Reference:
Seleznev E.K..
The nomadic subject as a cinematographic hero by Alain Resnais
// Philosophy and Culture. – 2023. – ¹ 5.
– P. 146-157.
DOI: 10.7256/2454-0757.2023.5.40667.
DOI: 10.7256/2454-0757.2023.5.40667
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Abstract: The author of the work raises the issue of the phenomenon of nomadism in the context of the work of the French director Alain Resnais. The object of the research is the early works of the director, such films as "Last year in Marienbad", "Hiroshima, my love", "I love you, I love". The purpose of the work is to answer the question of how nomadic strategies allow the author to create non-linear narrative structures, oscillating characters and flickering characters in his films, and how understanding these strategies can help viewers and researchers in the act of deciphering works. The author also analyzes a number of phenomena related to nomadism, such as the rhizome, the body without organs, deterritorialization, escape, flicker. The novelty of the research lies in the application of nomadic strategies to the cinema of Alain Resnais. This approach makes it possible to use the current philosophical and art history prism to study narrative structures, intraframe space and characters. The author argues that Rene's cinematography can be viewed through a position of resistance to forms of power - suppression and control - which manifests itself in the violation of traditional forms of narration and the creation of split characters. To study the mentioned aspects of Rene's work, the author resorts to the philosophy of Gilles Deleuze and Felix Guattari. The author also explains the position of the modern viewer and describes the strategies of looking, which can lead to a state of pleasure from interacting with nomadic works.
Keywords: Postmodernism, Rhizome, Power, Alain Resnais, Felix Guattari, Gilles Deleuze, Body without organs, Counternarrative Structures, nomadism, Physicality
References:
Deleuze J., Guattari F. Treatise on nomadology / NK. - 2005. - No. 2 (92). - S. 183-187.
Deleuze J., Guattari F. Anti-Oedipus. Capitalism and schizophrenia / transl. from fr. D.Y. Kralechkin. Yekaterinburg: U-Factoria; 2007. 672 p.
Eco U. Ur-Fascism. Five essays on ethics. transl. from Italian. E. Kostyukovich. St. Petersburg: Symposium, 2000. - 157 p.
Ilyin I.P. Poststructuralism. Deconstructivism. Postmodernism. M.: Intrada, 1996. 213 p.
Deleuze J, Guattari F. A Thousand Plateaus. Capitalism and schizophrenia / transl. from fr. Y.I. Svirsky. Yekaterinburg: U-Factoria; 2010. 895 p.
Plakhov A.S. Dissecting the "Body without Organs". Philosophical thought: reception and interpretation. FN - 10/2014. pp. 84-98.
Braidotti R. (2014) Comparative Critical Studies, volume 11, issue 2-3, 163 - 184. DOI:10.3366/ccs.2014.0122
Regev Y. (2022). Image-correction. Philosophical and literary journal "Logos", 32 (5 (150)), 173-192.
Sinelnikova L.N. (2017). Rhizome and the discourse of intermed
Reference:
Gaynutdinov T.R..
The book to come of Jacques Derrida
// Philosophy and Culture. – 2021. – ¹ 12.
– P. 1-9.
DOI: 10.7256/2454-0757.2021.12.37118.
DOI: 10.7256/2454-0757.2021.12.37118
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Abstract: This article analyzes the theme of book in the philosophy of Jacques Derrida, as well as the inevitability of transformation of its customary forms. The theme of book is central at least in the three texts by Jacques Derrida: “The End of the Book and the Beginning of Writing”, “Outside the Book”, and “The Book to Come”. However, in the process of analysis, the author goes beyond the boundaries of these three works of the philosopher, placing the problem of the “book to come” in a broader context of discursive practices of Jacques Derrida. The book in its common form is on the cusp of dispersion, i.e. decay of its usual structure and integrity. The former totality of linear writing, which is organically interrelated with the book form, yields to the new forms of submission of information and its archiving. This article describes how Jacques Derrida explicitly builds the form of the “book to come” letting it to the horizon of his writing, and thereby changing its very structure and fabric. A number of philosopher’s texts are distinguished by their polyphony, structural complexity, excess of quotations, scatteredness of phrases, words, and even sounds, phonemes, and syllables. All this leads to the disruption of the customary rules of reading, and forces us to form completely new strategies of the perception of writing and books, as well as all other practices that are inextricably entwined.
Keywords: Glas, diastema, trace, letter, coming book, book, deconstruction, Derrida, preface, grammatology
References:
Mallarme S. Kniga, orudie dukha // Poeziya frantsuzskogo simvolizma. Lotreamon. Pesni Mal'dorora. M.: Izd-vo MGU. S. 427.
Derrida Zh. Edmon Zhabe i vopros knigi // Pis'mo i razlichie. M.: Akademicheskiy proekt, 2000. S. 120.
Mayakovskiy V. Dlya Golosa. Berlin: Lutze&Vogt , 1923. S. 53.
Gaynutdinov T.R. – Pis'mo i figura. Opyt sovmestnogo tvorchestva Zhaka Derrida i Valerio Adami. // Filosofiya i kul'tura. – 2019. – ¹10. – S. 1-6. https://nbpublish.com/library_read_article.php?id=31005.
Derrida Zh. Disseminatsiya. – Ekaterinburg: U-Faktoriya, 2007. S. 11.
Derrida Zh. Edmon Zhabe i vopros knigi // Pis'mo i razlichie. M.: Akademicheskiy proekt, 2000. S. 121.
Derrida Zh. Edmon Zhabe i vopros knigi // Pis'mo i razlichie. M.: Akademicheskiy proekt, 2000. S. 123.
Derrida Zh. O grammatologii. M.: Ad Marginem, 2000. S. 111.
Kar'er Zh.-K, Eko U. Ne nadeytes' izbavit'sya ot knig! – SPb.: Simpozium, 2013. – 336 s.
Reference:
Toropova A.A..
European project of designing new corporeality: mutant body, body without organs, agender body
// Philosophy and Culture. – 2020. – ¹ 1.
– P. 54-62.
DOI: 10.7256/2454-0757.2020.1.31430.
DOI: 10.7256/2454-0757.2020.1.31430
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Abstract: The object of this research is the introduced into postmodernist discourse concept of body without organs. This article advances a hypothesis regarding the causes of occurrence of the aforementioned concept replacing the Cartesian teaching on parallelism of body and soul. Cultural practices of postmodernism fight against thinking of binary oppositions, which led to repression of the corporeal beginning. On the examples from the field of art and fashion, it is demonstrated that the theoretical model of body without organs finds its practical implementation. In this research the author applies analytical, hermeneutic and comparative methods with regards to the outlined ideas from the area of philosophy and art. The scientific novelty consists in interpretation of art phenomena through the concept of body without organs. The concept of the Theatre of Cruelty developed by Antonin Artaud inspired the philosophers and art community to pursue the experience of a “living body”. Cunningham carried over the principle of coincidence from music to dance, undermining the traditional perception of body as a hierarchical system with organs subordinate to the center. In a commercial sphere, Gucci Luxury Fashion House created a visual reflection of the idea of agender. Abreaction practices in performance art are aimed at liberation of body from imagery. Postmodernists are sure that freedom from dyadic thinking, idea of the center and periphery, principles of hierarchy and teleologicity that are so common to any mind, would lead to regeneration of corporeality and human as such, realizing the true value of the European culture – value of freedom.
Keywords: actionism, postmodern, Deleuze, Artaud, body without organs, corporeality, body, agender, dance, fashion
References:
Arto A. Teatr i ego dvoynik // Teatr i ego dvoynik: Manifesty. Dramaturgiya. Lektsii. Filosofiya teatra. – SPb.; M.: Simpozium, 2000. ¬– 485 c.
Bugueva N. A. Telesnost' cheloveka kak sotsiokul'turnyy fenomen // Vestnik Chelyabinskogo gosudarstvennogo universiteta. 2007. ¹ 16. – S. 73.
Dekart R. O stroenii chelovecheskogo tela // Izbrannye proizvedeniya: K trekhsotletiyu so dnya rozhdeniya (1650-1950). – M.: Gospolitizdat, 1950. – 712 s.
Delez Zh., Gvattari F. Anti-Edip. Kapitalizm i shizofreniya. – Ekaterinburg: U-Faktoriya, 2007. — 672 s.
D'yakov A. V. Zhil' Delez. Filosofiya razlichiya. – M.: Belyy gorod, 2013. – 503 s.
Il'in I. P. Postmodernizm ot istokov do kontsa stoletiya: evolyutsiya nauchnogo mifa. – M.: Intrada, 1998. – 256 s.
Lakan Zh. Stadiya zerkala kak obrazuyushchaya funktsiyu Ya, kakoy ona raskrylas' nam v psikhoanaliticheskom opyte // Seminary. Kniga 2. – M.: Gnozis, 2009. – S. 508-516.
Mazin V. A. Sub'ekt Freyda i Derrida. – Spb.: Aleteyya, 2010. – 255 s.
Nansi Zh.-L. Segodnya. Lektsiya, prochitannaya v yanvare 1990 g
Reference:
Kukso K.A..
From “starving soul” to “spiritual clarity”: existential and theological aspects of the experience of illness in medieval culture
// Philosophy and Culture. – 2016. – ¹ 9.
– P. 1323-1333.
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Abstract: This article is dedicated to the process of determination of existential dimension of illness in the culture of high and late Middle Ages. Based on the material of theological doctrines of this period, it is demonstrated how the illness becomes crucial and inevitable parameter of the human ontology. The analysis of the interconnections between the formed interpretations of bodily disorders and fundamental definitions of Christian anthropology, contributes into accenting the ethical productiveness of the medieval semiotics of illness. The author gives attention primarily to the theological interpretations of suffering in medieval culture, as well as examines how the latter predestined the existential autopoiesis of the sick. The followed in the article genealogy of the existential-phenomenological dimension of the experience of illness is realized by means of methodological orientations of the history of ideas based on the material of the tradition of understanding the sick flash of theological anthropology of the Middle Ages. The author concludes that the European culture owes to the medieval era regarding the discovery of the existential resource of an illness. The article also conceptualizes the formed within the stated chronological framework grounds of the cultural environment of sufferings, within the limits of which such manifestation of illness acts as a cultural constructive power.
Keywords: Metanoia, Personalization of illness, Spiritualization of the fact, Sin, Reflection of viciousness, Ontological dimension of inferiority, Facticity of the vice, Autopoiesis, Suffering, Existential of illness
References:
M.: Mysl', 1976. S. 369–448. Shpengler O. Zakat Evropy. Ocherki morfologii mirovoy istorii. T. 1. Geshtal't i deystvitel'nost'. M.: Mysl', 1993. 663 s. Kukso K. A. Bez boli. Ocherk genezisa massovoy anal'gezii // Chelovek. ¹ 6, 2013. S. 81–95. Platon. Timey // Platon. Sobranie sochineniy v chetyrekh tomakh. T. 3. M.: Mysl', 1994. S. 421–500. Platon. Pir // Platon. Sobranie sochineniy v chetyrekh tomakh. T.
M.: Mysl', 1993. S. 81–134
Reference:
Koptelova T.I..
Postmodernism as deconstruction of life and call to modern science
// Philosophy and Culture. – 2016. – ¹ 6.
– P. 882-891.
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Abstract: The postmodernism is considered in this article not only, as the phenomenon of modern culture defining lifestyle, tastes and requirements of a civilized society but also as feature of thinking, as a call to scientific knowledge. The deconstruction (the direction of post-modernist criticism, one of manifestations of global unification of culture and the nature) is investigated from a position of organic type of philosophy of history and the multinational approach developed in domestic tradition (eurasianism of the 20-30th of the XX century and the theory of ethnogenesis of L.N. Gumilev). In this research the analysis of a current crisis state of science is submitted and an attempt to define its world outlook and sociocultural reasons is made. Achievements of modern science in the field of creation and distribution of GMO as one of ways of unification of the biosphere are presented to attention of the reader. Achievements of European civilization in distribution of "universal" culture and destruction of a national variety, are also obvious. Understanding of the modern world outlook problems defining now destiny of mankind is a first step on the way to formation of new rationalism in which there will be a place for various national interests where it is possible to keep a priority of cultural wealth and freedom of creative search.
Keywords: civilization, eurasianism, culture, unification, biosphere, science, deconstruction, postmodernism, technosphere, outlook
References:
Dorozhkin, A.M., Tkachev, A.N. Problema osnovaniy nauki i skepticheskaya mysl' / A.M. Dorozhkin, A.N. Tkachev // Vestnik Nizhegorodskogo universiteta im. N.I. Lobachevskogo.-2014.-¹ 6. S. 105-109.
Baldina O.D. Izobrazitel'no-plasticheskie formy narodnoy kul'tury v ikh vzaimodeystvii s drugimi plastami sovremennogo khudozhestvennogo tvorchestva: k postanovke problemy / O.D. Baldina // Kul'tura i iskusstvo.-2011.-5.-C. 76-88.
Medvedev M.S. Sravnitel'nyy analiz traditsionnoy i sovremennoy kul'tury / M.S. Medvedev // Pedagogika i prosveshchenie.-2012.-¹ 3.-C. 80-87.
Kutyrev V.A. Filosofiya transgumanizma: Uchebno-metodicheskoe posobie / V.A. Kutyrev.-Nizhniy Novgorod: Nizhegorodskiy universitet, 2010.-85 s.
Gumilev L.N. Konets i vnov' nachalo: Populyarnye lektsii po narodovedeniyu / L.N. Gumilev.-M.: Rol'f, 2001.-384 s.
Dzhon Khodzhes. Est' li al'ternativa intensivnomu zhivotnovodstvu?-URL: http://www.vestiruza.ru/article/222/est-li-alternativa-intensivnomu-zhivotnovodstvu/
Gumilev L.N.
Reference:
Mikhaylov I.A..
Phenomenologists debating ontology and anthropology: a “failed conversation” (Husserl and Heidegger in 1920-30-s)
// Philosophy and Culture. – 2016. – ¹ 4.
– P. 593-602.
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Abstract: The article deals with transformations that took place in the German phenomenology in the first decades of the XX Century and were stimulated by a discontinuity of the phenomenological idea of strict science and the growing popularity of anthropology and biology. The author focuses on the differences in Husserl’s and Heidegger’s phenomenological approaches and on the internal situation in the phenomenological community, which required thematic specialization of phenomenological research, commitment to a single theoretical paradigm and institutional reinforcement after Husserl’s retirement from Freiburg. The paper uses methods of historical and conceptual analysis along with an approach from the side of sociology of knowledge. It is shown that Husserl views anthropology in the light of his earlier relativism and psychologism critique. However, Husserl fails to distinguish between “anthropology”, “philosophy of life” and “existential philosophy” and does not find any new philosophical arguments against these new forms of philosophizing. The article also shows that Husserl and Heidegger are basing themselves on different understanding of what is "initial grounds” for the philosophical research: ontology, strict science, or the doctrine about humans.
Keywords: sociology of knowledge, anthropology, philosophy of life, relativism, phenomenology, science, Heidegger, Husserl, ontology, human studies
References:
Ryle G. Review of Heidegger's Sein ind Zeit // Mind. 1929. Vol. 38. P. 355-370.
Husserl E. Phänomenologie und Anthropologie // Philosophy and Phenomenological Research. 1941. vol. 2. No. 1. (Sep.) P. 1-14.
Husserl E. Husserliana. Dokumente. Bd. III. Briefwechsel. Teil 6. Philosophenbriefe. Dordrecht, 1994. XIII, 516 S.
Husserl E. Husserliana. Dokumente. Bd. III. Briefwechsel. Teil 2. Die Münchener Phänomenologen. Dordrecht, 1994. XI, 293 S.
Husserl E. Formale und transzendentale Logik. Versuch einer Kritik der logischen Vernunft. Haale (Saale), 1929. XIII, 299 S.
Husserl E. Briefe an Roman Ingarden (Phaenomenologica 25). Den Haag, 1968. X, 188 S.
Heidegger M. Hegels Phänomenologie des Geistes. Freiburger Vorlesung Wintersemester 1930-31 // Martin Heidegger Gesamtausgabe. Frankfurt a.M., 1980. Bd. 32. VIII, 224 S.
Blumenberg H. Beschreibung des Menschen. Frankfurt a.M., 2006, 918 S.
Mikhailov I.A. Psikhologizm, relyativizm i antropologiya v fenomenologiche
Reference:
Litvintseva G.Yu..
Deconstruction in Post-Modernistic Texts of Literature and Art
// Philosophy and Culture. – 2015. – ¹ 4.
– P. 582-592.
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Abstract: The present article is devoted to deconstruction as the leading category of post-modernism as well as the method of composing post-modernistic literary and art texts aimed at critisizing traditional analytical thinking, decentration of different kinds of centralisms, removal of binary oppositions and search for conceptual multiplicity. Moreover, the author of the article describes such features of post-modernistic texts as intertextuality, nonclassical interpretation of past traditions in the ironic, playful or parodical form. The author also tries to define the general and specific features of deconstruction in foreign and Russian literary and art texts. Based on the analysis of philosophical, cultural, literary and art researches, the author describes the features of deconstruction. The author has used the comparative method to analyze foreign and Russian post-modernistic texts of literature and art. The author concludes that while American and Western European post-modernists perform the deconstruction of the ideology of the consumer society, Russian post-modernists deconstruct the consumption of products of the Soviet ideology. Americans and Western European post-modernists use deconstruction in order to create a free player space, to make the most important issues of human existence to be the aim of the play, and to view traditions from the point of view of the democratic pluralism, while Russian post-modernists deconstuct such 'national metanarratives' as 'ideologism', 'totalitarianism', 'utopism' and 'literature-centrism'. These allow to understand our traditional 'eternal' issues using nontraditional means such as obscene words and shocking naturalistic and physiological descriptions. The author's conclusion that deconstruction acts as a mean of creating a new language capable of describing framentary, orderless, unstable and hyperreal post-modern world is crucial for understanding and adequate perception of post-modernistic texts.
Keywords: decentration, intertextuality, multiple meaning, irony, parody, play, absurdity, metanarrative, hyperreality, simulacrum
References:
Bart R. Smert' avtora // Bart R. Izbrannye raboty: Semiotika. Poetika.-M.,1994. – S.384-391.
Berg M. Literaturokratiya. Problema prisvoeniya i pereosmysleniya vlasti v literature.-M.: Novoe literaturnoe obozrenie, 2000. – 352 s.
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Il'in I
Reference:
Pris, I. E..
About Loar’s Phenomenal Concepts
// Philosophy and Culture. – 2014. – ¹ 10.
– P. 1495-1505.
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Abstract: The article is devoted to the analysis of the term ‘phenomenal concept’ offered by Brian Loar. The author of the
present article proves that Loar’s concept does not contradict to Wittgenstein’s philosophy. Quite on the contrary, Loar’s
concept of the ‘phenomenal concept’ is a necessary stage in solving the problem of the explanatory gap. However, conceptual
dualism in Loar’s interpretation cannot be the final solution of the aforesaid problem, it only takes the problem to
a new conceptual level. The ‘gap’ between phenomenal concepts and physicalistic/functional concepts must be explained
(or covered) materialistically. The conceptionof thin and thick implicit physical and phenomenal concepts offered by Ned
Block allows to take a step in this direction. It can be assumed that a better synthesis of Wittgenstein’s second philosophy
and metaphysics of phenomenal properties and concepts would completely solve the problem of the explanatory
gap. The main research method used by the author of the article is the analytical method of the modern philosophy of
consciousness. The author also conducts a brief comparative analysis of different approaches to phenomenal concepts
and analyzes the definition of the phenomenal concept offered by Brian Loar as well as the application of that concept
for solving the problem of the explanatory gap in terms of other approaches. The author proves that the concept of the
phenomenal concept does not oppose to late Wittgenstein’s philosophy, in particular, his private language argument. The
author also points out that there is a chance to fully solve the problem of the explanatory gap.
Keywords: phenomenal concept, theoretical concept, explanatory gap, semantic premise, phenomenal property, phenomenal experience, Brian Loar, conceptual dualism, dualism, a posteriori physicalism.
References:
Block, N. 2006. ―Max Black's objection to mind-body identity.‖ Oxford Review of Metaphysics, 3.
Block, Ned and Stalnaker, Robert. 1999. « Conceptual Analysis, Dualism, and the Explanatory Gap », Philosophical Review 108: 1-46.
Braddon-Mitchell, D. and Jackson F. 2001. Philosophy of Mind and Cognition. Blackwell
Chalmers, D.J. & Jackson, F. 2001. ―Conceptual analysis and reductive explanation.‖ Philosophical Review, 110: 315-61.
Levine, J. 1983. “Materialism and qualia: The explanatory gap.” Pacific Philosophical Quarterly, 64: 354-61.
Levine, J. 1998. Conceivability and the metaphysics of mind. Nous, 32:4, 449-480
Levin, J. 2006 a. ―What is a phenomenal concept?‖ In T. Alter and S. Walter, eds. Phenomenal Concepts and Phenomenal Knowledge: Essays on Consciousness and Physicalism.
Levine, J. 2006 b. ―Phenomenal concepts and the materialist constraint.‖ In (T. Alter & S. Walter, eds) Phenomenal Concepts and Phenomenal Knowledge: Essays
Reference:
Kuzmina, T. A..
Philosophy of Post-Modernism as a Cultural Symptom
// Philosophy and Culture. – 2012. – ¹ 11.
– P. 120-127.
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Abstract: The present article is focused on some ideas of Gilles Deleuze and Pierre-Felix Guattari described
in their last publications they wrote together. These are the works particularly describing Deleuze’s and
Guattari’s philosophy (as some researchers say, Deleuze is one of the most ‘metaphysical’ post-modernisists.
Keywords: philosophy, post-modernism, culture, cogitation, transcendence, human, vitality, humanlike, art, multiplicity.
References:
Delez Zh. Uitmen // Kritika i klinika. SPb: Machina, 2002.
Delez Zh., Gvattari F. Kapitalizm i shizofreniya. Anti-Edip. Ekaterinburg: U-Faktoriya, 2008.
Delez Zh., Gvattari F. Chto takoe filosofiya? SPb: Aleteyya, 1998.
Delez Zh., Gvattari F. Chto takoe filosofiya? SPb: Aleteyya, 1998.
Fuko M. Slova i veshchi. M.: Progress, 1977
Reference:
Nedugova, I. A..
Archaicism in Culture: Study of Phenomenon
// Philosophy and Culture. – 2012. – ¹ 9.
– P. 151-159.
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Abstract: The author develops the conceptual grounds for the processes of cultural dynamics: expansion and contraction
of the cultural field. The article contains a comparative analysis of the terms ‘new archaic nature’ and ‘post-modern’.
The author also studies regular patterns of the existence of the system of culture from the point of view of synergetic and
non-linear approach. Expansion and contraction cycles change one another. When the system of culture is contracted,
the phenomenon of archaicism appears. Expansion of the system causes another phenomenon — post-modern. The
author develops the system of influence of the contraction process on formation of delusive consciousness. The author
also presents the conceptual model of philosophical reflection of delusive consciousness.
Keywords: philosophy, post-modernism, post-modern, archaic nature, culture, dynamics, objectivity, hierarchy, dissipation, change.
References:
Fuko M. Slova i veshchi. M., 1977. 670 s.
Derrida J. La pharmacie de Platon // Derrida J. La Dissemination. P., 1972.
Bart R. Izbrannye raboty. Semiotika. Poetika. M., 1994. 646 s.
Svyatoy pamyati postmoderna posvyashchaetsya… Beseda M. Epshteyna i V. Savchuka // Khudozhestvennyy zhurnal. 2007. ¹ 64. S. 10.
Dugin A. Arkheomodern. /V poiskakh tochki, gde i modern, i arkhaika yasny kak paradigmy [elektronnyy resurs] // http://www.arcto.ru/modules.php.
Savchuk V. Proekt «Kladbishche ili razgovor s vechnost'yu» // Khudozhestvennaya volya. 1994. ¹ 6. S. 36-37.
Uvarov M.S. «Novaya arkhaika» v puti // Prostranstvennost' razvitiya. Saratov, 2001. S. 21-27.
Figury Tanatosa: Iskusstvo umiraniya. Sb. statey / Pod red. A.V. Demicheva, M.S. Uvarova. SPb: Izd-vo SPbGU, 1998. 402 s.
Yaffe A. Simvoly v izobrazitel'nom iskusstve. M., 2007. 350 s.
Naydysh V.M. Filosofiya mifologii. Ot antichnosti do epokhi romantizma. M., 2000. 570 s.
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Reference:
Kurganova, I. G..
Reflection of Ideas and Norms of Post-Modernistic Paradigm in Rajneesh
Osho’s Philosophy
// Philosophy and Culture. – 2012. – ¹ 7.
– P. 130-137.
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Abstract: Different projects of release (of human, consciousness, culture, language, creativity and etc.)
which have become the norms of post-modernistic paradigm are now reflected in religious activity and
teaching by an Indian philosopher Rajneesh (Osho). The uncertainty principle, being one of the main concepts
in post-modernistic ontology and gnoseology, in many ways defines the plurality of modern perception
of the world. Just like his predecessors, Osho tries to create the synthesis of Oriental metaphysics and
Western philosophy. But unlike them, he goes beyond the limits of Indian spirituality and incorporates
all Chinese and Japanese spiritual practices into his teaching. In his lectures Osho touches upon a great
variety of topics and his philosophical conceptions are syncretical and eclectical. His philosophy can be
named as one of the most provocative and sometimes even scandalous versions of Hinduism reformation
in post-modernistic paradigm.
Keywords: philosophy, culture, post-modernism, religion, mysticism, release, truth, human, Rajneesh, Osho.
References:
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Reference:
Nedugova, I. A..
Self-Creating Art
// Philosophy and Culture. – 2012. – ¹ 6.
– P. 119-127.
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Abstract: The article describes the author’s approach to the analysis of cultural processes. The author gives
definition of dissipative processes in culture and defines unbalanced dynamic systems as creating such dissipative
processes. Illusory perception is the result of mixed subjective levels of human existence in our consciousness.
The article also contains classification of dissipative processes in culture.
Keywords: philosophy, art, culture, system, subject, consciousness, illusion, symbols, signs, reflection.
References:
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Dudina I., Epshteyn M., Savchuk V. Beseda: Svetloy pamyati postmoderna posvyashchaetsya... // Khudozhe-stvennyy zhurnal. 2007. ¹71/72.
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Reference:
Amelchenko, S. N..
Modes of ‘the Must’ and ‘the Arrant’ in Contradictions between Modernity and Post-Modernism
// Philosophy and Culture. – 2011. – ¹ 5.
– P. 176-186.
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Abstract: Using the universals ‘the arrant’ and ‘the must’ allows to define additional aspects of the study of hidden contradictions
between Modernity and Post-Modernism as well as to determine the basis for eliminating them.
Keywords: philosophy, culture, the arrant, the must, Modernity, Post-Modernism, code, modus, industrialism, post-industrialism.
References:
Agatstsi E. Chelovek kak predmet filosofskogo poznaniya // O chelovecheskom v cheloveke / pod red. I.T. Frolova. M., 1991. S. 59-79.
Bell D. Gryadushchee postindustrial'noe obshchestvo. M., 1999.
Bodriyyar Zh. Prozrachnost' zla. M., 2006.
Veber M. Protestantskaya etika i dukh kapitalizma // Veber M. Izbrannye proizvedeniya. M., 1990. S. 61-272.
Giddens E. Transformatsiya intimnosti. SPb., 2004.
Derrida Zh. Vokrug vavilonskikh bashen. SPb., 2002.
Derrida Zh. «Nakonets-to nauchit'sya zhit'» (poslednee interv'yu) // Voprosy filosofii. 2005. ¹ 4. S. 133-144.
Zimmel' G. Konflikt sovremennoy kul'tury // Zimmel' G. Izbrannoe: v 2-kh tt. T. 1. Filosofiya kul'tury. M., 1996. S. 494-516.
Liotar Zh.-F. Zametka o smyslakh «post» // Inostrannaya literatura. 1994. ¹ 1. S. 56-59.
Liotar Zh.-F. Sostoyanie postmoderna. SPb., 1998.
Panarin A.S. Postmodernizm i globalizatsiya: proekt osvobozhdeniya sobstvennikov ot sotsial'nykh i natsional'nykh obyazatel'stv // Voprosy filosofii. 200
Reference:
Grusman, M. V..
Tendencies of Poli Stylism in Modern Culture of Fashion
// Philosophy and Culture. – 2010. – ¹ 6.
– P. 92-96.
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Abstract: The article considers the tendencies of the modern fashion industry, in particular, its commitment to poli stylism. The author also studied the problem of style prototypes and their role in the world and Russian culture of fashion
Keywords: cultural studies, fashion, culture of fashion, industry, poli stylism, prototypes, style, communication, post-modern, globalization
References:
Bakhtin M.M. Voprosy literatury i estetiki. M.: Khud. lit., 1975.
Bakhtin M.M. Problemy tvorchestva Dostoevskogo. Kiev: Next, 1994. S. 294
Bakhtin M.M. K filosofii postupka // Filosofiya i sotsiologiya nauki i tekhniki. Ezhegodnik 1984-1985. M., 1986. S. 103
Brun V., Til'ke M. Istoriya kostyuma. M., Iskusstvo, 2006.
Gofman A.B. Moda i lyudi: novaya teoriya mody i modnogo povedeniya. M., 2004.
Ermilova V.V., Ermilova D.Yu., Modelirovanie i khudozhestvennoe oformlenie odezhdy. M.: Akademiya, 2006.
Zaytsev V.M. Takaya izmenchivaya moda. M., 2005.
Zakharzhevskaya R.V. Istoriya kostyuma. M., Ripol klassik, 2007.
Ikonnikova S.N. Moda v obshchestve sverkhpotrebleniya / Moda v kontekste kul'tury: sbornik statey vtoroy nauchno-prakticheskoy konferentsii. Vyp. 2. SPb: SPbGUKI, 2007. 184 s.
Kaminskaya N.M. Istoriya kostyuma. M., 2005.
Mertsalova M.N. Istoriya kostyuma. M., 2002.
Petrov L.V. Odezhda v istorii kul'tury. Moda i dizayn: istoricheskiy opyt — novye tekhnologii / mat
Reference:
Sizemskaya, I. N..
Once Again About the Idea of Progress and Related Theory of Social Evolution
// Philosophy and Culture. – 2009. – ¹ 11.
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Abstract: Review: the author of the article suggests to talk about the problem of social evolution and its criteria based on axiological meanings of modern social transformations connected with modernization and globalization processes. Admitting that the present day situation cannot be adequately described as a ‘formula of progress’ (the term born in Enlightenment epoch) the author tried to show that nevertheless the term and the theory of social evolution behind the term have much food for research and play a significant role for social modeling.
Keywords: philosophy, history, social evolution, progress, cultural bonds between generations, social ideal, economics, consumption, knowledge, spirituality, civil freedoms, social equality
References:
Reference:
Ignatenko, A. S..
About some ethical consequences of post-modernism philosophy
// Philosophy and Culture. – 2009. – ¹ 7.
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Abstract: The article demonstrates the ethical side of Deleza’s, Fuko’s and Derrida’s works. The author argued against F. I. Girenko’s negative views on post-modernism and criticized a few of his ideas written in Girenko’s work “Pleasure of thinking the other way”. According to the author, from the point of view of ethics post-modernism philosophy is the philosophy of new freedom requiring maximum creative efforts and maximum responsibility from a man.
Keywords: philosophy, post-modernism, ethics, simulacrum, microphysics of power, sign, communication, time, space, freedom.
References:
Reference:
MATUTITE, K.P..
FROM CONFUCIUS TO KYERKGORE
// Philosophy and Culture. – 2008. – ¹ 8.
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