Abstract: The subject of the research is the concept of "Russian idea" from the point of view of its transformation in the conditions of the modern postmodern paradigm. The characteristic markers forming the modern cultural-historical and philosophical paradigm are revealed – the specifics of their influence on the concept of "Russian idea" are analyzed. An example of the modern representation of the "neo-Eurasian" version of the concept as interpreted by A. G. Dugin demonstrates how in a postmodern situation, even ideas that are in discursive opposition to postmodern principles inevitably turn out to be embedded in the modern paradigm. Russian postmodern situation determines the specific forms of existence of the concept of "Russian idea", which, in turn, are representative for the analysis of phenomena, processes and transformations of modern Russian culture and the study of its dynamics. The novelty of the research lies in the analysis of the "Russian idea" as a concept with an unchanging semantic core, fixed through the presence of cross–cutting terms, as well as in identifying the characteristic types of modern forms of existence of the concept - Messianic, conservative-protective, nationalist, neo-Eurasian, political-ideological, liberal and others. The article analyzes and identifies the patterns of the constitution of the concept "Russian idea" in the conditions of the postmodernist paradigm, examines the specific markers characterizing the concept in the postmodern situation. The "Russian idea", on the one hand, is opposed to postmodernism as an axiological antinomy, on the other hand, modern markers of the concept are revealed, making it part of the postmodern system.

Keywords: grotesque, deconstruction, intertextuality, the situation of Postmodern, Postmodern, neo - Eurasianism, messianism, Russian idea, simulacrum, pastiche

References:
Gulyga, A.V. The Russian idea and its creators / A.V. Gulyga. – Moscow : Eksmo, 2003.-448 p. — Text : direct.
Dianova, V. M. Postmodern philosophy of art: origins and modernity / V. M. Dianova. – St. Petersburg : Publishing house "Petropolis", 1999.-240 p. – Text: direct.
Dostoevsky, F. M. The diary of a writer / F. M. Dostoevsky — Moscow: Institute of Russian Civilization, 2010. — 880 p. – Text: direct.
Dugin, A. G. The geopolitical future of Russia. Fundamentals of Geopolitics / A. G. Dugin. Moscow : Arktogeya-Center, 1997. — 608 p. — Text : direct.
Dugin, A. G. Eurasia is above all. Manifesto of the Modern Eurasian movement / A. G. Dugin. — Text : direct // Fundamentals of Eurasianism: collection of articles / compiled by A. G. Dugin. – Moscow : Arktogea-Center, 2002. – pp. 5-15.
Dugin, A. G. Postphilosophy. Three paradigms in the History of Thought / A. G. Dugin. – Moscow : Academic Project, 2020. – 504 p. – Text: direct.
Dugin, A. G. Templars of the Proletariat / A. G. Dugin. — Mo

Abstract: The subject of this research is the image of Boris Godunov viewed in three different aspects in the eponymous drama by A. S. Pushkin and in the opera by M. P. Mussorgsky. The goal consist in description of multifacetedness and complexity of image of the Tsar, as well as his main traits in representation of the poet and the composer, which helps the performers in staging the opera “Boris Godunov”. A comparative analysis of drama and opera is conducted in accordance with the tree main categories: philosophical-aesthetic foundation, psychological portrait, peculiarities of social environment and place of the hero therein. The main conclusions consist in determination of the important sides of possible interpretation of the image of Tsar as: 1) basic philosophical idea that underlies the entire play, and thus defines the role of Godunov in the artistic concept of stage director and actor; 2) key psychological traits that set the emotional tone for the image of Tsar Boris Godunov; 3) nature and specificity of relations between the protagonist and other characters. The scientific novelty of this article is defined by an attempt to determine the key trends in creating an artistic image of the hero by means of theoretical analysis of representations on protagonist in the drama by A. S. Pushkin and opera by M. P. Mussorgsky. The author believes that the range of qualities and traits imposed by these prominent upon Boris Godunov would help the novice actors to find the key to their unique interpretation of this character.

Keywords: psychological component, philosophical and aesthetic component, the interpretation of the party, comparative analysis, artistic image, Opera by Mussorgsky, tragedy of Pushkin, Boris Godunov, social component, stage performance

References:
Asaf'ev B. V. «Boris Godunov» Musorgskogo kak muzykal'nyy spektakl' iz Pushkina / Izbrannye trudy v 5-ti tomakh. T.3.: Kompozitory «Moguchey kuchki» V.V. Stasova. M.: Izdatel'stvo Akademii Nauk SSSR, 1954. 332 s.
Bondi S. M. Dramaticheskie proizvedeniya Pushkina / A. S. Pushkin. Sobranie sochineniy: v 10 t. M.: GIKhL, 1959-1962. T. 4: Evgeniy Onegin, dramaticheskie proizvedeniya. S. 553-566.
Gozenpud A. A. Opernyy slovar'. M.: Muzyka, 1985. 480 s.
Gorodetskiy B. P. Dramaturgiya // Pushkin: Itogi i problemy izucheniya. M.; L.: Nauka, 1966. C. 445-459.
Derzhavina O. A. Obraz Borisa Godunova v tragedii A. S. Pushkina i v trilogii A. K. Tolstogo / Iskusstvo slova. Sbornik statey k 80-letiyu chlena-korrespondenta AN SSSR Dimitriya Dimitrievicha Blagogo. M.: Nauka, 1973. S. 260-269.
Karamzin N. M. Tsarstvovanie Borisa Godunova [Elektronnyy resurs] // Istoriya gosudarstva Rossiyskogo. URL: http://www.kulichki.com/inkwell/text/special/history/karamzin/kar11_01.htm (data obrashcheniya: 26.06.2018).
Makarenko E. K. Karamzinskie

Abstract: The object of this research is the problematic raised by the representatives of political-legal doctrine of Eurasianism, which retains its relevance, despite the fact that the history of classical Eurasianism ended over 70 years ago. Geographical position of Russia along with its spatial-temporal orientation, or using the term of Pyotr Nikolaevich Savitsky “topogenesis”, foredooms the national political-legal ideology to pursuit of new ideas and concepts attributed to this characteristic of the country. The subject of this research is the relevance of classical Eurasianism, namely the ideas of its founder N. S. Trubetzkoy with their anti-extremist vector. The author also compares the ideas of N. S. Trubetzkoy and L. N. Gumilyov, and determines the common anti-extremist position. The main conclusion consists in proving the author’s hypothesis on anti-extremist nature of the ideas of N. S. Trubetzkoy and L. N. Gumilyov. A vivid testimony is reflected in the essence of Trubetzkoy’s “revolution of consciousness”, which rejects “fascinating intentions of Romano-Germanic civilization”, declaring itself “the center of the universe”, while it is necessary to understand that all cultures are equivalent to the fact that there is no highest and lowest cultures. N. S. Trubetzkoy claims that the “revolution of consciousness” lies in toppling the idols of egocentrism, in other words, the national haughtiness and chauvinism. Another conclusion is proof of the hypothesis on anti-extremist nature of Eurasian ideas of L. N. Gumilyov. He advanced arguments for polycentrism according to the theory of ethnogenesis, which is based on natural science. The idea of ethnoses itself, as the main point of Gumilyov’s theory, speaks of the evident anti-nationalistic and anti-extremist character of his theory, which again proves the author’s hypothesis.

Keywords: nationalism, Turanian civilization, correlation, identity, ethnicity, Eurasianism, Gumilev, Trubetskoy, chauvinism, egocentrism

References:
Trubetskoy N.S. Evropa i Evraziya. M.: Algoritm, 2014. 304 s.
Trubetskoy N.S. Verkhi i nizy russkoy kul'tury // Iskhod k Vostoku. Predchuvstviya i sversheniya. Utverzhdenie evraziytsev. Sofiya: Balkan, 1921. S. 86-103.
Pis'mo N.S. Trubetskogo P.N. Savitskomu ot 20.05.1933 g. // Sobolev A.V. O russkoy filosofii. S. 370.
Trubetskoy N.S. K probleme russkogo samopoznaniya: Sobr. st. Parizh: Evraziyskoe knigoizd-vo, 1927. 98 s.
Trubetskoy N.S. O rasizme // Trubetskoy N.S. Istoriya. Kul'tura. Yazyk. M.: Progress, 1995. S. 197-207.
Trubetskoy N.S. Pis'ma k P.P. Suvchinskomu: 1921-1928 / Sost., podgot. teksta, vstup. st. i primech. K.B. Ermishinoy. M.: Russkoe zarubezh'e, 2008. 384 s.
Pashchenko V.Ya. Khara-Davan Erenzhen // Russkaya filosofiya. Entsiklopediya / Pod obshch. red. M. A. Maslina. M.: Knizhnyy klub Knigovek, 2014. S. 744-745.
Pis'ma i zametki N.S. Trubetskogo. M.: Yazyki slavyanskoy kul'tury, 2004. 618 s.
Pis'mo N.S. Trubetskogo P.N. Savitskomu ot 20.05.1933 g. // Sobolev A.V. O russkoy filosofii. SPb.: Mir', 2008. S. 368-37

Abstract: The subject of this research is the axiological phraseologisms as representatives of the axiological contents of German culture. The notion of axiological phraseologisms has appeared fairly recently. Dictionaries alongside the scientific works do not provide definition to the notion of axiological phraseologism. In this research, the axiological phraseologism is directly related to the definition of axiological, which is both, from perspective of temporal space – relevance of application, as well as the understanding of value as national values. The author uses the semiotic approach towards examination of the axiological contents through the prism of axiological phraseologisms. Phraseologism, as cultural texts, code information about the values of the people. Using the method of survey, the author determined the basic values of German people. Axiological contents of German culture, coded in the axiological phraseologisms, reveal the meanings of the relevant values of the people. Examining the axiological contents through the prism of axiological phraseologisms of German language, the article studies the language and culture of Germans. The relevance is substantiated by the uneasy relations between Russian and Germany. Thus, for maintaining business relations between the countries, businessmen must study the culture and language of their business partner. Different lands, different laws (andere Länder - andere Sitten) as claims the German proverb. Knowledge of the meanings and axiological contents of German culture can prevent the misunderstanding and conflicts in intercultural communication with German partners.

Keywords: intercultural communication, semiotics, axiological phraseological units, valuable content, values, German, language, culture, business relationsships, business partners

References:
Nemetskiy slovar'-Wörterbuch Wortschatz [Elektronnyy resurs] // URL: http://corpora.uni-leipzig.de/de?corpusId=deu_newscrawl_2011
Inglehart, R. Modernization and Postmodernization: Cultural, Economic and Political Change in 43 Societies / Ronald Inglehart. – NJ: Princeton University Press, 1997.
Hofstede, Geert. Culture's Consequences: Comparing Values, Behaviors, Institutions and Organizations Across Nations. 2nd Edition. – CA: Sage Publications, 2001.
Schwartz, S. H. Toward a theory of the universal content and structure of values: Extensions and cross-cultural replications / S. H. Schwartz, W. Bilsky // Journal of Personality and Social Psychology. – H. Inoue Press, 1990. Pp. 878-891
Yunusova R.D. [Elektronnyy resurs] // disserCat — elektronnaya biblioteka dissertatsiy. URL: http://www.dissercat.com/content/aksiologiya-frazeologizmov-so-znacheniem-gostepriimstvo-kunakchyllyk-v-russkom-i-tatarskom-y
Shanskiy N.M. Frazeologiya sovremennogo russkogo yazyka. M.: Vysshaya shkola, 1985. 160 s.

Abstract: This article turns particular attention to the symbolic interpretation of the phenomenon of ethnos and ethnic culture that fits into the constructivist paradigm of ethnology. As the basis is taken the presence of a unique secondary symbolic spectrum of consciousness, development at the stage of ethnogenesis and accomplishing a function of edification of the ethical in a person. In this angle, ethnic culture appears as social code and psychomental structure bound to the traditional life-sustaining system, rooted by ritual, and its fundamental core is the mythologically concepted unique spectrum of ethnic symbols of consciousness. Such metaphysical-symbolic articulation of the phenomenon of ethnos and its culture raises a question on the possible termination of their existence, as a results of destruction of the symbolic spectrum of secondary mythological symbols. The scientific novelty is defined by conclusion on the symbolic nature of ethnos and its culture, which is explicated through the unique interpretation of the universal for human of any culture initial symbols of consciousness, which establish the cultural code of a person. This secondary after the verbal interpretation spectrum of ethnic symbols represents a cultural code of ethnos. The contemporary nations that did not lose the indicated ontological symbolic constructs can possibly experience their renaissance and modernization. The latter appears as the synthesis of the symbols of diverse cultures that is demonstrated on the examples of modern Yakut cultural practices – theatre, cinematography, dance, and fine arts.

Keywords: Yakuts, ethnic culture, ethnogenesis, ethnos, ethnology, consciousness, symbolic spectrum, symbols, ethnocultural modernization, Yakut art

References:
Mamardashvili M. K., Pyatigorskiy A. M. Simvol i soznanie. Metafizicheskie rassuzhdeniya o soznanii, simvolike i yazyke  M. : Shkola «Yazyki russkoy kul'tury», 1997. 224 s.
Mamardashvili M.K. Kantianskie variatsii. M.: Agraf, 2002. 320 s.
Pudov A.G. Estetika simvolicheskogo v epokhu tranzitivnoy sotsial'noy real'nosti. Yakutsk: RIO media-kholdinga, 2014. 336 s.
Pudov A.G. Simvolicheskaya ontologizatsiya soznaniya kak osnova konstruirovaniya etnosa na etape etnogeneza // Etnosotsium i mezhnatsional'naya kul'tura. 2014. ¹7 (73). S. 110-116.
Tishkov V.A. Rekviem po etnosu: Issledovaniya po sotsial'no-kul'turnoy antropologii. M.: Nauka, 2003. 544 s.
Viner B.E. Postmodernistskiy konstruktivizm v rossiyskoy etnologii // Zhurnal sotsiologii i sotsial'noy antropologii. 2005. T. VIII. ¹ 3. S. 114-130.
Tezich M.D. Kontseptsii etnosa, etnichnosti i ethnicity v nauchnykh traditsiyakh Rossii i Zapada // Novye issledovaniya Tuvy. 2016. ¹ 2 (30). S. 199-210.
Lukina A.G. Traditsionnye tantsy sakha: Idei, obrazy, leksika. Novosibirsk: Nauka