Abstract: The object of this research is the documentary audiovisual translation. The subject of the study is the means of optimizing the voice-over translation of documentaries. The author examines the audiovisual translation, its specific features and the increased popularity at the present time. The features of voice-over translation and the reasons for its demand in Russia are precisely analyzed. Distinctive attention is focused on the specific features of the documentary audiovisual text, which cannot be translated without taking into consideration linguistic, psycho-emotional and audiovisual components. The documentary text is polycode by nature, which makes the translation process multifaceted. The purpose of the article is to develop an algorithm of actions by which the translator will be able to optimize the process of voice-over translation of audiovisual content, in particular, documentaries. To achieve this goal, general research methods and methods of linguistic: observation, comparison and description were applied. The result of the study was the systematization and algorithmization of the translator's actions in the process of translating audiovisual content such as documentaries. The scope of the results is wide, since the algorithm proposed in the article can be implemented in audiovisual translation by both practitioners and novice translators. The novelty of the research lies in the fact that for the first time an integrated approach to voiceover translation of documentaries was presented, which includes four stages: pre-translation analysis of the audiovisual text, analysis of the linguistic component, work with the psychoemotional component of the film and the stage of audiovisual synchronization. The conclusion of the article reflects the necessity to use a step-by-step approach in the process of transcoding the documentary audiovisual text from the original language into the recipient's language in order to optimize the translator's work and achieve high quality translation of a cinematic piece of art.

Keywords: terminology, analog texts, audiovisual synchronization, non-equivalent lexis, transformations in translation, psychoemotional component, pre-translation analysis, voice-over translation, documentary, audiovisual translation

Abstract: The object of the research is the ways of transferring culinary idionyms of English and German (source languages) into Russian (recipient language), taking into account the realities of cultures. The article discusses the definition of idionyms, their connection with the culture of peoples, shows the main ways of transmitting idionyms using examples of real restaurant menus and culinary sites. The difficulties faced by a translator in the course of his work when working with idionyms of different languages are also considered. The application of methods of translating traditional English and German dishes into Russian is demonstrated using specific examples. It is shown how the same idiomatic name of a dish can be conveyed in different ways in the menus of restaurants, cafes and on various culinary sites. General scientific methods were used in the work: analysis and comparison. The linguistic method of continuous sampling was also used, with the help of which different names of the same traditional dish were identified in the recipient language, depending on the chosen method: transliteration, tracing paper, descriptive, combined. Conclusions are drawn about the most successful strategy for translating dish names is a combination approach: calcification and descriptive translation due to the fact that it preserves the cultural realities of the source language and allows the recipient to understand the composition of the dish. The main task in intercultural interaction is to prevent intercultural conflicts that may arise, including due to erroneous, inadequate translation of gastronomic idionyms. The translator or the menu compiler is recommended to turn to additional sources to preserve the national and cultural coloring of the culinary idiom, at the same time conveying the composition of the dish and preventing distortion of its connotation.

Keywords: descriptive translation, calque, transliteration, translation method, idionym, reality, communicative failure, combined method, source language, recipient language

Abstract: The article studies regularities determining lexical and grammatical transformations involved in translating noun phrases in Russian and English. The regularities were revealed while translating official Russian and English texts and comparing Russian and English noun phrases demonstrating equivalent meaning alongside with different lexical and grammatical forms. Translating such language units means having to search for adequate translation correspondences to adapt the translated text to the target language norms. The recurrence of a certain correspondence allows assuming its systemic nature and regularity. The revealed regularities are based on three contrasting characteristics of Russian and English noun phrases and formulated in the form of interlanguage oppositions. The study was conducted on the basis of empirical data and constitutes an inductive analysis. The methodological basis of the study was the translation theory by V.N. Komissarov, which substantiates the need for establishing adequate translation methods for certain linguistic units. The scientific novelty of the study consists in the attempt to systematize the essential differences between Russian and English noun phrases, which require adapting the translated text to the norms of the target language according to certain translation correspondences through appropriate translation transformations. It was found out that Russian demonstrates syntactic explicitness, whereas English syntax is implicit, which entails the need to reduce the Russian phrase and extensify the English one through translation transformations of omission and compensation. It was also discovered that unlike Russian, English displays a freguent use of verbal forms as noun phrase components, so there is a need to carry out part-of-speech transformations. Finally, Russian shows a tendency towards postposition, English towards preposition of the attributive noun phrase component what demands the syntactic structure of a noun phrase to adapt.

Keywords: nominative attributive meaning, implicitness compensation, interlanguage opposition, compound noun, syntactic explicitness, syntactic implicitness, translation transformation, translation correspondence, noun phrase, adequate translation

Abstract: The subject of the study is L.N. Tolstoy's novel "Resurrection" and its translations into English. As part of this work, two English translations will be analized, one of them (“The Resurrection”) was made in 1899 by Louise Yakovlevna Mood and published by "Alice and Books". The second translation titled “The Awakening" was translated by William Smith and published in 1900 by "New York Street Publishing House". The subject of the study is to identify ways of interlanguage translation of religious terminology from Russian into English. The main focus of the work is on the lexical and semantic analysis of religious lexical units, as well as the analysis of types of translation transformations, of which the most frequent are the selection of equivalent correspondence, descriptive translation and transliteration. The work uses a comparative method that allows us to establish similarities and differences of lexical units in the text of the original novel "Resurrection" and its translations. By means of the contextual analysis method, the dependence of the meaning of these units on the context is analyzed. Using the continuous sampling method, religious terminology is selected and divided into thematic groups: "Names of the sacraments and lexemes associated with them", "Elements and forms of worship", "Elements of the church calendar", "Objects of worship", "Names of the Church hierarchy", "The Temple and its structure, parts", "Vestments of the clergy, their individual parts", "Prayers, texts of prayers and hymns and their components", "Names of church holidays", "Names of books of church content", "Names of ritual food" and "Names of persons of spiritual guarantors". The main difficulty in translation is the rather wide and diverse use of religious nominations, for which the translator needs to understand in detail the features and differences of religious terminology.

Keywords: Tolstoy, translation transformations, comparison, literary text, translation, transliteration, transcription, equivalent, ways of translating, religious terminology

Abstract: The object of the study is the Siberian stories of V.G. Korolenko. The subject of the study is the portrait characteristics of the heroes of V.G. Korolenko's Siberian short stories. The material for the study was the portrait characteristics of the heroes of V.G. Korolenko's Siberian short stories translated by N.E. Mordinov-Amma Achchygyya. His stories are rich material for research, since in them the portrait characteristics of the characters are presented very figuratively, using various expressive means (metaphors, comparisons, personifications, metonymies, hyperboles). The short stories "Makar's Dream", "Marusina Zaimka", "At-Davan" from the Yakut cycle of Siberian short stories were chosen for the study. The theoretical basis for the research is the works of G.N. Pospelov, A.B. Esin, L.S. Kulik, O.I. Ivanova, K.I. Platonova, I.S. Yemelyanov and others. The purpose of this work is to identify the features of the translation of portrait characteristics in the translation of Korolenko's literary texts from Russian into Yakut. The purpose of the work identified the following tasks: 1) to analyze the concept of "portrait characteristics"; 2) to make a solid selection of portrait characteristics from Siberian stories; 3) to consider the features of the translation of portrait characteristics when translated into the Yakut language. Descriptive and comparative methods were used to solve the research tasks. The material was collected using a continuous sampling method. The relevance of this study is due to the lack of scientific works in Yakut literary studies on the comprehensive study of portrait characteristics when translated into the Yakut language. The scientific novelty of the work lies in the fact that in modern literary criticism, the transfer of portrait characteristics in the translation of literary texts remains still unexplored. The theoretical significance of the study lies in the fact that it reveals for the first time the features of portrait characteristics when translated into the Yakut language. The practical significance of the research lies in the possibility of using its results in the analysis of other similar works and their translations. Also, the research materials can be used in universities of the humanities in the creation of textbooks, textbooks on translation practice for students of the philological department.

Keywords: metaphor, russian language, yakut language, Siberian stories, portrait characteristic, yakut literature, russian literature, epithet, comparison, personification

Abstract: The object of the study is the infinitive of the German language, and the subject is its semantic, structural and functional characteristics, which make it possible to interpret it as a verb form. The authors consider in detail such aspects as the specificity of the infinitive expression of the verbal categorical meaning, which brings it closer to the noun; structural division and microsystem of infinitive forms of the modern German language. Morphological features of the infinitive are considered through the prism of historical changes in the structure of the word in the German language. The authors pay special attention to the syntactic behavior of the infinitive. At the same time, the authors pay special attention to the multifunctionality of the infinitive, which is maximally identical to the nominal parts of speech. At the same time, the authors note the manifestation of the verb character of the infinitive in the ability to form a verb group. The methodological basis of the work is based on a systematic approach to the interpretation of linguistic phenomena in synchrony and diachrony. The theoretical basis of the research is the fundamental principles of general, comparative historical and Germanic linguistics. The comparative method and the method of distributive analysis were used to identify the functional potential of the infinitive and innovative phenomena. The main conclusions of the study are to identify the complexity of interpreting syncretic units to which the infinitive belongs. It was found that during the development of the German language, the infinitive gradually entered its verbal system, losing nominal grammatical features, such as the case paradigm. At the same time, the infinitive acquired verbal signs, as a temporary and collateral meaning. A special contribution of the author is the conclusion that the dual nature of the infinitive, which determines its peripheral position, is the basis for expanding its functional potential, which contributes to the participation of the infinitive in the formation of new grammatical structures/forms. The novelty of the study lies in the identification of such a function of the infinitive as participation in the formation of verb groups, where maximum proximity with the final verb is manifested.

Keywords: syntactic roles, syncretism, case form of infinitive, structural division, theory of parts of speech, category of representation, infinitive construction, infinitive, verb group, infinitive group

Abstract: The subject of the research of the article is the general features and specific features of the translation of horror discourse filmonyms from English into Russian and German. The object of the study is the original English-language and translated Russian- and German-language filmonyms of horror discourse. In our work, we will be interested in strategies and techniques for translating English-language horror discourse filmonyms, since the horror film genre is one of the most popular at the moment, and a large number of films are being released in English. When translating movie titles, a translator faces a number of difficulties and must solve them by choosing a translation technique and strategy. Often, the translation of a filmonym is accompanied by a shift in its leading function, or a change in the type of filmonym according to the peculiarities of its perception by the viewer. The work uses the continuous sampling method, comparative linguistic analysis of parallel filmonyms, as well as quantitative data processing methods. The research material was a sample including 150 original English-language horror-discourse filmonyms and their translation options into Russian and German. The scientific novelty of the study lies in the fact that the features of the translation of film names are studied in a comparative aspect using the example of Russian- and German-language horror discourse based on the material of the titles of films released over the past two decades. A methodology is being developed for a comparative study of the features of translating film names into different languages. As a result of the analysis, it was concluded that the domestication strategy of filmonyms is high-frequency; for German-language translated filmonyms, the use of a forenization strategy is much more typical. A feature of the German film distribution is the high frequency of combining two translation strategies, when the first forenized part of the filmonym is combined with domestication in the second part of the movie title after the dash sign. Due to the fact that German translated film names undergo less transformations, they are less characterized by a functional shift compared to translated film names in the Russian film distribution. When translated into Russian, preference is given to tonal-type filmonyms, which corresponds to the peculiarities of the horror genre.

Keywords: forenization, domestication, pragmatic aspect of translation, translation audience, horror discourse, filmonym, translation technique, translation strategy, translation, adaptation

Abstract: The subject of the study is to identify the syntactic characteristics that form the syntax features of the literary works of Russian literature of the XIX century. During the research, similarities and differences of syntactic units of the originals and translations of the novels "Anna Karenina" and "Poor People" were established, as well as the national specifics of their structural, grammatical and functional semantic organization were analyzed. The purpose of the study is to identify the syntactic characteristics that form the syntax features of the literary works of Russian literature of the XIX century. To achieve this goal, a comparative analysis of the original novels by L.N. Tolstoy "Anna Karenina" and F.M. Dostoevsky "Poor People" and their translations into English, made by K. Granett in 1901 and S.D. Hogarth in 1867, respectively, was carried out. The comparative method made it possible to establish similarities and differences of syntactic constructions in the originals of the novels "Anna Karenina", "Poor People" and their translations. The method of linguistic analysis makes it possible to identify syntactic constructions and linguistic units characteristic of literary texts of the XIX century. By means of the contextual analysis method, the dependence of the meaning of these units on the context is analyzed. Within the framework of the study, similarities and differences of syntactic units of originals and translations of the named literary texts were established, as well as the national specifics of their structural, grammatical and functional semantic organization were analyzed. The scientific novelty of the work lies in the fact that for the first time an attempt was made to systematically describe syntactic features based on the texts of works of the XIX century written by different authors. The results and materials of the research can be used in the training of specialists in the field of translation, in teaching linguistic disciplines, as well as in the development of theoretical materials on the theory and practice of translation, intercultural communication, syntax, stylistics and linguoculturology. When comparing the originals and translations of novels, cases were identified when the emotional emphasis laid by the author is shifted or lost in the English-language text. One of the reasons is the discrepancy between the grammatical norms and structures of the Russian and English languages.

Keywords: simple sentences, truncation, structural incompleteness, parcelling, language repetition, translation techniques, translation, syntactic characteristics, complex sentences, comparative analysis

Abstract: This article is devoted to the consideration of the main translations of A. P. Chekhov's play "The Seagull" into English. The purpose of the work is to identify the key translation trends in the transmission of the above–mentioned work, depending on the year of its creation. The theoretical basis of this study was the works devoted to the theory of translation by domestic and foreign researchers (such as Alekseeva, 2004; Vinogradov, 2001; Vlakhov, Florin, 1986; Nelyubin, Khukhuni, 2008; Proshina, 2019; Fedorov, 1983; De Waard, Nida, 1986; Nida, Taber, 1982; Savory, 1968). The research material was the original of A. P. Chekhov's play "The Seagull" and twelve of its translations into English, published in the period from 1909 to 2019 in the United Kingdom and the United States of America. The following methods were used in this study: comparative method, descriptive method, component analysis method. Thus, based on our research, we come to the conclusion that translations of A. P. Chekhov's play "The Seagull" into English can be divided into actual translations of the literary text, preserving the semantic content, and interpretative variants, the purpose of which is adaptation not only linguistic, but also cultural, for the viewer, at all unfamiliar with the original source. Russian authors, who are native speakers of the Russian language, but are guided by a different, to varying degrees alien, cultural orientation, are characterized by excessive domestication and attempts to bring the translation of a work closer to the realities of another culture, not so much by English-speaking translators, who nevertheless tried to convey the author's style of A. P. Chekhov and explain certain realities to a foreign reader.

Keywords: reality, equivalence, domestication, translation transformations, The Seagull, Chekhov, literary text, comparison, translation, original

Abstract: For completeness and accuracy of meaning, most of new concepts, both in Russian and in English, are expressed using phrases or compound words. But multicomponent terms, are often quite cumbersome. That is why there is a need to shorten terms and use abbreviations. The object of the study is the phenomenon of abbreviation of English terminology in business and scientific discourse. The subject of the work is the analysis of the structural and semantic features of the abbreviation lexical units, the ways of forming English-language abbreviations and their translation into Russian. The article uses comparative research method to compare complete terms and their abbreviations to identify structural and semantic transformations; method for analyzing semantic structure of abbreviations to establish their common and distinctive properties; method of contextual analysis to determine the degree of linguistic economy through the use of abbreviations and to identify differences between semantically similar abbreviations. The novelty of the research lies in the identification, analysis and generalization of ways of education and translation of English-language abbreviations in business and scientific communications. Inaccurate translation of abbreviations can change or distort the intended meaning. To transfer foreign-language abbreviations into Russian, such methods can be used as searching for a translation equivalent, full borrowing of an abbreviation, transliteration, transcription, translation of an abbreviation, translation of an abbreviation and creation of an abbreviation in the translating language, transcription of the letter-by-letter pronunciation of an abbreviation. Among the main difficulties of translating abbreviations are difficulties in identifying abbreviations and problems of their correlation with complete lexical unit, as well as the phenomenon of homonymy of terminological units. It is important to take into account the normalization of translated text and its compliance with literary and linguistic norms and cultural traditions of target language.

Keywords: discourse, homonymy, alphabetisms, clipping, blending, acronym, multicomponent terms, abbreviation, semantic correspondence, context

Abstract: The subject of the research in the article is the peculiarities of assessing the quality of translation of poetic texts. The object of the study is the translation of a poetic text as a complex multidimensional process. In this paper, we will be interested in criteria for evaluating the quality of translation of a poetic work, since a comprehensive assessment of the quality of a poetic translation remains an unresolved problem, and the need for such a procedure remains. The criteria for evaluating poetic translation mean such signs of high-quality poetic translation, on the basis of which a standardized assessment of any poetic translation can be made, for example, in the conditions of a translation competition. To develop evaluation criteria, the author examines in detail the difficulties of translating poetry. The results of a comparative analysis of original and translated poetic texts are analyzed on the basis of the selected criteria.   The work uses methods of directed sampling, comparative linguistic (phonetic, semantic, syntactic) analysis of parallel texts, linguistic and pragmatic analysis using elements of cultural and stylistic analysis, as well as quantitative data processing methods. The scientific novelty of the study lies in the fact that a method of analyzing a poem based on an assessment of the quality of poetic translation is proposed. The concept of the quality of poetic translation is clarified, criteria for a comprehensive assessment of the quality of poetic translation are formulated. A comparative analysis of parallel original and translated texts – works of British poetry and their translations into Russian, performed by professional translators, is carried out. The quality of a poetic translation can be the object of a comprehensive assessment, which is carried out using a number of criteria: the preservation of the original author's idea, composition and rhyme of a poetic work, the selection of appropriate equivalents by the translator, the absence of significant permutations, omissions and distortions, as well as compliance with the norms of the translation language. The criteria for a comprehensive assessment of the quality of poetic translation can be recommended to the organizers of translation contests to evaluate the works of the participants of the contests, as they reduce the effect of subjective factors in the analysis of quality and make it possible to rank translation options, identify the most qualitative of them.

Keywords: pragmatic aspect of translation, evaluation criteria, comprehensive quality’s assessment, equivalence, adequate translation, translation quality, poetic translation, standardization of the assessment procedure, invariant, interpretation

Abstract: The subject of the research in the article is the peculiarities of the translation of filmonyms from English into Russian. The methods of comparative, semantic and pragmatic analysis with elements of cultural and stylistic analysis are used in the work. The novelty of the research lies in the fact that it is based on the material of parallel English- and Russian-language filmonyms released over the past two decades. The obtained results contribute to the development of translation studies and the theory of onyms. Choosing a strategy is one of the most important decisions of the translator which is associated with the linguistic features of the filmonym and the cultural specifics of the translation audience. The closer the cultures of native speakers of the original language and the target language are, the more opportunities there are for using forenization, a translation strategy in which the translator strives to preserve the content and the form of the original title. Forenization strategy was used to transmit 25.34% of the English-language filmonyms of the sample, which is significantly inferior to the number of filmonyms translated according to the domestication strategy, which make up 69.34% of the sample. The high frequency of the domestication strategy is explained by the fact that using translation transformations allows overcoming such difficulties in translating filmonyms as discordance of interlanguage equivalents, mismatch of meanings of similar words, undesirable associations with precedent phenomena, dysphemisms, the emergence of meanings that disorient the viewer, untranslatable wordplay. In the examples that make up 5.32% of the sample, the binomial translation construction of the onym was used; the forenized title of the film is included in the first part before the colon, and the second part is a variant of the name adapted as part of the domestication strategy.

Keywords: replacement, translation, translation transformation, media headings, adaptation, domestication, forenization, translation strategy, transliteration, Filmonym

Abstract: The article is dedicated to the topical issues of interpretation in the social, legal and medical spheres of activity. The author concretized the concept of communal translation, the scope of its application, and considered possible types of this translation. The object of the study is the translation in the field of social sphere, legal issues, medical care, and interaction with administrative bodies, called community interpreting. The subject of the study is the analysis of the discursive components of community interpreting on the example of the English language, the ways of implementing this translation and the problems of training community interpreters in the social and legal fields. The interpreter becomes a direct participant and intermediary in the process of interaction between different parties, that requires him to be more responsible for authenticity (i.e. completeness, accuracy and adequacy) and the quality of translation, which cannot be achieved without mobilizing all his knowledge and skills of professional activity. The article also notes that currently the training of community interpreters is not given due attention. The novelty of the research lies in the identification, analysis and generalization of the features of community interpreting, as well as in the study of the specifics of community interpreting at the present stage as a necessary component of the communicative environment of modern society. Distinctive features of communal translation are its versatility, wide coverage of various aspects of life, which lead to the use of a variety of terminology, different types of discourses and speech styles, the presence of slang, dialects, and abbreviations of different subjects. The specialists, who carry out this type of translation, must possess socio-cultural competence along with language and speech knowledge and skills.

Keywords: authenticity, consecutive interpreting, communication model, speech style, natural translators, socio-cultural competence, abbreviation, discourse, terminology, simultaneous interpreting

Abstract: The subject of the research is the methods of verbalization of the conceptual sphere "happiness" in Oscar Wilde's fairy tale "The Happy Prince". The object of our research is the conceptosphere "happiness" in the English text. For the study, the fairy tale "The Happy Prince" was chosen, characterized by the author's manner of expression of thought and containing the "happiness" concept sphere we are considering. When translating literary texts, the preservation and transmission of such universal concepts as the concept of "happiness" are necessary. The relevance of this work is connected with the intensively developing cognitive direction in the study of literary text and with interest in the development of such key concepts as "concept" and "conceptosphere". Our research touches upon the problems of the transfer of the conceptual sphere when translated into another language and reveals the similarities and differences of the conceptual spheres of different languages, examines the specifics of the author's conceptual sphere. The following methods were used in solving problems during the work: – method of theoretical analysis of literature; – method of definitional analysis; – method of conceptual analysis; – method of component analysis; – descriptive method; – comparative method. The novelty of the work lies in determining the structure of the conceptosphere "happiness" in Oscar Wilde's fairy tale "The Happy Prince", as well as its translations into Russian, the structure of the conceptosphere is considered, the composition of the nuclear and peripheral zones is determined, a comparative analysis of the representation of the conceptosphere in the use, in the original text and in the translation texts is carried out. Our research touches upon the problems of the transfer of the conceptual sphere when translated into another language and reveals the similarities and differences of the conceptual spheres of different languages, examines the specifics of the author's conceptual sphere.

Keywords: definition, original, translation, The Happy Prince, fairy tale, artistic text, concept sphere, core of the concept sphere, concept, periphery of the concept sphere

Abstract: This article is devoted to the study of the problem of the transfer of genre-stylistic specificity in the translation of fantastic realities in science fiction. Using the example of the translation of J.R.R. Tolkien's trilogy "The Lord of the Rings", the author analyzes the methods and techniques of translation used to preserve the authenticity and magic of the original text. The article is based on a comprehensive analysis of translations of the work into different languages, taking into account the cultural and linguistic characteristics of each language. The author highlights key aspects, such as the translation of fantastic terms, names and concepts, as well as the transfer of the atmosphere and style of the book of J.R.R. Tolkien. The results of the study allow us to conclude about the importance of professionalism and cultural competence of the translator in the transmission of fantastic worlds, names of heroes, events, places where the events of a literary work develop, adaptation of the literary image for the Russian-speaking reader and provide practical recommendations for specialists or future specialists in the field of translation of literature and science fiction. The features of the transfer of genre-stylistic specificity in the translation of sci-fi in books are revealed, using the example of the translation of J.R.R. Tolkien's trilogy "The Lord of the Rings".

Keywords: specificity, fantasy work, trilogy, writer, fantasy, translation, genre and stylistic specificity, rendering, literature, genre