Ðóñ Eng Cn Translate this page:
Please select your language to translate the article


You can just close the window to don't translate
Library
Your profile

Back to contents

Philosophy and Culture
Reference:

Sevastianova, S. S. Time and Space in Screen Music Theatre

Abstract: Space and time in screen music theatre is viewed as the synthesis of verbal (libretto), musical and graphical presentations of space and time. In screen music theatre space and time follow the main esthetic laws. They appear as conditional, inseparable categories. Space and time continuum is oriented at emotions, however, the reality or metaphor of a chronotopos can be stressed out depending on the genre or a director’s intention. In new conditions music plays are changed and structured according to new cinematographic principles. Stressing out this or that property leads to changing another property, for instance, time stop (emotional time in music) is usually accompanied with changes in the visual imagery, in this case expansion of the emotional space is caused with the narrowing of the visual space (when the image is enlarged). Space and time continuum in music plays has a mosaic pattern and is realized through various metro-rhythmic properties. The relation between space and time creates the audio-visual counterpoint that defines the esthetic phenomenon of screen music theatre.


Keywords:

philosophy, time, space, screen, music theatre, convergence of time layers, time parallelism, time stops, author’s and plot’s space, real and conditional space, inner monologue.


This article can be downloaded freely in PDF format for reading. Download article

This article written in Russian. You can find original text of the article here .
References
1. Balash B. Kino: Stanovlenie i sushchnost' novogo iskusstva. M.: Progress, 1968. 328 s.
2. Bakhtin M. Problema soderzhaniya, materiala i formy v slovesnom khudozhestvennom tvorchestve // Bakhtin M. Voprosy literatury i estetiki: Issledovaniya raznykh let. M.: Khud. literatura, 1975. S. 6-71.
3. Bakhtin M. Formy vremeni i khronotopa v romane: Ocherki po istoricheskoy poetike // Bakhtin M. Literaturno-kriticheskie stat'i. M.: Khud. literatura, 1986. S. 121-290.
4. Vernadskiy V. Vremya: Iz letopisnogo naslediya V. Vernadskogo // Voprosy filosofii. 1966. ¹ 12. S. 101-113.
5. Gromov N. Osnovnye modeli stsenicheskogo prostranstva spektaklya: Lestnitsa i arochnye konstruktsii // Prostranstvo i vremya v iskusstve / Red. E. Khvalenskaya. L.: LGITMiK, 1988. S. 151-168.
6. Zobov R., Mostepanenko A. O tipologii prostranstvenno-vremennykh otnosheniy v sfere iskusstva // Ritm, prostranstvo i vremya v literature i iskusstve / Red. B. Egorov. L.: Nauka, 1974. S. 11-25.
7. Kagan M. Prostranstvo i vremya kak problema esteticheskoy nauki // Ritm, prostranstvo i vremya v literature i iskusstve / Red. B. Egorov. L.: Nauka, 1974. S. 26-38.
8. Kazantseva L. Osnovy teorii muzykal'nogo soderzhaniya. Astrakhan': IPTs «Fakel» OOO Astrakhan'-gazprom, 2001. 368 s.
9. Lissa Z. Estetika kinomuzyki. M.: Muzyka. 1970. 495 s.
10. Likhachev D. Poetika drevnerusskoy literatury // Likhachev D. Izbr. raboty: v 3 t. L.: Khud. litera-tura, 1987. T. 1. S. 261-654.
11. Martynov V. Vremya i prostranstvo kak faktory muzykal'nogo formoobrazovaniya // Ritm, pro-stranstvo i vremya v literature i iskusstve / Red. B. Egorov. L.: Nauka, 1974. S. 238-247.
12. Motyleva T. O vremeni i prostranstve v sovremennom zarubezhnom romane // Ritm, prostranstvo i vremya v literature i iskusstve / Red. B. Egorov. L.: Nauka, 1974. S. 186-199.
13. Nazaykinskiy E. O psikhologii muzykal'nogo vospriyatiya. M.: Muzyka, 1972. 383 s.
14. Orlov G. Vremya i prostranstvo muzyki // Problemy muzykal'noy nauki / Red. G. Orlov, M. Tara-kanov i dr. M.: Sov. kompozitor, 1972. Vyp. 2. S. 258-394.
15. Pokrovskiy B. Razmyshleniya ob opere: Kn. dlya uchashchikhsya. M.: Prosveshchenie, 1979. 192 s.
16. Polyakova L. «Evgeniy Onegin» na ekrane (o fil'me-opere) // Sov. muzyka. 1959. ¹ 6. S. 119.
17. Pritykina O. Muzykal'noe vremya. Ego kontseptual'nost', struktura, metody issledovaniya: Avtoref. dis. … kand. iskusstvovedeniya. L., 1986. 19 s.
18. Rud' I., Tsukkerman I. O prostranstvenno-vremennykh preobrazovaniyakh v iskusstve // Ritm, pro-stranstvo i vremya v literature i iskusstve / Otv. red. B. Egorov. L.: Nauka, 1974. S. 262-273.
19. Saparov M. Ob organizatsii prostranstvenno-vremennogo kontinuuma khudozhestvennogo proizve-deniya // Ritm, prostranstvo i vremya v literature i iskusstve / Otv. red. B. Egorov. L.: Nauka, 1974. S. 85-103.
20. Edkind M. O diapazone prostranstvenno-vremennykh otnosheniy v iskusstve oformleniya stseny: Opyt analiza tvorcheskogo naslediya sovetskoy teatral'noy dekoratsii // Ritm, prostranstvo i vremya / Otv. red. B. Egorov. L.: Nauka, 1974. S. 209-219.
21. Eynshteyn A. Sushchnost' teorii otnositel'nosti / Per. s angl. Izd. 4-e. M.: Inostr. literatura, 1955. 160 s