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Khanolaynen, D. P. Esthetics of Reproductions in Modern Art

Published in journal "Philosophy and Culture", 2013-11 in rubric "Aesthetics", pages 1598-1606.

Resume: The article is devoted to art work during an era of its technical reproduction. The author of the article proves that it is necessary to view reproduced art as a separate category. The aspiration of the author to rethink some tendencies of development in the field of the modern art caused consideration and differentiation of the following concepts: original, copy, reproduction, authenticity, plurality and reproducibility of an artwork. The author of the article proves the thesis that reproduced arts are not original in a strict sense of this word. Besides, the concept of explicit versions inspired by ideas of the Canadian professor of philosophy of D. Lopez is developed. The new concept \"explicit version\" is compared with the traditional terms copy and original. Besides, on the basis of the analysis of different examples of creative works, the author defines interactive art as a special type of reproduced art proving that the result of interaction between the audience and interactive work is an explicit version but not a new original art work.

Keywords: replication of art work, diverse art, reproduced art, interactive art, computer art, modern art, original, copy, explicit version, authenticity.

DOI: 10.7256/1999-2793.2013.11.9658

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