossiya KhKh — nachala KhKhI veka. Kul'tura i obshchestvo — M.: Prosveshchenie, 2011.-496 s.
10. Borev Yu. Estetika.-M.: Rus'-Olimp; AST: AST: Astrel', 2005.-829 s.
11. Rossikhina V.P. Petr Il'ich Chaykovskiy // Rasskazy o kompozitorakh.- M.: Detskaya literatura, 1971.-S. 155-206.
12. Brodskiy I. Stikhotvoreniya.-Tallinn: «Eesti raamat», «Aleksandra», 1991.-256 s.
13. Barsova L.G. Rol' tvorcheskoy lichnosti v formirovanii khudozhestvennoy zhizni epokhi (na primere zhizni i tvorchestva N.A. Rimskogo-Korsakova i ego blizhayshego okruzheniya) / Avtoreferat na soiskanie uchenoy stepeni doktora kul'turologii.-Spb.: SPGU, 2007.-37 s.
14. Konson G.R. Tselostnyy analiz kak universal'nyy metod nauchnogo poznaniya khudozhestvennykh tekstov  (na materiale muzykal'nogo iskusstva). Monografiya.-M.: Kompozitor, 2010.-392 s.
15. Vizgin V.P. Kul'tura kak iskusstvo tseley  // Ot filosofii zhizni k filosofii kul'tury. Sbornik statey / Otvetstvennyy redaktor V.P. Vizgin.-SPb.: Izdatel'stvo «Aleteyya», 2001.-S. 5-8.
16. Ot filosofii zhizni k filosofii kul'tury. Sbornik statey / Otvetstvennyy redaktor V.P. Vizgin.-SPb.: Izdatel'stvo «Aleteyya», 2001.-395 s.
17. Banshchikov G. V tvorchestve oshchushchayu sebya grazhdaninom mira // Muzykal'nyy mir v novom tysyacheletii: vzglyad iz Peterburga. Chast' I. Interv'yu s kompozitorami.-Sost. i otv. hed. A.V. Epishin.-SPb.: Kompozitor * Sankt-Peterburg, 2012.-C. 7-17.  
18. Shcherbakova A.I. Muzyka v postizhenii protsessa rozhdeniya, samoutverzhdeniya i transformatsii tsennostnykh paradigm v prostranstve otechestvennoy kul'tury. / A.I. Shcherbakova // Pedagogika iskusstva. 2015. ¹ 1. S. 55-63.
19. Uayt L.A. Nauka o kul'ture //Antologiya issledovaniy kul'tury. Tom I. Interpretatsii kul'tury.-SPb.: Peterburgskaya kniga, 1997.-S. 141-156.
20. Gurevich P.S. Filosofiya cheloveka. Chast' I.-M.: IFRAN, 1999.-221 s.
21. Kagan M.S. Filosofskaya teoriya tsennosti. Universitetskiy kurs lektsiy // Izbrannye trudy v VII tomakh. T.II. Teoreticheskie problemy filosofii.-SPb.: Izdatel'skiy dom «Petropolis», 2006.-S.327-500.  
22. Shcherbakova A.I. Khudozhestvenno-esteticheskoe vospitanie molodezhi / A.I. Shcherbakova // Sotsial'naya politika i sotsiologiya. 2014. ¹ 2 (103). S. 204-211.
23. Rozhdestvenskiy G.N. Mozaika.-M.: Nauchno-izdatel'skiy tsentr «Moskovskaya konservatoriya», 2010.-320 s., il.
24. Zykova I.V. Kul'tura kak informatsionnaya sistema. Dukhovnoe, mental'noe, material'no-znakovoe.-M.: Knizhnyy dom «LIBROKOM», 2015.-368 s.