'Pioneering Images of Art in the XX Century: In View of Epatage' Culture and Art nbpublish.com
Eng During last 365 days Approved articles: 1771,   Articles in work: 367 Declined articles: 412 
Library

Petrov, V. O. Pioneering Images of Art in the XX Century: In View of Epatage

Published in journal "Culture and Art", 2013-5 in rubric "Art and Art History", pages 562-569.

Resume: It is known that in figurative system of art of the XX century totalization of problems of the modern world is observed. The present article is devoted to the new images of art which have been created during this century as a result of many artists, musicians and writing striving for epatage. Among such images, there is an image of Nothing (silence in music, one-color canvas without images in fine arts, zero in literature), hyperbolization of everyday items and accessories which does not seem that esthetic-looking at first sight, in verismo, naturalism, dadaism, ready-made, expressiveness, spontaneity in the capacity of such significant genres as happening and etc. It is noted that all these work certainly have an art concept, even despite the fact of their controversial esthetic importance and value. The author of the article analyzes examples from Marcel Duchamp, Kazimir Malevich, Allan Kaprow, Robert Rauschenberg, Andy Warhol, Jackson Pollock and John Cage artwork.

Keywords: epatage, art, music, fine arts, literature, concept, synthesis of arts, happening, image, innovations.

DOI: 10.7256/2222-1956.2013.5.9151

This article can be downloaded freely in PDF format for reading. Download article

Bibliography:
Stoykov A. Kritika abstraktnogo iskusstva i ego teoriy. M.: Iskusstvo, 1964.
Pereverzeva M. Kheppening // Muzykal'naya kul'tura SShA KhKh veka: Uchebnoe posobie. M.: MGK, 2007. S. 455-468.
Sers F. Totalitarizm i avangard. V preddverii zapredel'nogo. M.: Progress-traditsiya, 2006.
Malevich K. Sobranie sochineniy v 5 tomakh. T 1. M.: Gileya, 1995.
Orlov G. Drevo muzyki. SPb.: Kompozitor, 2005.
Krusanov A. Russkiy avangard. 1907-1932. Istoricheskiy obzor. SPb.: Novoe literaturnoe obozrenie, 1996.
Zhitomirskiy D., Leont'eva O., Myalo K. Zapadnyy muzykal'nyy avangard posle vtoroy mirovoy voyny. M.: Muzyka, 1989.
Zverev A. Neoavangard v sovremennoy literature Zapada // Sovremennoe burzhuaznoe iskusstvo: kritika i razmyshleniya: Sb. statey. M.: Sovetskiy kompozitor, 1975. S. 69-139.
Dyushan M. Tvorcheskiy protsess. Vystuplenie na sobranii Amerikanskoy federatsii iskusstv v Kh'yustone (Tekhas, aprel', 1957) // Elektronnyy resurs: http://tapirr.narod.ru/art/duchamp/tv_process.htm
Danilova A. Dzhon Keydzh i khudozhestvennaya kul'tura 1950-1960-kh godov // Muzykal'nye peyzazhi Ameriki. Vyp 1: Muzyka SShA: voprosy istorii i teorii. M.: MGK, 2008. S. 5-16.
Voinova Z. Kheppening i ego teoretiki // Sovremennoe burzhuaznoe iskusstvo: kritika i razmyshleniya: Sb. statey. M.: Sovetskiy kompozitor, 1975. S. 176-214.
Andreeva E. Vse i Nichto: Simvolicheskie figury v iskusstve vtoroy poloviny KhKh veka. SPb.: Izd-vo Ivana Limbakha, 2004.
Epshteyn M. Nabroski k ekologii teksta // Kommentarii. M.; SPb., 1997. 13. S. 3-41.
Kaprow A. Assemblages, Environments and Happening. N.Y., 1966.
Kaprow A. Happening in the New York Scene // Art News, 1961. 3. P. 36-39.

Correct link to this article:
just copy this link to clipboard