'From Performance Art in Its Actual Protest Forms to Cultural Precedent. Article 1' Culture and Art nbpublish.com
Eng Cn Translate this page:
Please select your language to translate the article

You can just close the window to don't translate
Your profile

Khrenov, N. A. From Performance Art in Its Actual Protest Forms to Cultural Precedent. Article 1

Published in journal "Culture and Art", 2015-2 in rubric "Question at hand", pages 111-121.

Resume: A creative personality as a public figure is the topic of this article. The said personality can express itself in different forms. In this particular case among all possible forms the author is emphasizing and considering the one where the protest is coming to the fore. Such forms of the contemporary art as performance and happening, and most of all those pieces of art which are laying a special emphasize on the protest, are appearing as a concrete expression of this form. Radicalism appearing in these art forms aids detecting aspects of artists creativeness which are promoting transformation of any creative person to a public figure. Pertain of performance and happening to art it is not obvious. These art forms are perceived as marginal one and are exclusive of the conventional art system. More often than not their radical protest is liable to prosecution. However legal evaluation does not facilitate but complicate esthetic evaluating. In order to overcome the doubtful status of these forms, it is necessary to consider them as cultural phenomenon with past precedents. Yurodstvo (idiotic action) of the times of Ancient Rus is their immediate predecessor. This is the first attempt to analyze the creative personality at such culturological angel. Based on researches of A. van Gennep and W. Turner, the author is revealing a latent character in creative persons activity, which is known as liminality, in other words, a necessity and ability to express protest which is not only a protest against the power, but as protest against the society stagnating in conformism. In pre-industrial societies any bearer of liminality, i.e. a wacky, was a sacred person, who should not suffer persecution of authorities. In secularized societies the artist and images of his/her heroes are bearers of liminality. And happenings and performances are the contemporary forms for expressing the spirit of liminality.

Keywords: Creative personality, performance, happening, public figure, yurodstvo, Avantgarde, liminality, anti-behaviour, sacral, secularity.

DOI: 10.7256/2222-1956.2015.2.14144

This article can be downloaded freely in PDF format for reading. Download article

Petrov V.O. Novatorskie obrazy iskusstva KhKh veka: v rakurse epatazha // Kul'tura i iskusstvo. - 2013. - 5. - C. 562 - 569. DOI: 10.7256/2222-1956.2013.5.9151.
Petrov V.O. Aktsionizm Dzhona Keydzha: osnovnye formy i spetsifika ikh voploshcheniya // Kul'tura i iskusstvo. - 2014. - 4. - C. 444 - 456. DOI: 10.7256/2222-1956.2014.4.12721.
Epshteyn M. Iskusstvo avangarda i religioznoe soznanie. Novyy mir. 1989., 12
Florovskiy G. Puti russkogo bogosloviya. Kiev. 1991;
Bykov D. Boris Pasternak. M., 2008;
Klyuchevskiy V. Pis'ma. Dnevniki. Aforizmy i mysli ob istorii. M., 1968;
Fuko M. Istoriya bezumiya v klassicheskuyu epokhu. SPb., 1997;
Popper K. Otkrytoe obshchestvo i ego vragi., t. 1. Chary Platona. M., 1992;
Burkkhardt Ya. Kul'tura Italii v epokhu Vozrozhdeniya. M., 1996;
Fletcher D. O gosudarstve russkom. SPb., 1911;
Likhachev D., Panchenko A., Ponyrko N. Smekh v drevney Rusi.L., 1984;
Goldberg R. Iskusstvo performansa. Ot futurizma do nashikh dney. M., 2014;
Leksikon nonklassiki. Khudozhestvenno-esteticheskaya kul'tura KhKh veka. Pod obshchey redaktsiey V. V. Bychkova. M., 2003;
Bakhtin M. Voprosy literatury i estetiki.M., 1975;
Gaydenko P. Vladimir Solov'ev i filosofiya Serebryanogo veka. M., 2001;
Ivanov R. Istoriya russkoy obshchestvennoy mysli. P., 1918;

Correct link to this article:
just copy this link to clipboard