
	Philosophy and Culture Reference: Petruseva, N. A. Post-Serialism and Experimental Postmodernism: Condition of New Music. // Philosophy and Culture. 2010. № 12. P. 94-104. URL: https://en.nbpublish.com/library_read_article.php?id=57885 Petruseva, N. A. Post-Serialism and Experimental Postmodernism: Condition of New Music. Abstract: Today scientists have come to conclusions that just like a stylistic revolution, serialism became a powerful outcome of the tonality crisis and have been the main force of organization of musical modernism throughout several decades. The article is devoted to the stdy of the two antagonistic movements of the avant-garde in music, - post-serial modernism and experimental postmodernism. The author shows that these conceptions can effectively interact but they become useless when they are disunited or only enter an antagonistic contradiction with each other. Keywords: cultural studies, modernism, postmodernism, serialism, post-serialism, aleatory music, Boulez, integration, deconstruction This article is unavailable for unregistered users. Click to login or register References 1. Gegel', V.F. Estetika [Tekst]: v 4-kh tomakh. Tom 2. / V.F. Gegel'. M.: Iskusstvo, 1969. – 326 s. 2. Delez, Zh. Logika smysla [Tekst] / Zh. Delez / per. s fr. Ya. I. Smirnovoy. M.: Akademiya, 1995. 3. – 299 s. 4. Chto takoe filosofiya? [Tekst] / Zh. Delez, F. Gvattari / per. s fr. i posl. S.N. Zenkina. M.: Ins- 5. titut eksperimental'noy sotsiologii; SPb: Aleteyya, 1998. – 288 s. 6. Derrida, Zh. Struktura, znak i igra v diskurse gumanitarnykh nauk [Tekst] / Zh. Derrida // Fran- 7. tsuzskaya semiotika: Ot strukturalizma k poststrukturalizmu. M., 2000. – S. 409-410. 8. Kun, T. Struktura nauchnykh revolyutsiy [Tekst] / T. Kun. M.: Ermak, 2003. – 365 s. 9. Liotar, F. Sostoyanie postmoderna [Tekst] / Zh.- F. Liotar. M., SPb: Aleteyya, 1998. 10. Petruseva, N. P'er Bulez. Estetika i tekhnika muzykal'noy kompozitsii [Tekst] / N. Petruseva. 11. M., 2002. – 350 s. 12. Petruseva, N. Muzykal'naya kompozitsiya KhKh veka. Struktury, metody analiza [Tekst]: v 2 -kh 13. chastyakh. Chast' 1 / N. Petruseva. Perm', 2006. 14. Rans'er, Zh. Razdelyaya chuvstvennoe [Tekst] / Zh. Rans'er. SPb: Izd. Evropeyskogo universiteta, 15. 2007. – 263 s. 16. Khabermas, Yu. Filosofskiy diskurs o moderne [Tekst] (per. s nem.) / Yu. Khabermas. – M.: Ves' mir, 17. 2003. – 416 s. 18. Khabermas, Yu. Modern – nezavershennyy proekt [Elektronnyy resurs] / Yu. Khabermas. URL: http:// 19. www.gumer.info/bogoslov_Buks/Philos/Article/Hab_Modern.php (data obrashcheniya: 02. 05. 2010). 20. Kholopov, Yu. Novye paradigmy muzykal'noy estetiki KhKh veka [Elektronnyy resurs] / Yu. Kholo- 21. pov. – Rezhim dostupa: http://www.kholopov.ru. 22. Fuko M. Arkheologiya znaniy [Tekst] / M. Fuko. Kiev, 1996. – 207 s. 23. Born G. Rationalizing culture. IRCAM, Boulez, and the Institutionalization of Musical Avant-Garde 24. [Tekst]. California, 1995. 25. Boulez P. Penser la musique aujourd’hui [Tekst]. Paris, 1963. Nem. per.: Musikdenken heute 1. – Mainz, 26. 1963. 27. Boulez P. Notes of an Apprenticeship [Tekst]. – New York, 1968. 28. Boulez P. Orientations [Tekst]. Collected Writing’s by Pierre Boulez edited by Jean-Jacques Nattiez.- 29. trans. vy M. Cooper. Harvard Univ. Press. Cambridge, 1986. 30. Boulez P. Stocktakings from an Apprenticeship [Tekst]. Oxford: OUP, 1991. 31. The Boulez-Cage Correspondence [Tekst]. Documents, collected and introduced by J.-J Natties. Engl. 32. trans. by R. Samuels. Cambridge Univ. Press, 1993. 33. Danuser H. Die Musik des 20. Jahrhunderts [Tekst]. – Laaber, 1984. 34. Lachenmann H. Musik als existentielle Erfahrung. Schriften 1966-1995. Breitkopf & Hdrtel. Wiesbaden 35. – Leipzig – Paris, 2004. 36. Stockhausen on music. Lectures and Interviews compiled by Robin Maconie [Tekst]. – Marion Boyars. 37. London, New York, 1989. Reprinted, 2000. 38. Xenakis J. Formalized Music. Thought and mathematics in composition [Tekst]. – London-Bloomington. 39. - Indiana Univ. Press., 1971.

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Petruseva, N. A. Post-Serialism and Experimental Postmodernism: Condition of New Music.