Review: The object of the research is the problem of director's interpretation of classical opera works as an important topic for the modern music theatre. The subject of the research is the performances staged at Yekaterinburg Theatre of Opera and Ballet in 2013 - 2015 that demonstrated different approaches of modern directors to conveying a composer's message. The author of the article also analyzes creative success and mistakes of directors in their interpretations of opera masterpieces such as Wagner's 'The Flying Dutchman', Chaikovsky's 'Eugene Onegin' and Verdi's 'Rigoletto'. The author notes an interesting solution of the director who staged Wagner's opera, according to the author, it conveyed the composer's message quite well. The author also notes a rather debatable and unsuccessful interpretation of the opera 'Eugene Onegin' and quite credible interpretation of Verdi's message in the opera 'Rigolleto'. The methodological  basis of the research mostly includes the cultural approach, historical comparative analysis, cultural and art historical interpretation of musical and theatrical scripts. The scientific novelty of the research is caused by the fact that the author raises the aforesaid problems in terms of modern Russian culture and analyzes the most recent performances staged at one of the most famous Russian theatre groups. The main conclusion made by the author is that directors should be very sensitive and attentive to composers' messages and take into account both peculiarities of their style and general cultural traditions of the time and place of action as well as correspondence of conceptual meanings of classical works to the realities of our days. 

Keywords: composer, theatre, performance, music, concept, interpretation, opera, culture, classical works, director

References:
Stanislavskiy-reformator opernogo iskusstva: Materialy i dokumenty / Sost. G. Kristi, O. Sobolevskaya. Red. Yu. Kalashnikov. M.: Muzyka, 1985. 384 s.
Pokrovskiy B. Ob opernoy rezhissure. M.: VTO, 1973. 308 s.
Rotbaum L. Opera i ee stsenicheskoe voploshenie. M.: Sovetskiy kompozitor, 1980. 264 s.
Mikhaylov L. Sem' glav o teatre. Vospominaniya, razmyshleniya, dialogi. M.: Iskusstvo, 1985. 335 s.
Lotman Yu. Besedy o russkoy kul'ture. Byt i traditsii russkogo dvoryanstva (XVIII - nachala XIX veka). SPb.: Iskusstvo-SPb, 1994. S. 164-179.
Koryabin I. I "gollandets" letit... // Igraem s nachala. 2013. oktyabr'. ¹ 10(114).
Klinichev P. "Rigoletto". Interv'yu // Programma spektaklya. 2015. 28 fevralya.
Devyatova O. Proshloe v nastoyashchem [o prem'ere opery "Boris Godunov" v Ekaterinburgskom teatre opery i baleta]. UrFO, 2012. ¹ 11-12. S. 58-59.
Devyatova O. Zhivaya zhizn' teatra. Vekovaya panorama. Prem'ery. Mastera. Ekaterinburg: Izd. dom "Avtograf", 2012. 656 s.
Asaf'ev B. "Evgeniy Onegin". Liricheskie stseny P.I. Chaykovskogo // Izbrannye trudy v 5 t. M.: Izd-vo Akademii nauk SSSR. 1954. T. 2. S. 73-141.
Ushakov I. Novyy vzglyad na klassiku. Klassika dlya dumayushchego zritelya // Ekaterinburgskiy teatr opery i baleta. 2015. fevral'. ¹ 1(48). S. 12.

References (transliteration):
Stanislavskiy-reformator opernogo iskusstva: Materialy i dokumenty / Sost. G. Kristi, O. Sobolevskaya. Red. Yu. Kalashnikov. M.: Muzyka, 1985. 384 s.
Pokrovskiy B. Ob opernoy rezhissure. M.: VTO, 1973. 308 s.
Rotbaum L. Opera i ee stsenicheskoe voploshenie. M.: Sovetskiy kompozitor, 1980. 264 s.
Mikhaylov L. Sem' glav o teatre. Vospominaniya, razmyshleniya, dialogi. M.: Iskusstvo, 1985. 335 s.
Lotman Yu. Besedy o russkoy kul'ture. Byt i traditsii russkogo dvoryanstva (XVIII - nachala XIX veka). SPb.: Iskusstvo-SPb, 1994. S. 164-179.
Koryabin I. I "gollandets" letit... // Igraem s nachala. 2013. oktyabr'. ¹ 10(114).
Klinichev P. "Rigoletto". Interv'yu // Programma spektaklya. 2015. 28 fevralya.
Devyatova O. Proshloe v nastoyashchem [o prem'ere opery "Boris Godunov" v Ekaterinburgskom teatre opery i baleta]. UrFO, 2012. ¹ 11-12. S. 58-59.
Devyatova O. Zhivaya zhizn' teatra. Vekovaya panorama. Prem'ery. Mastera. Ekaterinburg: Izd. dom "Avtograf", 2012. 656 s.
Asaf'ev B. "Evgeniy Onegin". Liricheskie stseny P.I. Chaykovskogo // Izbrannye trudy v 5 t. M.: Izd-vo Akademii nauk SSSR. 1954. T. 2. S. 73-141.
Ushakov I. Novyy vzglyad na klassiku. Klassika dlya dumayushchego zritelya // Ekaterinburgskiy teatr opery i baleta. 2015. fevral'. ¹ 1(48). S. 12.

Review: The object of the research is the dance culture of Western Circassians living on the territory of modern Adygeya. The subject of the research is dance genres as combinations of musical-instrumental, plot-shaped and plastic components. The author examines such aspects of the topic as the cause of the deformation of the old system of dance genres, reasons, conditions and channels through which "forgotten" or other ethnic genres come into the dance culture generating new meanings in the reconstructed genres. Particular attention is paid to the problem of artistic values in the process of reproduction and generation of new artistic products. The author has used the methods of comparative-typological and systems analysis and empirical methods of participant observation and informal interviews with cultural figures. The scientific novelty of the research is caused by the fact that the author brings forth the problem associated with the attempt to define the genre-style dance music model of Western Circassians and analyzes causes and conditions of social and cultural changes that caused the formation of the new system of dance music. The main conclusion of the research is the statement of the fact that the gendre model of dance music of Western Circassians was renewed by developing the forgotten, borrowing and processing other ethnic artistic heritage. Noteworthy that people usually accept something new if it is perceived as succession or inheritance, i.e. what is understandable for the modern society, promotes spiritual potentials of the society and expresses social collective unconscious. 

Keywords: system transformation, dance circle, genre model, zafak, dghegu, dance culture, Western Circassians, diaspora, peoples of the Caucasus, artistic values

References:
Mikhina E.V. Kratkiy kurs lektsiy po distsipline «Estetika». Elektronnyy resurs. Rezhim dostupa: http://studme.org/48567/etika_i_estetika/estetika
Mikhaylov Dzh. K probleme teorii muzykal'no-kul'turnoy traditsii // Muzykal'nye traditsii stran Azii i Afriki. Sb. nauchnykh trudov. M.: MGK im. P.I. Chaykovskogo, 1986. S. 3-20.
Kushu S.A. Shutochnye tantsy adygov // Vestnik Adygeyskogo gosudarstvennogo universiteta. Seriya 2: Filologiya i iskusstvovedenie. Vyp. 3(126). Maykop, 2013. S. 206-210.
Pashtova M.M. Tanets v lokal'noy traditsii cherkesov Anatolii: identifikatsiya zhanra i sotsial'nye funktsii // Vestnik Kalmytskogo instituta gumanitarnykh issledovaniy Rossiyskoy akademii nauk. Vyp. 1. Elista, 2016. S. 114-120.
Anzarokova M.Ch., Anzarokov Ch.M. Polimorfizm separatsii v tantseval'noy kul'ture adygskoy (cherkesskoy) diaspory v Turtsii: motivatsii i spetsifika // Vestnik Adygeyskogo gosudarstvennogo universiteta. Seriya 2. Filologiya i iskusstvovedenie. Vyp. 4(128). Maykop, 2013. S. 193-200.
Sokolova A.N., Chundyshko N.A. K probleme proiskhozhdeniya i izucheniya tantsa «shcheshchen» // Vestnik Adygeyskogo gosudarstvennogo universiteta. Seriya 2. Filologiya i iskusstvovedenie. Vyp. 2. Maykop, 2009. S. 150-153.
Shu Sh.S. Narodnye tantsy adygov. Nal'chik: El'fa, 1991. 143 s.
Kharaeva F.F. Muzykal'noe i tantseval'noe iskusstvo adygov // Yuzhno-Rossiyskiy muzykal'nyy al'manakh. Vyp. 1. Rostov-n/D, 2004. S. 106-111.
Nagaytseva L.G. Adygskie narodnye tantsy. Nal'chik: El'brus, 1986. 144 s.
Adyge oredkher. Adygeyskie (cherkesskie) narodnye pesni i melodii (sostavitel' i glavnyy redaktor A.F. Grebnev. M.L.: Muzgiz, 1941.

References (transliteration):
Mikhina E.V. Kratkiy kurs lektsiy po distsipline «Estetika». Elektronnyy resurs. Rezhim dostupa: http://studme.org/48567/etika_i_estetika/estetika
Mikhaylov Dzh. K probleme teorii muzykal'no-kul'turnoy traditsii // Muzykal'nye traditsii stran Azii i Afriki. Sb. nauchnykh trudov. M.: MGK im. P.I. Chaykovskogo, 1986. S. 3-20.
Kushu S.A. Shutochnye tantsy adygov // Vestnik Adygeyskogo gosudarstvennogo universiteta. Seriya 2: Filologiya i iskusstvovedenie. Vyp. 3(126). Maykop, 2013. S. 206-210.
Pashtova M.M. Tanets v lokal'noy traditsii cherkesov Anatolii: identifikatsiya zhanra i sotsial'nye funktsii // Vestnik Kalmytskogo instituta gumanitarnykh issledovaniy Rossiyskoy akademii nauk. Vyp. 1. Elista, 2016. S. 114-120.
Anzarokova M.Ch., Anzarokov Ch.M. Polimorfizm separatsii v tantseval'noy kul'ture adygskoy (cherkesskoy) diaspory v Turtsii: motivatsii i spetsifika // Vestnik Adygeyskogo gosudarstvennogo universiteta. Seriya 2. Filologiya i iskusstvovedenie. Vyp. 4(128). Maykop, 2013. S. 193-200.
Sokolova A.N., Chundyshko N.A. K probleme proiskhozhdeniya i izucheniya tantsa «shcheshchen» // Vestnik Adygeyskogo gosudarstvennogo universiteta. Seriya 2. Filologiya i iskusstvovedenie. Vyp. 2. Maykop, 2009. S. 150-153.
Shu Sh.S. Narodnye tantsy adygov. Nal'chik: El'fa, 1991. 143 s.
Kharaeva F.F. Muzykal'noe i tantseval'noe iskusstvo adygov // Yuzhno-Rossiyskiy muzykal'nyy al'manakh. Vyp. 1. Rostov-n/D, 2004. S. 106-111.
Nagaytseva L.G. Adygskie narodnye tantsy. Nal'chik: El'brus, 1986. 144 s.
Adyge oredkher. Adygeyskie (cherkesskie) narodnye pesni i melodii (sostavitel' i glavnyy redaktor A.F. Grebnev. M.L.: Muzgiz, 1941.

Review: The article analyses the core idea (concept) of the Russian modern popular animated series (the examples of “Smeshariki” and “Masha and the Bear”) and its ethical values. In recent decades animated series that are based on such ethical values as kindness, friendshi, family and so on are growing in popularity. The purpose of the present research is to describe general principles of making successful animated series. Animated series are artistic products that is why an artistic component is very important in conveying the idea to the audience as well as marketing and promotion of animated series on domestic and international markets. The author of the article analyses the basic idea of animated series and episodes and their stories, plots, graphics and etc. as well as interviews with the authors of the ideas and promoters. The study also pays attention to the marketing and branding. The author comes to the conclusion that nowadays the good basic idea (concept) of animated series is necessary to succeed on the market. However, there are no popular animated series without well-known professionals in the industry providing quality embodiment of the basic idea and affecting feelings of the audience. Good promotion at the first stages of promoting the brand is also very important. 

Keywords: villain, hero, government support, promotion, animation, values, artistic product, animated series, concept of animated series, traditional values

References:
Tereshchenko M. Il'ya Popov: «Mne nravitsya delat' to, chto v Rossii schitaetsya nevozmozhnym». / Interv'yu s I. Popovym. Rezhim dostupa: http://www.kino-teatr.ru/kino/person/322/ (22.06.2015).
Pervozvanskiy M. Zhivut vmeste i ne ubivayut drug druga. / Interv'yu s A. Prokhorovym. Rezhim dostupa: http://www.naslednick.ru/archive/rubric/rubric_226.html (22.06.2015).
Levi-Stross K. Totemizm segodnya. / Biblioteka Gumer. Rezhim dostupa: http://www.gumer.info/bibliotek_Buks/Culture/Lev-Str/04.php (22.06.2015).
Oleg Kuzovkov. Khudozhestvennyy rukovoditel' studii Animakkord. /Portal "Mir 3D", interv'yu s O. Kuzovkovym. Rezhim dostupa: http://www.mir3d.ru/person/586/
Propp V. Istoricheskie korni volshebnoy skazki. / Biblioteka Gumer. Rezhim dostupa: http://www.gumer.info/bibliotek_Buks/Linguist/Propp_2/index.php (Data obrashcheniya: 29.06.2015).
Khangil'dieva I.G. Traditsionnye formy v netraditsionnom kontekste: arenda i koproduktsiya v sfere kul'tury i iskusstva (materialy kursa «Predprinimatel'stvo v kul'ture»).
Otchet departamenta kinematografii za 2014 god Ministerstva kul'tury RF. / Rezhim dostupa:
http://mkrf.ru/upload/mkrf/mkdocs2015/Otchet.%20Departament%20kinematografii.pdf
Fond kino predstavit rekordnoe kolichestvo rossiyskikh proektov na kinorynke v Kannakh.-Po materialam press-sluzhby Russian Cinema/ Portal CINEMOTION. Rezhim dostupa:
http://www.cinemotionlab.com/novosti/01877-fond_kino_predstavit_rekordnoe_kolichestvo_rossiyskih_proektov_na_kinorynke_v_kannah/ (23.06.2015).
Novye animatsionnye proekty iz Rossii byli predstavleny na krupneyshem animatsionnom kinorynke Evropy. / v razdele «Novosti» ot 14.06.2014 na ofitsial'nom sayte Sotsial'noy i ekonomicheskoy podderzhki otechestvennoy kinematografii. Rezhim dostupa: http://www.fond-kino.ru/news/6/545/ (23.06.2015).
Mart'yanova G.Yu., Il'ina A.A. Potentsial artterapii v sisteme korrektsionnoy pomoshchi doshkol'niku // Psikholog. - 2015. - 1. - C. 94 - 118. DOI: 10.7256/2409-8701.2015.1.13601. URL: http://www.e-notabene.ru/psp/article_13601.html

References (transliteration):
Tereshchenko M. Il'ya Popov: «Mne nravitsya delat' to, chto v Rossii schitaetsya nevozmozhnym». / Interv'yu s I. Popovym. Rezhim dostupa: http://www.kino-teatr.ru/kino/person/322/ (22.06.2015).
Pervozvanskiy M. Zhivut vmeste i ne ubivayut drug druga. / Interv'yu s A. Prokhorovym. Rezhim dostupa: http://www.naslednick.ru/archive/rubric/rubric_226.html (22.06.2015).
Levi-Stross K. Totemizm segodnya. / Biblioteka Gumer. Rezhim dostupa: http://www.gumer.info/bibliotek_Buks/Culture/Lev-Str/04.php (22.06.2015).
Oleg Kuzovkov. Khudozhestvennyy rukovoditel' studii Animakkord. /Portal "Mir 3D", interv'yu s O. Kuzovkovym. Rezhim dostupa: http://www.mir3d.ru/person/586/
Propp V. Istoricheskie korni volshebnoy skazki. / Biblioteka Gumer. Rezhim dostupa: http://www.gumer.info/bibliotek_Buks/Linguist/Propp_2/index.php (Data obrashcheniya: 29.06.2015).
Khangil'dieva I.G. Traditsionnye formy v netraditsionnom kontekste: arenda i koproduktsiya v sfere kul'tury i iskusstva (materialy kursa «Predprinimatel'stvo v kul'ture»).
Otchet departamenta kinematografii za 2014 god Ministerstva kul'tury RF. / Rezhim dostupa:
http://mkrf.ru/upload/mkrf/mkdocs2015/Otchet.%20Departament%20kinematografii.pdf
Fond kino predstavit rekordnoe kolichestvo rossiyskikh proektov na kinorynke v Kannakh.-Po materialam press-sluzhby Russian Cinema/ Portal CINEMOTION. Rezhim dostupa:
http://www.cinemotionlab.com/novosti/01877-fond_kino_predstavit_rekordnoe_kolichestvo_rossiyskih_proektov_na_kinorynke_v_kannah/ (23.06.2015).
Novye animatsionnye proekty iz Rossii byli predstavleny na krupneyshem animatsionnom kinorynke Evropy. / v razdele «Novosti» ot 14.06.2014 na ofitsial'nom sayte Sotsial'noy i ekonomicheskoy podderzhki otechestvennoy kinematografii. Rezhim dostupa: http://www.fond-kino.ru/news/6/545/ (23.06.2015).
Mart'yanova G.Yu., Il'ina A.A. Potentsial artterapii v sisteme korrektsionnoy pomoshchi doshkol'niku // Psikholog. - 2015. - 1. - C. 94 - 118. DOI: 10.7256/2409-8701.2015.1.13601. URL: http://www.e-notabene.ru/psp/article_13601.html

Review: A retrospective view on the development of the theatre infrastructure in today's theatre life of our capital has allowed the researcher to suggest an initial hyphothesis that the theatre remains viable and interesting for the audience only if its infrastructure is constantly developing. Consequently, the object of the present research is today's theatre life of Moscow while the subject of the research is the theatre infrastructure and all its elements. In his research Mozgovoy summarizes materials on the matter and attempts to provide a scientific substantiation of the term 'theatre infrastructure' as well as to show its role in todya's theatre life of Moscow. Theoretical concepts and practical recommendations contained in the research can be used during lectures on the management of the scenic art and everyday activity of theatre organisations, in particular, developing the theatre marketing policy. The results can be also used in the practice of administrative authorities working in the field of culture. The main research method is based on the interdisciplinary approach to solving the aforesaid tasks and systemic search for the proof of the above hypothesis which made the author to appeal to researches and findings in the spheres of cultural studies, social studies, theatre history, economics and marketing. The methodological basis of the research includes publications and researches of leading economists, sociologists and theatre experts raising topics associated with the aforesaid hypothesis and analyzing the problems relating to the theatre infrastructure. The scientific novelty of the research is caused by the fact that the author appeals to the problem of developing the theatre infrastructure in termsm of the socio-cultural process. 1. The term 'theatre infrastructure' is defined by practical experience, derives from economics, follows systemic 'requirements' and has its own conceptual characteristics related to specific features of the theatre business. 2. The theatre infrastructure is a constantly renovating and developing substance which development directly depends on the status of the theatre life and free functioning of the theatre system and which contents depend on the theatre process in general providing that all elements of the system are stable. 3. The theatre infrastructure is determined by a range of interrelated and coordinated elements that constitute the theatre life. 4. Development of the theatre infrastructure directly depends on the development of the theatre business and historically has been regulated by two forces, self-organisation and government. 

Keywords: marketing, theatre studies, sociology of art, theatre history, theatre reform, organisation, management, infrastructure, theatre, art

References:
Belen'kiy A.I. Ob informatsionnykh aspektakh izmeneniya sistem // Informatsiya – Kommunikatsiya – Obshchestvo (IKO): Tezisy dokladov i vystupleniy Mezhdunarodnoy nauchnoy konferentsii. SPb.: 2000. S. 23-25.
Ostrovskiy A.N. Zapiska o polozhenii dramaticheskogo iskusstva v Rossii v nastoyashchee vremya // Ostrovskiy A.N. Polnoe sobr. soch. T. 12. Stat'i o teatre. Zapiski. Rechi 1859-1886. M.: GIKhL, 1952. S. 120.
Ostrovskiy A.N. Zapiska ob avtorskikh pravakh dramaticheskogo pisatelya // A.N. Ostrovskiy o teatre. Zapiski, rechi i pis'ma. M.-L.: Iskusstvo», 1941. C. 38-46.
Gilyarovskiy V.A. Moskva i moskvichi. M.: AST, 2005. S. 286-288.
Ostrovskiy A.N. O teatral'nykh shkolakh // N.A. Kropachev, A.N. Ostrovskiy na sluzhbe pri imperatorskikh teatrakh, M., 1901. S. 14, 28.
Ostrovskiy N. Zapiska o Moskovskom Artisticheskom kruzhke (1867 g.) // Ostrovskiy A.N. Polnoe sobr. soch. v 16-ti tomakh. T. 12. M.: GIKhL, 1949-1953. S. 35-36.
Trubochkin D.V. Teatr Drevney Gretsii // Istoriya zarubezhnogo teatra. SPb.: Iskusstvo. SPb., 2005. S. 35.
Chepurov A.A. Teatr i dramaturgiya pervoy chetverti XIX veka // Istoriya russkogo dramaticheskogo teatra. M.: GITIS, 2005. S. 80.
Mostovaya. G.I. Gorod i teatr: puti vzaimodeystviya // «Strastnoy bul'var, 10». ¹ 6-46. M.: STD RF, 2002. S. 22.
Bol'shakova Yu.B. Stanovlenie professional'nykh otnosheniy v provintsial'nom teatre Rossii // Zhizn' stseny i kontraktnyy mir. M.: Izdatel'stvo «GITIS», 1994. S. 31.
Dadamyan G.G. Teatr v kul'turnoy zhizni Rossii v gody pervoy mirovoy voyny (1914-1917). M.: GITIS, 1987. S. 11.
Orlov Yu.M. Kontrakt kak forma trudovykh otnosheniy v russkom teatre // Zhizn' stseny i kontraktnyy mir. M.: Izdatel'stvo «GITIS», 1994. S. 42.
Bol'shoy ekonomicheskiy slovar' / Pod red. A.N.Azriliyana. M.: Institut novoy ekonomiki, 2007. 469 s.
Pilyugin A.A. Reformy v Imperatorskikh teatrakh. 1882 god. Iz istorii organizatsii tvorcheskogo protsessa v russkom teatre. M.: «GITIS», 2003. S. 123.
G.G.Dadamyan. Kul'tura i khozraschet: soblazny auktsiona // Teatr mezhdu proshlym i budushchim. M.: Templan, 1989. S. 8.
Danilov S.S. Materialy po istorii russkogo zakonodatel'stva o teatre // O teatre. L.; M.: Iskusstvo, 1940. S. 67; Teatral'naya zhizn' Rossii v epokhu Elizavety Petrovny. Dokumental'naya khronika. 1741-1750. M.: Nauka, 2003. 878 s.
Dadamyan G.G. Bor'ba dvukh nachal v organizatsii teatral'nogo dela Rossii // Novyy povorot, ili kul'tura moego pokoleniya. SPb.: «Baltiyskie sezony», 2010. S. 125.
Stanislavskiy K.S. Stat'i. Rechi. Besedy. Pis'ma. M.: Iskusstvo, 1953. S. 157.
Pchel'nikov P.M. Spravochnaya knizhka po teatral'nomu delu. M., 1900. 307 s.
Pokrovskaya Yu.A., Bol'shakova Yu.B. IRTO: Opyt professional'noy i sotsial'noy zashchity teatral'nogo soobshchestva // Zhizn' stseny i kontraktnyy mir. M.: GITIS, 1994. S. 70-79.
Orlov Yu.M. Kontrakt kak forma trudovykh otnosheniy v russkom teatre. // Zhizn' stseny i kontraktnyy mir. M.: GITIS, 1994. S. 72.

References (transliteration):
Belen'kiy A.I. Ob informatsionnykh aspektakh izmeneniya sistem // Informatsiya – Kommunikatsiya – Obshchestvo (IKO): Tezisy dokladov i vystupleniy Mezhdunarodnoy nauchnoy konferentsii. SPb.: 2000. S. 23-25.
Ostrovskiy A.N. Zapiska o polozhenii dramaticheskogo iskusstva v Rossii v nastoyashchee vremya // Ostrovskiy A.N. Polnoe sobr. soch. T. 12. Stat'i o teatre. Zapiski. Rechi 1859-1886. M.: GIKhL, 1952. S. 120.
Ostrovskiy A.N. Zapiska ob avtorskikh pravakh dramaticheskogo pisatelya // A.N. Ostrovskiy o teatre. Zapiski, rechi i pis'ma. M.-L.: Iskusstvo», 1941. C. 38-46.
Gilyarovskiy V.A. Moskva i moskvichi. M.: AST, 2005. S. 286-288.
Ostrovskiy A.N. O teatral'nykh shkolakh // N.A. Kropachev, A.N. Ostrovskiy na sluzhbe pri imperatorskikh teatrakh, M., 1901. S. 14, 28.
Ostrovskiy N. Zapiska o Moskovskom Artisticheskom kruzhke (1867 g.) // Ostrovskiy A.N. Polnoe sobr. soch. v 16-ti tomakh. T. 12. M.: GIKhL, 1949-1953. S. 35-36.
Trubochkin D.V. Teatr Drevney Gretsii // Istoriya zarubezhnogo teatra. SPb.: Iskusstvo. SPb., 2005. S. 35.
Chepurov A.A. Teatr i dramaturgiya pervoy chetverti XIX veka // Istoriya russkogo dramaticheskogo teatra. M.: GITIS, 2005. S. 80.
Mostovaya. G.I. Gorod i teatr: puti vzaimodeystviya // «Strastnoy bul'var, 10». ¹ 6-46. M.: STD RF, 2002. S. 22.
Bol'shakova Yu.B. Stanovlenie professional'nykh otnosheniy v provintsial'nom teatre Rossii // Zhizn' stseny i kontraktnyy mir. M.: Izdatel'stvo «GITIS», 1994. S. 31.
Dadamyan G.G. Teatr v kul'turnoy zhizni Rossii v gody pervoy mirovoy voyny (1914-1917). M.: GITIS, 1987. S. 11.
Orlov Yu.M. Kontrakt kak forma trudovykh otnosheniy v russkom teatre // Zhizn' stseny i kontraktnyy mir. M.: Izdatel'stvo «GITIS», 1994. S. 42.
Bol'shoy ekonomicheskiy slovar' / Pod red. A.N.Azriliyana. M.: Institut novoy ekonomiki, 2007. 469 s.
Pilyugin A.A. Reformy v Imperatorskikh teatrakh. 1882 god. Iz istorii organizatsii tvorcheskogo protsessa v russkom teatre. M.: «GITIS», 2003. S. 123.
G.G.Dadamyan. Kul'tura i khozraschet: soblazny auktsiona // Teatr mezhdu proshlym i budushchim. M.: Templan, 1989. S. 8.
Danilov S.S. Materialy po istorii russkogo zakonodatel'stva o teatre // O teatre. L.; M.: Iskusstvo, 1940. S. 67; Teatral'naya zhizn' Rossii v epokhu Elizavety Petrovny. Dokumental'naya khronika. 1741-1750. M.: Nauka, 2003. 878 s.
Dadamyan G.G. Bor'ba dvukh nachal v organizatsii teatral'nogo dela Rossii // Novyy povorot, ili kul'tura moego pokoleniya. SPb.: «Baltiyskie sezony», 2010. S. 125.
Stanislavskiy K.S. Stat'i. Rechi. Besedy. Pis'ma. M.: Iskusstvo, 1953. S. 157.
Pchel'nikov P.M. Spravochnaya knizhka po teatral'nomu delu. M., 1900. 307 s.
Pokrovskaya Yu.A., Bol'shakova Yu.B. IRTO: Opyt professional'noy i sotsial'noy zashchity teatral'nogo soobshchestva // Zhizn' stseny i kontraktnyy mir. M.: GITIS, 1994. S. 70-79.
Orlov Yu.M. Kontrakt kak forma trudovykh otnosheniy v russkom teatre. // Zhizn' stseny i kontraktnyy mir. M.: GITIS, 1994. S. 72.

Review: The subject of the present research is the historical millitary orchestra Mehter depicted in Ottoman miniatures of the 16th - 18th centuries. The illustrative material consisting of 25 samples of Ottoman miniatures depicting the musicians of the Mehter band located in archives and museums of Turkey served as the empirical base of the research. In accordance with the objectives the author has reviewed and analyzed images of the band in the millitary campaign scenes, ceremonial rites, as well as in the scenes of the palace festivals and celebrations. In her research Gorbunova has used the historical and semiotic methods as well as the field survey. The scientific novelty of the work is caused by the fact that based on the Ottoman miniatures for the first time there the author has conducted a semiotic analysis of the composition of the orchestra, used musical instruments and identified the role and place of Mehter in the cosmos of Ottoman Turks. The study revealed that Mehter millitary band has a special place in Turkish culture, being one of the dominant features of the spiritual space of the Turkic world. During the military campaigns the orchestra does not only set up the army to victory but also plays the role of a certain religious talisman, "shield" that protects the Sultan and his army. During the court events orchestra seems to guide a higher power at ceremonies and rituals occupying a middle position between the divine and the earthly. Thus, Ottoman miniatures are not only a chronicle of Ottoman history but also represent the Turkic cosmos formed by the religious vertical and ethnic nomad horizontal. The results of the study will be useful in the preparation of lectures on Turkic studies, cultural studies and art history.

Keywords: nomadism, cultural symbol, cultural cosmos, musical instruments, Turkish culture, Mehter, millitary band, Ottoman miniature, military campaigns, circle

References:
Çağman F., Tanındı Z. Topkapı Sarayı Müzesi. İslam Minyatürleri. Istanbul: Tercüman art and cultural Publications, 1979. 194 s.
Karakozova Zh.K., Khasanov M.Sh. Kosmos kazakhskoy kul'tury. Izdanie tret'e, pererabotannoe. Almaty: TOO «Evero», 2011. 66 s.
Lukina A.G. Krugovoy tanets kak fenomen traditsionnoy kul'tury kochevykh narodov // Traditsionnaya kul'tura kochevykh narodov v sisteme khudozhestvennogo obra-zovaniya : materialy nauchno-tvorcheskoy konferentsii s mezhdunarodnym uchastiem, 22 marta 2014 g., g. Yakutsk. Yakutsk: AGIIK, 2014. 360 s.
Lemb G. Suleyman Velikolepnyy. Velichayshiy sultan Osmanskoy imperii. 1520-1566 / Per. c angl. L. Igorevskiy. M.: Tsentrpoligraf, 2002. 384 s.
Küçük S. Eski Türk kültüründe renk kavramı. Bilig. Yaz 2010. Sayı 54, s.185-210
Aydzhanova A.K. Islam i vedy. Opyt sravnitel'nogo izucheniya sufiyskoy i vayshnavskoy religioznykh traditsiy. M.: Izdatel'stvo «108», 2015. 180 c.
Sambueva S.B. Simvolika traditsionnogo buryatskogo zhenskogo kostyuma. Ulan-Ude: izdatel'stvo buryatskogo gosuniversiteta, 2004. 92 s.
Naurzbaeva. Z. Vechnoe nebo kazakhov. Izdatel'stvo «SaGa», Almaty, 2013. 704 s.
Özalp M.N. Türk Musikîsi Tarihi. C. I. Ankara: Milli Eğitim Bakanlığı yayınları: Bilim ve kültür eserleri dizisi, 1986. 175 s.
Tezbaşar A. Mehter Tarihi, Teşkilâtı ve Marşları. İstanbul: Berksoy Basımevi, 1975. 95 s.
Altınölçek S. Osmanlı Minyatürlerinde Müzik// Türkler. Cilt 12. Ankara: Yeni Türkiye Yayınları, 2002. s.464-475 .
Karatay F.E. Topkapı Sarayı Müzesi Kütüphanesi Farsça Yazmalar Kataloğu: no. 1-940. İstanbul: Istanbul Topkapı Sarayı Müzesi, 1961. s.658-659
Musakulov F.S. Miniatyura. Uchebnoe metodicheskoe posobie. Tashkent, 2004. S. 56.
Veymarn B. Vseobshchaya istoriya iskusstv v shesti tomakh. T. 2. Kn. 2. M.: Iskusstvo, 1960. 505 s.
Yener S. Osmanlı Dönemi Minyatürlerinde Enstrüman Figürleri Üzerine Bir İnceleme// Atatürk Üniversitesi Sosyal Bilimler Enstitüsü Dergisi. 2012. ¹16 (1). s.169-186.

References (transliteration):
Çağman F., Tanındı Z. Topkapı Sarayı Müzesi. İslam Minyatürleri. Istanbul: Tercüman art and cultural Publications, 1979. 194 s.
Karakozova Zh.K., Khasanov M.Sh. Kosmos kazakhskoy kul'tury. Izdanie tret'e, pererabotannoe. Almaty: TOO «Evero», 2011. 66 s.
Lukina A.G. Krugovoy tanets kak fenomen traditsionnoy kul'tury kochevykh narodov // Traditsionnaya kul'tura kochevykh narodov v sisteme khudozhestvennogo obra-zovaniya : materialy nauchno-tvorcheskoy konferentsii s mezhdunarodnym uchastiem, 22 marta 2014 g., g. Yakutsk. Yakutsk: AGIIK, 2014. 360 s.
Lemb G. Suleyman Velikolepnyy. Velichayshiy sultan Osmanskoy imperii. 1520-1566 / Per. c angl. L. Igorevskiy. M.: Tsentrpoligraf, 2002. 384 s.
Küçük S. Eski Türk kültüründe renk kavramı. Bilig. Yaz 2010. Sayı 54, s.185-210
Aydzhanova A.K. Islam i vedy. Opyt sravnitel'nogo izucheniya sufiyskoy i vayshnavskoy religioznykh traditsiy. M.: Izdatel'stvo «108», 2015. 180 c.
Sambueva S.B. Simvolika traditsionnogo buryatskogo zhenskogo kostyuma. Ulan-Ude: izdatel'stvo buryatskogo gosuniversiteta, 2004. 92 s.
Naurzbaeva. Z. Vechnoe nebo kazakhov. Izdatel'stvo «SaGa», Almaty, 2013. 704 s.
Özalp M.N. Türk Musikîsi Tarihi. C. I. Ankara: Milli Eğitim Bakanlığı yayınları: Bilim ve kültür eserleri dizisi, 1986. 175 s.
Tezbaşar A. Mehter Tarihi, Teşkilâtı ve Marşları. İstanbul: Berksoy Basımevi, 1975. 95 s.
Altınölçek S. Osmanlı Minyatürlerinde Müzik// Türkler. Cilt 12. Ankara: Yeni Türkiye Yayınları, 2002. s.464-475 .
Karatay F.E. Topkapı Sarayı Müzesi Kütüphanesi Farsça Yazmalar Kataloğu: no. 1-940. İstanbul: Istanbul Topkapı Sarayı Müzesi, 1961. s.658-659
Musakulov F.S. Miniatyura. Uchebnoe metodicheskoe posobie. Tashkent, 2004. S. 56.
Veymarn B. Vseobshchaya istoriya iskusstv v shesti tomakh. T. 2. Kn. 2. M.: Iskusstvo, 1960. 505 s.
Yener S. Osmanlı Dönemi Minyatürlerinde Enstrüman Figürleri Üzerine Bir İnceleme// Atatürk Üniversitesi Sosyal Bilimler Enstitüsü Dergisi. 2012. ¹16 (1). s.169-186.

Review: In her article Kaminskaya touches upon potentials of amateur performances in the process of actualization of traditional folklore. The researcher describes activities of amateur talent groups from the point of view of their orientation at folklore culture and traditional folklore as an important element. The author also analyzes possibilities of amateur performances to actualize traditional folklore. The author demonstrates that as part of the amateur talent group activities, actualization of traditional folklore requires special training in the spheres of folklore culture, amateur performances and contemporary culture in general. By using the method of exemplification, the author demonstrates different variants of amateur groups' appealing to folklore based on actual examples. The comparative descriptive method has also allowed the author to examine orientation of amateur talent groups at different elements of folklore culture. As a result of the analysis, the author makes a conclusion that amateur talent groups demonstrate stable patterns of appealing to folklore traditions such as performance of folklore in its authentic variant and artistic transformation, inclusion of folklore in a wider stage play, creation of works in the 'folklore' style and a wide demonstration as part of creative activities. 

Keywords: traditional folklore, folklore culture, artistic culture, amateur performances, orientation at folklore, amateur talent groups, festivals, contests, concert performances, folklore ritual actions

References:
Golovnev A. V. Ural'skie etnodialogi // Ural'skiy istoricheskiy vestnik. 2013. ¹ 2 (39). S. 4–16.
Khrenov N. A. Sud'ba traditsionnoy kul'tury v postindustrial'noy tsivilizatsii // Modernizatsiya kul'tury: idei i paradigmy kul'turnykh izmeneniy: mater. Mezhdunar. nauch.-praktich. konf. pod red. S. V. Solov'evoy, V. I. Ionesova, L. M. Artamonovoy. 2014. S. 93–116.
Putilov B. N. Fol'klor i khudozhestvennaya samodeyatel'nost' // Fol'klor i khudozhestvennaya samodeyatel'nost' / otv. red. N. V. Novikov. Leningrad: Nauka, 1968. S. 5–19.
Organizatsiya raboty samodeyatel'nykh fol'klornykh kollektivov: metod. rekomendatsii dlya rabotnikov sotsiokul'turnoy sfery / sost. T. S. Chekmareva, A. F. Mingadeeva. Kazan', 2013. 38 s.
Sokovikov S. S. Populyarnaya kul'tura: aspekty issledovaniya: monogr. / Chelyab. gos. akad. kul'tury i iskusstv. Chelyabinsk, 2014. 206 s.
Khuramshina R. Festival' «Auaz» sposobstvuet sokhraneniyu bashkirskoy etnicheskoy kul'tury URL: http://rcntrb.ru/news/328. (data obrashcheniya: 26.08.2015).
Kabanov A. S. Muzykal'noe fol'klornoe napravlenie v sovremennom narodnom tvorchestve // Khudozhestvennaya samodeyatel'nost'. Fol'klor: problemy sokhraneniya, izucheniya i propagandy: tez. Vsesoyuz. nauch.-prakt. konf. V 2-kh ch. Moskva, 1988. S. 40–42.
Kargin A. S. Narodnaya khudozhestvennaya kul'tura: kurs lektsiy dlya studentov vyssh. i sred. ucheb. zavedeniy kul'tury i iskusstv: ucheb. Moskva: Gos. respublik. tsentr rus. fol'klora, 1997. 288 s.
Khrenov N. A. Modernizatsionnye protsessy na rubezhe XX–XXI vekov i sud'ba traditsionnykh tsennostey // Kul'tura i iskusstvo. 2013. ¹ 5. S. 544–555. DOI: 10.7256/2222-1956.2013.5.9570.
Baldina O. D. Predmetno-material'nyy mir narodnoy kul'tury v sfere sovremennoy kommunikatsii: «kontaktnye zony» // Kul'tura i iskusstvo. 2013. ¹ 1. S. 61–73. DOI: 10.7256/2222-1956.2013.01.7.
Obmorokova A.M. Otrazhenie protsessov regional'noy identifikatsii i samoidentifikatsii v krasnoyarskom kul'turnoe prostranstve (na materiale analiza kontsepta "Rodina") // Sotsiodinamika. - 2015. - 3. - C. 69 - 93. DOI: 10.7256/2409-7144.2015.3.14677. URL: http://www.e-notabene.ru/pr/article_14677.html

References (transliteration):
Golovnev A. V. Ural'skie etnodialogi // Ural'skiy istoricheskiy vestnik. 2013. ¹ 2 (39). S. 4–16.
Khrenov N. A. Sud'ba traditsionnoy kul'tury v postindustrial'noy tsivilizatsii // Modernizatsiya kul'tury: idei i paradigmy kul'turnykh izmeneniy: mater. Mezhdunar. nauch.-praktich. konf. pod red. S. V. Solov'evoy, V. I. Ionesova, L. M. Artamonovoy. 2014. S. 93–116.
Putilov B. N. Fol'klor i khudozhestvennaya samodeyatel'nost' // Fol'klor i khudozhestvennaya samodeyatel'nost' / otv. red. N. V. Novikov. Leningrad: Nauka, 1968. S. 5–19.
Organizatsiya raboty samodeyatel'nykh fol'klornykh kollektivov: metod. rekomendatsii dlya rabotnikov sotsiokul'turnoy sfery / sost. T. S. Chekmareva, A. F. Mingadeeva. Kazan', 2013. 38 s.
Sokovikov S. S. Populyarnaya kul'tura: aspekty issledovaniya: monogr. / Chelyab. gos. akad. kul'tury i iskusstv. Chelyabinsk, 2014. 206 s.
Khuramshina R. Festival' «Auaz» sposobstvuet sokhraneniyu bashkirskoy etnicheskoy kul'tury URL: http://rcntrb.ru/news/328. (data obrashcheniya: 26.08.2015).
Kabanov A. S. Muzykal'noe fol'klornoe napravlenie v sovremennom narodnom tvorchestve // Khudozhestvennaya samodeyatel'nost'. Fol'klor: problemy sokhraneniya, izucheniya i propagandy: tez. Vsesoyuz. nauch.-prakt. konf. V 2-kh ch. Moskva, 1988. S. 40–42.
Kargin A. S. Narodnaya khudozhestvennaya kul'tura: kurs lektsiy dlya studentov vyssh. i sred. ucheb. zavedeniy kul'tury i iskusstv: ucheb. Moskva: Gos. respublik. tsentr rus. fol'klora, 1997. 288 s.
Khrenov N. A. Modernizatsionnye protsessy na rubezhe XX–XXI vekov i sud'ba traditsionnykh tsennostey // Kul'tura i iskusstvo. 2013. ¹ 5. S. 544–555. DOI: 10.7256/2222-1956.2013.5.9570.
Baldina O. D. Predmetno-material'nyy mir narodnoy kul'tury v sfere sovremennoy kommunikatsii: «kontaktnye zony» // Kul'tura i iskusstvo. 2013. ¹ 1. S. 61–73. DOI: 10.7256/2222-1956.2013.01.7.
Obmorokova A.M. Otrazhenie protsessov regional'noy identifikatsii i samoidentifikatsii v krasnoyarskom kul'turnoe prostranstve (na materiale analiza kontsepta "Rodina") // Sotsiodinamika. - 2015. - 3. - C. 69 - 93. DOI: 10.7256/2409-7144.2015.3.14677. URL: http://www.e-notabene.ru/pr/article_14677.html

Review: The article is devoted to the analysis of ethical and philosophical interpretations of the commandment of non-resistance to evil (Matthew 5, 38-41). Along with the two main approaches to interpretation of the commandment (1) as an absolute law that implies an unconditional refusal from a forceful resistance to all kinds of evil; or 2) as a limited rule inferior to the imperative of resistance to evil, the author of the present article describes the third approach to the problem. Within the framework of this research, the commandment is interpreted as a demand for active resistance to evil. The research provides a thorough analysis of the second and third approaches to the problem based on Leo Tolstoy's works and Joseph Brodsky's essays. In her research article Artemieva reconstructs and studies arguments offered by the aforesaid two approaches. The author defines peculiarities of Leo Tolstoy's and Joseph Brodsky's positions and carries out their comparative analysis. The author concludes that even though Tolstoy and Brodsky initially had opposite attitudes to the commandment of nonresistance to evil, both authors insisted that evil must have been resisted. Even though Tolstoy urged not to resist the external evil, he underlined how important it was to struggle against evil inside man himself. Brodsky disagreed and demonstrated that a refusal from all kinds of evil (both internal and external forms) expands the territory of evil, and nonresistance to evil is not always flawless from the moral point of view. The main conclusion of the article says that the humanistic value of the idea of nonresistance to evil can be defined by the fact that it is a complex problem which does not have simple solutions. 

Keywords: evil, commandment of non-resistance to evil, nonviolence, nonresistence, Leo Tolstoy, Joseph Brodsky, good, morality, Hugo Grotius, ethics

References:
Brodskiy I. A. Aktovaya rech' / Per. s angl. D. Dashevskogo // Brodskiy I.A. Soch. v 7 t. T. 5. SPb.: Pushkinskiy fond, 2001. S. 275–280.
Brodskiy I.A. Pokhvala gluposti / Per. E.Kasatkinoy // Brodskiy I.A. Soch. v 7 t. T. 6. SPb.: Pushkinskiy fond, 2003. S. 86–92.
Brodskiy I.A. Rech' na stadione / Per. E.Kasatkinoy // Brodskiy I.A. Soch. v 7 t. T. 6. SPb.: Pushkinskiy fond, 2003. S. 112–119.
Apresyan R.G. «Mne otmshchenie i Az vozdam»: O normativnykh kontekstakh i assotsiatsiyakh zapovedi «Ne protiv'sya Zlomu» // Eticheskaya mysl', 2007. Vyp. 7. S. 62–82.
Grotsiy G. O prave voyny i mira. M.: Ladomir, 1994. S.
Guseynov A.A. L.N.Tolstoy: Neprotivlenie zlu nasiliem // Guseynov A.A. Velikie proroki i mysliteli. Nravstvennye ucheniya ot Moiseya do nashikh dney. M.: Veche, 2009.
Pleshakov K. Brodskiy v Maunt-Kholioke // Zhurnal'nyy zal [Elektronnyy resurs] URL: http://magazines.russ.ru/druzhba/2001/3/plesh.html (data obrashcheniya: 26.10.2015).
Prokof'ev A.V. Etika nenasiliya kak begstvo ot nravstvennogo riska // Filosofiya i kul'tura, 2011, ¹ 7. S. 137–149
Tolstoy L.N. V chem moya vera? // Tolstoy L.N. Poln. sobr. soch. T. 23. M.–L.: Gosudarstvennoe izdatel'stvo khudozhestvennoy literatury, 1957.
Tolstoy L.N. Pis'mo M.A. Engel'gardtu // Tolstoy L.N. Poln. sobr. soch. T. 63. M.–L.: Gosudarstvennoe izdatel'stvo khudozhestvennoy literatury, 1934. S.114–115.
Tolstoy L.N. Tak chto zhe nam delat'? // Tolstoy L.N. Poln. sobr. soch. T. 25. M.–L.: Gosudarstvennoe izdatel'stvo khudozhestvennoy literatury, 1937.
Tolstoy L.N. Tsarstvo Bozhie vnutri vas // Tolstoy L.N. Poln. sobr. soch. T. 28. M.–L.: Gosudarstvennoe izdatel'stvo khudozhestvennoy literatury, 1957.

References (transliteration):
Brodskiy I. A. Aktovaya rech' / Per. s angl. D. Dashevskogo // Brodskiy I.A. Soch. v 7 t. T. 5. SPb.: Pushkinskiy fond, 2001. S. 275–280.
Brodskiy I.A. Pokhvala gluposti / Per. E.Kasatkinoy // Brodskiy I.A. Soch. v 7 t. T. 6. SPb.: Pushkinskiy fond, 2003. S. 86–92.
Brodskiy I.A. Rech' na stadione / Per. E.Kasatkinoy // Brodskiy I.A. Soch. v 7 t. T. 6. SPb.: Pushkinskiy fond, 2003. S. 112–119.
Apresyan R.G. «Mne otmshchenie i Az vozdam»: O normativnykh kontekstakh i assotsiatsiyakh zapovedi «Ne protiv'sya Zlomu» // Eticheskaya mysl', 2007. Vyp. 7. S. 62–82.
Grotsiy G. O prave voyny i mira. M.: Ladomir, 1994. S.
Guseynov A.A. L.N.Tolstoy: Neprotivlenie zlu nasiliem // Guseynov A.A. Velikie proroki i mysliteli. Nravstvennye ucheniya ot Moiseya do nashikh dney. M.: Veche, 2009.
Pleshakov K. Brodskiy v Maunt-Kholioke // Zhurnal'nyy zal [Elektronnyy resurs] URL: http://magazines.russ.ru/druzhba/2001/3/plesh.html (data obrashcheniya: 26.10.2015).
Prokof'ev A.V. Etika nenasiliya kak begstvo ot nravstvennogo riska // Filosofiya i kul'tura, 2011, ¹ 7. S. 137–149
Tolstoy L.N. V chem moya vera? // Tolstoy L.N. Poln. sobr. soch. T. 23. M.–L.: Gosudarstvennoe izdatel'stvo khudozhestvennoy literatury, 1957.
Tolstoy L.N. Pis'mo M.A. Engel'gardtu // Tolstoy L.N. Poln. sobr. soch. T. 63. M.–L.: Gosudarstvennoe izdatel'stvo khudozhestvennoy literatury, 1934. S.114–115.
Tolstoy L.N. Tak chto zhe nam delat'? // Tolstoy L.N. Poln. sobr. soch. T. 25. M.–L.: Gosudarstvennoe izdatel'stvo khudozhestvennoy literatury, 1937.
Tolstoy L.N. Tsarstvo Bozhie vnutri vas // Tolstoy L.N. Poln. sobr. soch. T. 28. M.–L.: Gosudarstvennoe izdatel'stvo khudozhestvennoy literatury, 1957.

Review: The subject of the research is the fine art of the Vyg Monastery. The object of the research is the phenomenon of the old believers in the culture of the Russian North. During the research particular attention was paid to identifying the concepts of sustainability and modernization of the old believer traditions in the art of the North. It is proved that for all the controversy, the impact of the old believers on the culture of Northern Russia was positive, in particular, it extended the range of artistic traditions of the region. In her research Skorobogacheva has studied the factors contributing to the spread of Northern art beyond the marginal land: in the Urals, Siberia, the Volga region and Central Russia. In this research it was necessary to use an integrated and multidisciplinary approach. Special research methodology involved the holistic approach, which is based on the ideas of system analysis. When working on specific research tasks, the author relied on the following methods of research: 1. art criticism analysis of works that it is important to understand figurative, ideological solutions and to identify their artistic language; 2. in matters of attribution comparative technical and technological methods are important because they allow to describe the classification and specifics of a particular monument. 3. historical-ethnographic method which encourages the research of old believers ' art samples and analysis of Russian traditions and symbolic meanings therein. The main results of the research are: 1. proof of the the importance of the Vyg Monastery as an artistic centre of the Russian North; 2. determination of the uniqueness of the phenomenon of the old believers in the historical-cultural and religious-philosophical environment, both in the North and far beyond its borders; 3. description of the significant role of the old believers in the distribution of the Northern traditions in most regions of Russia.

Keywords: Ural, vectorvest, old believers, Vyg, Russian North, art, painted icons, cast copper icons, ornaments, Volga Region

References:
Neizvestnaya Rossiya. K 300-letiyu Vygovskoy staroobryadcheskoy pustyni: sbornik trudov GIMa / avtor-sostavitel' E.P. Vinokurova [i dr.] – M.: GIM, 1994. – 101 s.
Igumen Kirill (Sakharov)Retsenziya na knigu K.Ya. Kozhurina «Povsednevnaya zhizn' staroobryadtsev» (Moskva, 2014) [Elektronnyy resurs]. staroobrad.ru›modules.php… (data obrashcheniya: 28.08.2015).
(15)Pokrovskiy N.N. «Poslanie V.V. k B.I.» 1731/1732 g. – pervyy polemicheskiy traktat uralo-sibirskikh staroverov-sofontievtsev. [Elektronnyy resurs]. URL: http://www krotov.info/history/18/1730/pokrovsky.htm (data obrashcheniya: 20.06.2015).
Russkoe mednoe lit'e: sbornik nauch. statey / pod red. S.V. Gnutovoy. – M.: izdatel'stvo TsMDRI, 1993. – Vyp. 1. – 191 s.
Russkoe mednoe lit'e: sbornik nauch. statey / pod red. S.V. Gnutovoy. – M.: izdatel'stvo TsMDRI, 1993. – Vyp. 2. – 192 s.
Pavlov S.N. Staroobryadcheskaya pomorskaya ikona: voprosy atributsii // Programma «Khram»: sbornik materialov S.-Peterburgskogo fonda kul'tury. – SPb.: Khram, 1994. – S. 110-124.
Yukhimenko E.M. Vygovskaya staroobryadcheskaya pustyn'. Dukhovnaya zhizn' i literatura. T. 2. – M.: Yazyki slavyanskoy kul'tury, 2002.– 480 s.
Pamyatniki staroobryadcheskoy pis'mennosti. – SPb.: Izd-vo Russkogo khristianskogo gumanitarnogo instituta, 2000. – 416 s.
Yukhimenko E.M. Vygovskaya staroobryadcheskaya pustyn'. Dukhovnaya zhizn' i literatura. – T. 1. – M.: Yazyki slavyanskoy kul'tury, 2002. – 544 s.
Filippov I. F. Istoriya Vygovskoy staroobryadcheskoy pustyni. SPb.: Kozhanchik, 1862. – 318 S.
Mir staroobryadchestva. Zhivye traditsii. Sbornik nauchnykh trudov. Vypusk 4. – M.: ROSSPEN, 1998. – 412 s.
Surov M.V. Vologodchina: neissyakaemaya divnost'. – Vologda: OOO PF «Poligrafist», 2002. – 432 s.
Goncharova L.N. Metall v narodnom iskusstve Russkogo Severa. Chekanka i mednoe lit'e. – M.: GIM, 2000. – 95 s.
Vasnetsov V.M. Pis'ma. Dnevniki. Vospominaniya. Dokumenty. Suzhdeniya sovremennikov. M.: Iskusstvo, 1987. – 496 s.
Primakov E.M. Mir, v kotorom nakhoditsya Rossiya. // Rodnaya Ladoga. ¹ 3. 2012. Spb. – S. 40–53.

References (transliteration):
Neizvestnaya Rossiya. K 300-letiyu Vygovskoy staroobryadcheskoy pustyni: sbornik trudov GIMa / avtor-sostavitel' E.P. Vinokurova [i dr.] – M.: GIM, 1994. – 101 s.
Igumen Kirill (Sakharov)Retsenziya na knigu K.Ya. Kozhurina «Povsednevnaya zhizn' staroobryadtsev» (Moskva, 2014) [Elektronnyy resurs]. staroobrad.ru›modules.php… (data obrashcheniya: 28.08.2015).
(15)Pokrovskiy N.N. «Poslanie V.V. k B.I.» 1731/1732 g. – pervyy polemicheskiy traktat uralo-sibirskikh staroverov-sofontievtsev. [Elektronnyy resurs]. URL: http://www krotov.info/history/18/1730/pokrovsky.htm (data obrashcheniya: 20.06.2015).
Russkoe mednoe lit'e: sbornik nauch. statey / pod red. S.V. Gnutovoy. – M.: izdatel'stvo TsMDRI, 1993. – Vyp. 1. – 191 s.
Russkoe mednoe lit'e: sbornik nauch. statey / pod red. S.V. Gnutovoy. – M.: izdatel'stvo TsMDRI, 1993. – Vyp. 2. – 192 s.
Pavlov S.N. Staroobryadcheskaya pomorskaya ikona: voprosy atributsii // Programma «Khram»: sbornik materialov S.-Peterburgskogo fonda kul'tury. – SPb.: Khram, 1994. – S. 110-124.
Yukhimenko E.M. Vygovskaya staroobryadcheskaya pustyn'. Dukhovnaya zhizn' i literatura. T. 2. – M.: Yazyki slavyanskoy kul'tury, 2002.– 480 s.
Pamyatniki staroobryadcheskoy pis'mennosti. – SPb.: Izd-vo Russkogo khristianskogo gumanitarnogo instituta, 2000. – 416 s.
Yukhimenko E.M. Vygovskaya staroobryadcheskaya pustyn'. Dukhovnaya zhizn' i literatura. – T. 1. – M.: Yazyki slavyanskoy kul'tury, 2002. – 544 s.
Filippov I. F. Istoriya Vygovskoy staroobryadcheskoy pustyni. SPb.: Kozhanchik, 1862. – 318 S.
Mir staroobryadchestva. Zhivye traditsii. Sbornik nauchnykh trudov. Vypusk 4. – M.: ROSSPEN, 1998. – 412 s.
Surov M.V. Vologodchina: neissyakaemaya divnost'. – Vologda: OOO PF «Poligrafist», 2002. – 432 s.
Goncharova L.N. Metall v narodnom iskusstve Russkogo Severa. Chekanka i mednoe lit'e. – M.: GIM, 2000. – 95 s.
Vasnetsov V.M. Pis'ma. Dnevniki. Vospominaniya. Dokumenty. Suzhdeniya sovremennikov. M.: Iskusstvo, 1987. – 496 s.
Primakov E.M. Mir, v kotorom nakhoditsya Rossiya. // Rodnaya Ladoga. ¹ 3. 2012. Spb. – S. 40–53.

Review: The research subject of the article is the stained glass created by a Soviet architecture artist Vladimir Grishaev (1951 – 1999) in the 1970th– 1990th. During that period he created over 30 pieces of art for all kinds of official buildings and public facilities in Cheboksary, the capital of the Chuvash Republic. Today Vladimir Grishaev can be considered to be the first stained glass artist of Chuvashia because stained glass had been practically unknown before him in that republic. The author of the article examines the artist’s stained glass since the period when Grishaev was an art student till the last years of his life. The research method used by the author is the art history analysis of particular artworks combined with the historical analysis of the phenomenon of stained glass art in the USSR. This article is the first one in the academic literature to discuss the topic of stained glass in Vladimir Grishaev’s creative work. The main conclusions are the following: Vladimir Grishaev’s artwork is undoubtedly valuable and reflect the spiritual life of a talented artist as the representative of his epoch.

Keywords: Vladimir Grishaev, stained glass, art, USSR, art in architecture, Cheboksary, the Chuvash Republic, stained glass artist, history, decorate art.

References:
Kadikina, L. I . «V inter'erakh sovremennykh zdaniy.» Sovetskaya Chuvashiya. Mart, 1991.
Vladimir Grishaev. Katalog. Mounmetal'noe isksstvo, zhivopis', grafika. Cheboksary, 1991.
Vladimir Grishaev (1951-1999). Katalog vystavki. Monumental'noe iskusstvo. Grafika. Zhivopis'. Cheboksary, 2011.

References (transliteration):
Kadikina, L. I . «V inter'erakh sovremennykh zdaniy.» Sovetskaya Chuvashiya. Mart, 1991.
Vladimir Grishaev. Katalog. Mounmetal'noe isksstvo, zhivopis', grafika. Cheboksary, 1991.
Vladimir Grishaev (1951-1999). Katalog vystavki. Monumental'noe iskusstvo. Grafika. Zhivopis'. Cheboksary, 2011.

Review: The article is devoted to the activity performed by UNESCO in the sphere of art education. The author of the article analyzes the goals of creating such a policy of UNESCO as well as particular activities and events organized within the framework of international cooperation in the sphere of art education. The author also studies recommendations and guidelines of UNESCO in the sphere of education in general and art education in particular. Shilova describes UNESCO programs aimed at development of art education and identifies why the international cooperation policy was created in the sphere of art education. Based on the analysis of UNESCO documents, the author defines the following reasons for creating the aforesaid policy: development of creative thinking; growth of social peace, tolerance and mutual respect and a growing contribution to sustainable development. Shilova also emphasizes the two functions of art education that were conceptualized in UNESCO documents: instrumental function of art education, i.e. using art as a mean and method of teaching general disciplines, and the function of creating the picture of the world. Based on the author, documents prepared by UNESCO to be used in the sphere of art education have rather insignificant influence on national educational programs due to their non-regulatory nature. At the same time, Shilova focuses on the implementation of particular projects under the guidance of UNESCO which still turned out to be quite efficient.

Keywords: UNESCO, international relations, art education, international cooperation, art, education, recommendations, observatories, principles, projects.

References:
L. O ́Farrell, Sh. Schonmann, E. Wagner‬, International Yearbook for Research in Arts Education 2/2014 , Waxmann Verlag, 2014‬. R. 18.‬‬‬
L. Joubert, Educating in the Arts: The Asian Experience: Twenty-Four Essays‬, Springer Science & Business Media, 2008. ‬‬‬
UNESCO, Records of the General Conference. 30th session, Paris, 26 October to 17 November 1999, Vol. 1. Resolutions. UNESCO, 2000.
UNESCO, Rethinking Education in a Changing World, Meeting of the Senior Experts' Group, Paris, 12-14 February 2013, UNESCOR.
UNESCO, Report of the Survey Results on the Implementation of the Road Map for Arts Education, Seoul, Korea, 2010.
UNESCO, Final report, First celebration of International Arts Education Week (21-27 May 2012). http://www.unesco.org/new/fileadmin/MULTIMEDIA/HQ/CLT/pdf/FINALREPORT_EN.pdf
UNESCO, Guidelines and procedures for the UNITWIN/UNESCO Chairs Programme, ED/HED/UNITWIN/2006/PI/1 rev. 4 UNESCO, 2009

References (transliteration):
L. O ́Farrell, Sh. Schonmann, E. Wagner‬, International Yearbook for Research in Arts Education 2/2014 , Waxmann Verlag, 2014‬. R. 18.‬‬‬
L. Joubert, Educating in the Arts: The Asian Experience: Twenty-Four Essays‬, Springer Science & Business Media, 2008. ‬‬‬
UNESCO, Records of the General Conference. 30th session, Paris, 26 October to 17 November 1999, Vol. 1. Resolutions. UNESCO, 2000.
UNESCO, Rethinking Education in a Changing World, Meeting of the Senior Experts' Group, Paris, 12-14 February 2013, UNESCOR.
UNESCO, Report of the Survey Results on the Implementation of the Road Map for Arts Education, Seoul, Korea, 2010.
UNESCO, Final report, First celebration of International Arts Education Week (21-27 May 2012). http://www.unesco.org/new/fileadmin/MULTIMEDIA/HQ/CLT/pdf/FINALREPORT_EN.pdf
UNESCO, Guidelines and procedures for the UNITWIN/UNESCO Chairs Programme, ED/HED/UNITWIN/2006/PI/1 rev. 4 UNESCO, 2009

Review: The subject of research is the discussion of the popularity of science fiction in the second half of the 20th century which faded away by the end of the last century after creating the fantasy genre. At first the author analyzes how fiction is interpreted and reconstructed in general and how their meaning is explored. Rozin shows that science fiction performed the two tasks. Firstly, it released the historical tension of the 60th and allowed to fulfill the myths of those times in a form of art. Secondly, it took the reader to the reality where, no matter how strange it may seem, those myths and expectations were falsified and uncovered. At the end of the article Rozin explains the reasons why science fiction decayed as a genre. According to the researcher, writers and science fiction authors depleted and to a significant extent falsified the main scientific myths and expectations of those times. Moreover, it became obvious that fulfillment of many aspirations of the humankind that appeared in the mid 60th (outer space exploration, replacement of humans with robots and nature management) would be achieved only in a distant and uncertain future. The research described in the article was based on a number of methods such as problematization, historical reconstruction (genetic analysis), comparative analysis as well as methodology of the humanitarian approach. The main conclusions made by Rozin are the following. As a literary genre, science fiction has undergone through certain stages of development and performed important functions in the cultural environment of those times allowing a representative of certain culture to achieve his aspirations and implement his values. When the latter were partially devalued and achieved and the time offered new problems and challenges, science fiction went off the scene.

Keywords: Science fiction, fantasy, cycle, fulfillment, myths, values, genre, piece of work, completion, human.

References:
Lem S. Fantastyka i futurologia. Krakow, 1973. T.2. S. 44.
Lem S. Fantastyka i futurologia. Krakow, S. 547.
Platon. Pir // Soch.: V 4 t. T. 2. M., 1993. S. 435.
Ado P. Chto takoe antichnaya filosofiya. M., 1999. C. 55, 57.
Bibikhin V.V. Vitgenshteyn: smena aspekta. M., 2005. S. 164.
Bakhtin M. Voprosy literatury i estetiki. M., 1975. S. 58-59.
Mamardashvili M. Literaturnaya kritika kak akt chteniya // Kak ya ponimayu filosofiyu. M., 1990. S. 158.
Platon Gosudarstvo. Sobr. soch. v 4 t. T. 3. M., 1994. S. 417, 418–419.
Shchedrovitskiy G.P. Ya vsegda byl idealistom. M., 2001. S. 288, 302, 303.
Zgorzelski A. Fantastyka. Utopia. Science fiction. Warehawa, 1980. S. 186.
Lem S. Fantastyka i futurologia. Krakow, 1973. T.2. S. 427.
Berres S. Rozmowy z Lemem // Odra, Wrocaw, 1984, r. 24, N 4-12; 1985, N 1-10. S. 54.
L.P. Bueva Mekhanizm identifikatsii v kul'ture // Psikhologiya i Psikhotekhnika. - 2012. - 11. - C. 41 - 49.

References (transliteration):
Lem S. Fantastyka i futurologia. Krakow, 1973. T.2. S. 44.
Lem S. Fantastyka i futurologia. Krakow, S. 547.
Platon. Pir // Soch.: V 4 t. T. 2. M., 1993. S. 435.
Ado P. Chto takoe antichnaya filosofiya. M., 1999. C. 55, 57.
Bibikhin V.V. Vitgenshteyn: smena aspekta. M., 2005. S. 164.
Bakhtin M. Voprosy literatury i estetiki. M., 1975. S. 58-59.
Mamardashvili M. Literaturnaya kritika kak akt chteniya // Kak ya ponimayu filosofiyu. M., 1990. S. 158.
Platon Gosudarstvo. Sobr. soch. v 4 t. T. 3. M., 1994. S. 417, 418–419.
Shchedrovitskiy G.P. Ya vsegda byl idealistom. M., 2001. S. 288, 302, 303.
Zgorzelski A. Fantastyka. Utopia. Science fiction. Warehawa, 1980. S. 186.
Lem S. Fantastyka i futurologia. Krakow, 1973. T.2. S. 427.
Berres S. Rozmowy z Lemem // Odra, Wrocaw, 1984, r. 24, N 4-12; 1985, N 1-10. S. 54.
L.P. Bueva Mekhanizm identifikatsii v kul'ture // Psikhologiya i Psikhotekhnika. - 2012. - 11. - C. 41 - 49.

Review: The author of the present article views tutor’s teaching as the point of development of modern culture and assistance of personal growth. Other points of cultural growth are creative activity of personality and society as well as particular social practices. The researcher analyzes the following situation that makes it necessary to form a new practice: teaching is growing more and more focused on personal growth, however, a great variety of personality types creates new problems; teachers and scientists more and more often come to the conclusion that a traditional concept of a school student as an ‘average individual’ does not work. All children are different and have their own way of socialization and ‘evolutionary development’), therefore it is important to take into account not only individual personal differences but also individual development pathways of different personality types. The researcher compares the two interpretations of the tutor’s position at school. Noteworthy that the author accepts and discusses the approach which is close to the post-modernistic concept and which he calls ‘humanitarian methodological’ approach when a tutor diligently plans his own work and uses different knowledge and practices (on human, personality growth and development, anthropological practices and technologies and etc.). The main research method and methodology used by the author of the article is the situation analysis, problematisation, methodological schematization and scenario planning as well as case analysis. As a result, the author outlines the range of problems in tutor’ teaching as the point of development of modern culture and has creates a new teaching approach used by a tutor. The author views tutoring not only s an example of real-time social innovations. According to the author, this practice should be also viewed and studied as the point of development of modern culture.

Keywords: Tutor, teaching, personality, culture, creativity, practice, crisis, movement, growth, development.

References:
Arend Kh. Chto takoe avtoritet // Mezhdu proshlym i budushchim. M., 2014.
Arend Kh. Krizis v vospitanii // Mezhdu proshlym i budushchim.
Bakhtin M.M. Estetika slovesnogo tvorchestva. M., 1979.
Bratchenko S.L. Kontseptsiya lichnosti: M. Bakhtin i psikhologiya. // M.M. Bakhtin i filosofskaya kul'tura KhKh veka. Problemy bakhtinologii. Vyp.1. Ch.1. SPb., 1991.
Volkov P. Raznoobrazie chelovecheskikh mirov. M., 2000.
Gessen S.I. Pedagogika kak prikladnaya filosofiya. http://old.istu.ru/unit/epign/siip/psiped/3641/
Leon-Portil'ya M. Filosofiya nagua. M., 1961.
Mamardashvili M. Lektsii o Pruste. M., 1995.
Portil'ya L. Filosofiya nagua. M., 1961.
Rozin V.M. Psikhologiya: teoriya i praktika. M., 1997.
Shchedrovitskiy G.P. Ya vsegda byl idealistom. M., 2001.
Fishman B.E., Bukhovtseva O.V. Ot pedagogicheskogo soprovozhdeniya k antropopraktike kuratorstva studentov I kursa // Fundamental'nye issledovaniya. 2013. ¹ 4 (chast' 5). S. 1236-1239.http://www.rae.ru/fs/?article_id=10000608&op=show_article§ion=content
http://www.ng.ru/news/481040.html
https://ru.wikipedia.org/wiki/%D0%A1%D1%82%D0%B0%D0%BB%D0%BA%D0%B5%D1%80_(%D1%84%D0%B8%D0%BB%D1%8C%D0%BC). 15/ https://ru.wikipedia.org/wiki/%D0%AD%D0%BA%D0%B7%D0%B8%D1%81%D1%82%D0%B5%D0%BD%D1%86%D0%B8%D0%B0%D0%BB%D1%8C%D0%BD%D0%B0%D1%8F_%D0%BF%D1%81%D0%B8%D1%85%D0%BE%D0%BB%D0%BE%D0%B3%D0%B8%D1%8F
P.S. Gurevich, E.M. Spirova Lichnostnyy rost: teoriya i praktika
(Otchet o rabote Laboratorii lichnostnogo rosta Moskovskogo gumanitarnogo universiteta) // Pedagogika i prosveshchenie. - 2011. - 1. - C. 42 - 54.
I.V. Egorova Lichnostnyy aspekt obrazovaniya
(«On chelovek byl v polnom smysle slova») // Pedagogika i prosveshchenie. - 2012. - 1. - C. 51 - 60.
A. I. Matveeva, A. P. Vetoshkin «Dukhovnoe delanie» kak osnova
sovershenstvovaniya lichnosti // Politika i Obshchestvo. - 2011. - 8. - C. 67 - 76.

References (transliteration):
Arend Kh. Chto takoe avtoritet // Mezhdu proshlym i budushchim. M., 2014.
Arend Kh. Krizis v vospitanii // Mezhdu proshlym i budushchim.
Bakhtin M.M. Estetika slovesnogo tvorchestva. M., 1979.
Bratchenko S.L. Kontseptsiya lichnosti: M. Bakhtin i psikhologiya. // M.M. Bakhtin i filosofskaya kul'tura KhKh veka. Problemy bakhtinologii. Vyp.1. Ch.1. SPb., 1991.
Volkov P. Raznoobrazie chelovecheskikh mirov. M., 2000.
Gessen S.I. Pedagogika kak prikladnaya filosofiya. http://old.istu.ru/unit/epign/siip/psiped/3641/
Leon-Portil'ya M. Filosofiya nagua. M., 1961.
Mamardashvili M. Lektsii o Pruste. M., 1995.
Portil'ya L. Filosofiya nagua. M., 1961.
Rozin V.M. Psikhologiya: teoriya i praktika. M., 1997.
Shchedrovitskiy G.P. Ya vsegda byl idealistom. M., 2001.
Fishman B.E., Bukhovtseva O.V. Ot pedagogicheskogo soprovozhdeniya k antropopraktike kuratorstva studentov I kursa // Fundamental'nye issledovaniya. 2013. ¹ 4 (chast' 5). S. 1236-1239.http://www.rae.ru/fs/?article_id=10000608&op=show_article§ion=content
http://www.ng.ru/news/481040.html
https://ru.wikipedia.org/wiki/%D0%A1%D1%82%D0%B0%D0%BB%D0%BA%D0%B5%D1%80_(%D1%84%D0%B8%D0%BB%D1%8C%D0%BC). 15/ https://ru.wikipedia.org/wiki/%D0%AD%D0%BA%D0%B7%D0%B8%D1%81%D1%82%D0%B5%D0%BD%D1%86%D0%B8%D0%B0%D0%BB%D1%8C%D0%BD%D0%B0%D1%8F_%D0%BF%D1%81%D0%B8%D1%85%D0%BE%D0%BB%D0%BE%D0%B3%D0%B8%D1%8F
P.S. Gurevich, E.M. Spirova Lichnostnyy rost: teoriya i praktika
(Otchet o rabote Laboratorii lichnostnogo rosta Moskovskogo gumanitarnogo universiteta) // Pedagogika i prosveshchenie. - 2011. - 1. - C. 42 - 54.
I.V. Egorova Lichnostnyy aspekt obrazovaniya
(«On chelovek byl v polnom smysle slova») // Pedagogika i prosveshchenie. - 2012. - 1. - C. 51 - 60.
A. I. Matveeva, A. P. Vetoshkin «Dukhovnoe delanie» kak osnova
sovershenstvovaniya lichnosti // Politika i Obshchestvo. - 2011. - 8. - C. 67 - 76.

Review: The article contain an attempt to interpret the future of traditional culture under the conditions of globalization and ongoing modernization in Russia. To clarify this issue, the author focuses on the historical aspect of the problem. Modernization already has a long history. It has been developing throughout the XX century, including within the framework of realization of the social Utopia. However, this Utopia was just one of the variants of implementation the ‘project of Modern’ as it is called in modern philosophy. The process of formation and implementation of that project was quite a disadvantage for traditional values. Modernization was developed within the framework of the world perception of Modern. However, there were moments of revival of traditional culture which was always based on the Romanticism tradition. That tradition is still topical. It allows to soothe the negative processes provoked by modernization.

Keywords: cultural research, traditional culture, folklore consciousness, collective consciousness, modernization, sacral and secular, industrial civilization, archetype, globalization, identity.

Contact information: Khrenov Nikolay Andreevich, 125009, Russia, Moscow, Kozitskiy pereulok, 5.

References:
Adorno T. Negativnaya dialektika. M., 2003;
Bogdanov K. Fol'klornye zhanry sovetskoy kul'tury. M., 2009;
Veber A. Izbrannoe: Krizis evropeyskoy kul'tury. SPb., 1999;
Berdyaev N. Istoki i smysl russkogo kommunizma. M., 1990;
Gaym R. Gerder. Ego zhizn' i sochineniya., t. 1., SPb., 2011;
Gaym R. Romanticheskaya shkola. Vklad v istoriyu nemetskogo uma. SPb., 2006;
Gusev V. Problemy fol'klora v istorii estetiki. M-L., 1963;
Derrida Zh. O grammatologii. M., 2000;
Kayyua R. Mif i chelovek. Chelovek i sakral'noe. M., 2003;
Klyuchevskiy V. Pis'ma. Dnevniki. Aforizmy i mysli ob istorii. M., 1968;
Kristeva Yu. Izbrannye trudy: Razrushenie poetiki. M., 2004;
Malinovskiy B. Magiya, nauka i religiya.M., 1998;
Malinovskiy B. Izbrannoe: Dinamika kul'tury. M., 2004;
Merezhkovskiy D. L.Tolstoy i Dostoevskiy. Vechnye sputniki. M., 1995;
Myalo K. Oborvannaya nit'. Krest'yanskaya kul'tura i krest'yanskaya revolyutsiya. Novyy mir. 1988., ¹ 8;
Platon. Sochineniya v 3 t., t. 2., M., 1970;
Propp V. Fol'klor i deystvitel'nost'. Izbrannye stat'i. M., 1976;
Toynbi A. Postizhenie istorii. M., 1991;
Toffler E. Tret'ya volna. M., 1999;
Fedotov G. Pis'ma o russkoy kul'ture. V kn. : Fedotov G. Sud'ba i grekhi Rossii. Izbrannye stat'i po filosofii russkoy istorii i kul'tury., t. 2., SPb., 1991;
Fomin V. Pravda skazki. Kino i traditsii fol'klora. M., 2012;
Freydenberg O. Mif i literatura drevnosti. M., 1978;
Khabermas Yu. Filosofskiy diskurs o moderne. M., 2003;
Khrenov N. Ot epokhi bessoznatel'nogo mifotvorchestva k epokhe refleksii o mife. V kn. : Mif i khudozhestvennoe soznanie KhKh veka. M., 2011;
Khrenov N. Romanticheskaya paradigma v sovremennoy kul'turologicheskoy mysli. Polignozis., 2009;
Etkind A. Khlyst. Sekty. Literatura i revolyutsiya. M., 1998
Khrenov N. Fol'klor na rubezhe KhKh-KhKh1 vekov: peredvizhenie periferiynykh sfer v tsentr kul'tury. V kn. : Sistemnye issledovaniya kul'tury. SPb., 2009;
Chistov K. Russkaya narodnaya utopiya (Genezis i funktsii sotsial'no-utopicheskikh legend). SPb., 3003.

References (transliteration):
Adorno T. Negativnaya dialektika. M., 2003;
Bogdanov K. Fol'klornye zhanry sovetskoy kul'tury. M., 2009;
Veber A. Izbrannoe: Krizis evropeyskoy kul'tury. SPb., 1999;
Berdyaev N. Istoki i smysl russkogo kommunizma. M., 1990;
Gaym R. Gerder. Ego zhizn' i sochineniya., t. 1., SPb., 2011;
Gaym R. Romanticheskaya shkola. Vklad v istoriyu nemetskogo uma. SPb., 2006;
Gusev V. Problemy fol'klora v istorii estetiki. M-L., 1963;
Derrida Zh. O grammatologii. M., 2000;
Kayyua R. Mif i chelovek. Chelovek i sakral'noe. M., 2003;
Klyuchevskiy V. Pis'ma. Dnevniki. Aforizmy i mysli ob istorii. M., 1968;
Kristeva Yu. Izbrannye trudy: Razrushenie poetiki. M., 2004;
Malinovskiy B. Magiya, nauka i religiya.M., 1998;
Malinovskiy B. Izbrannoe: Dinamika kul'tury. M., 2004;
Merezhkovskiy D. L.Tolstoy i Dostoevskiy. Vechnye sputniki. M., 1995;
Myalo K. Oborvannaya nit'. Krest'yanskaya kul'tura i krest'yanskaya revolyutsiya. Novyy mir. 1988., ¹ 8;
Platon. Sochineniya v 3 t., t. 2., M., 1970;
Propp V. Fol'klor i deystvitel'nost'. Izbrannye stat'i. M., 1976;
Toynbi A. Postizhenie istorii. M., 1991;
Toffler E. Tret'ya volna. M., 1999;
Fedotov G. Pis'ma o russkoy kul'ture. V kn. : Fedotov G. Sud'ba i grekhi Rossii. Izbrannye stat'i po filosofii russkoy istorii i kul'tury., t. 2., SPb., 1991;
Fomin V. Pravda skazki. Kino i traditsii fol'klora. M., 2012;
Freydenberg O. Mif i literatura drevnosti. M., 1978;
Khabermas Yu. Filosofskiy diskurs o moderne. M., 2003;
Khrenov N. Ot epokhi bessoznatel'nogo mifotvorchestva k epokhe refleksii o mife. V kn. : Mif i khudozhestvennoe soznanie KhKh veka. M., 2011;
Khrenov N. Romanticheskaya paradigma v sovremennoy kul'turologicheskoy mysli. Polignozis., 2009;
Etkind A. Khlyst. Sekty. Literatura i revolyutsiya. M., 1998
Khrenov N. Fol'klor na rubezhe KhKh-KhKh1 vekov: peredvizhenie periferiynykh sfer v tsentr kul'tury. V kn. : Sistemnye issledovaniya kul'tury. SPb., 2009;
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