Abstract: According to the ideas dominating in scientific discourse, female stayers of the twentieth century had to overcome gender stereotypes for a long time and in a tense struggle, according to which long running deprives them of "femininity" and threatens reproductive function. The article shows that the reasons for the long negative attitude of society towards physical culture and sports women's running are much more diverse and historically deepened, they go far beyond the sphere of training and competitive activity and "pure" physiology, having a socio-culturally determined ideological basis. The objectives of the article: to determine the types of women's running practices; to analyze the goals and motives of the running activities of their participants; to identify the causes of social conflicts generated by these practices and ways to overcome them. The main types of women's running practices are ritual competitive and out-of-competition running, festive competitive running, wellness and sports running. Running was used by women to achieve the following goals: marriage, material reward, pleasing the gods, transition to a new social group, magical influence, emancipation, physical development and setting records. The motives of running practices were gaining patronage, ensuring the well-being of the community, confirming their gender and age fullness, acquiring magical abilities, overcoming the scarcity of life, health care, self-realization, achieving equality with men in competitive activities and opportunities provided by society to outstanding athletes. The collisions of women's running practices are mainly associated with the mythological, religious and philosophical misogyny of traditional societies and gender stereotypes of modern times, according to which prolonged running locomotion does not correspond to the gender expecta-tions of society, the norms of decency and causes irreparable harm to women's health. Largely due to the selfless struggle of runners for equality in realizing their athletic potential, women's identity today is associated not only with femininity, and at the last Olympics in Tokyo, gender parity of participants was achieved for the first time.

Keywords: gender studies, history of women, run, femininity, gender stereotypes, philosophy of sports, sociocultural determination, Olympic Games, misogyny, women's equality

References:
Alyabyeva, L. (2016). How the first athletes dressed. Retrieved from https://arzamas.academy/materials/459
Bogdanova, M. A. (2018). Anthropological examination of the current state of women's professional sports. Bulletin of St. Petersburg State University. Philosophy and conflictology, V. 34, Issue 1, 69‒78.
Visitey, N. N. (2009). Theory of physical culture: to correct basic ideas. Philosophical essays. Moscow: Soviet sport.
Gazieva, K. (2017). How men and women differ in running and why the expression "women's running" is not sexism. Retrieved from https://nogibogi.com/women-running/
Goloshchapov, B. R. (2001). History of physical culture and sports [DX Reader version]. Retrieved from https://vk.com/doc259945320_437541385?hash=2b5107c5413fd1d5f7&dl=139c848f5a25df7b5a
Gorbunov, B. V. (1997). The military competitive gaming tradition in Russian folk culture: historical and ethnographic research. Doctoral Dissertation. Moscow.
Graves, R. (1992). Myths of Ancient Greece. Moscow: Pr

Abstract: The comprehensive analysis of Sergei Prokofiev’s operas “Maddalena”, “The Gambler”, “The Fiery Angel” reveals the peculiarities of personification of the image of the protagonist as femme fatale (Maddalena, Polina, Renata). Despite heightened interest to this topic, this article is first to view the listed operas from such perspective, which defines the scientific novelty. The fact that the libretto of these works was created by the composer himself can be considered as testimony that S. Prokofiev deeply intertwines with the psychology and personality traits of his heroes. The composer depict “femme fatal” a specific type of personality that combines self-worth and spiritual pursuit, desire to manipulate others and natural talent, no sense of guilt, and realization of self in another person. The use of comparative-historical, musical-culturological, and theoretical-analytical methods allow tracing correlation between the opera plot and their life context of creation, finding differences and commonalities in the means of expressing the image of femme fatal, and indicating the evolution and universality of the composer’s way of thinking on the early stage of creation. Attention is given to the synthesis of the principles of symbolist, romantic, realistic and expressionist musical drama, which S. Prokofiev uses in the opera under review.

Keywords: expressionism, symbolism, musical drama, femme fatale, The Fiery Angel, The Gambler, Maddalena, Prokofiev, mystic, Christian Science

References:
Prokof'ev, S. S. Ognennyy angel. Or. 24. Opera v 5 deystv. i 7 kart. / S. S. Prokof'ev. – Klavir. – M. : Izd-vo «Muzyka», 1981. – 380 s.
Prokof'ev, S. S. Maddalena. Odnoaktnaya opera / S. S. Prokof'ev. – Klavir. – M. : Kompozitor, 1993. – 100, [1] s. : port.
Prokof'ev, S. S. Igrok. Or. 24. Opera v 4 deystv. i 6 kart. / S. S. Prokof'ev. – Klavir. – SPb. : Kompozitor, 2015. – 360 s.
Prokof'ev o Prokof'eve : stat'i, interv'yu / red.-sost. V. Varunts. – M. : Sov. kompozitor, 1991. – 285 s. : il.
Prokof'ev, S. Dnevnik 1907–1933 : v 2 ch. / Sergey Prokof'ev. – Paris : Serge Prokofiev Estate, 2002. – Ch. 2 (1919–1933). – 891 s.
Markova, A. S. Cherty poetiki simvolistskoy dramy v «Maddalene» S. Prokof'eva / A. S. Markova // Aktual'nye voprosy iskusstvoznaniya: muzyka – lichnost' – kul'tura. – Saratov : SGK im. L. V. Sobinova, 2014. – S. 37–41.
Levaya, T. Metafizika Igry v rannikh operakh Prokof'eva / Tamara Levaya // S. S. Prokof'ev: k 125-letiyu so dnya rozhdeniya. Pis'ma, dokumenty, stat'i, vospominaniya. – M. : K

Abstract: The article is devoted to the story "the Oven" and PhD thesis "Pantomime in the education of the actor" by Russian writer, Director and researcher pantomime E. V. Kharitonov (1941-1981). Kharitonov was one of the first writers of the Soviet period, who made the Central theme of his work homosexual desire. Appeal to this problem did Kharitonov unprintable by the author and introduced in the broader context of the non-censored Soviet literature, the study of which is today an important issue both for literature and for philosophy,and cultural studies. The subject of the article is a gesture that arises from Kharitonov not only as themes but also as a specific means of expression (ellipsis) in order to retain in the text displaced "forbidden" content. Like, "two-dimensional" perception of the novel allows us to conclude that her perception is irrelevant to the usual procedures of interpretation of texts, based on mimesisThe study is based on analysis of the syntactic structures of the novel and interpreting the gesture using the methodology developed by J. Telecom based on the semiotics of C. S. Pierce.

Keywords: Gilles Deleuze, homosexuality, Judith Batler, Yevgeny Kharitonov, gender, pantomime, gesture, literature, ellipse, subject

References:
Aronson O. Yazyk vremeni // Delez Zh. Kino // M.: Izdatel'stvo «Ad Marginem», 2003. – S. 11-36
Batler Dzh. Psikhika vlasti: teorii sub'ektsii. – Per. Zavena Babloyana – Khar'kov: KhTsGI; Spb.: Aleteyya – 2002. – 168 s. (Seriya «Gendernye issledovaniya»).
Gumbrekht Kh. Kak obnaruzhit' to, chto ostaetsya latentnym v tekste? // Dukh i Litera, ¹ 12 2012. – S. 90-102
Dark O. Evgeniy Kharitonov. Moskva – Novosibirsk. I obratno // al'manakh «Risk» vyp. 4 , ARGO-RISK; Tver': Kolonna, 2002 S.179-189
Delez Zh. Kino . – M.:Izdatel'stvo «Ad Marginem», 2003. – 632 s.
Delez Zh. Marsel' Prust i znaki. – SPb.: Aleteyya, 2014. – 192 s.
Zhenett Zh. Figury V 2-kh tomakh. Tom 2. – Izd.-vo im. Sabashnikovykh, 1998. – 472 s.
Mogutin Ya. «Katorzhnik na nive bukvy». Ot sostavitelya// Kharitonov E. Slezy na tsvetakh: Sochineniya. V 2-kh knigakh. Kn. 1: Teksty, kommentarii. – M.: Zhurn. «Glagol», 1993.-C.5-18
Petrovskaya E. Zhil' Delez i amerikanskaya literatura. Posleslovie k publikatsii // Logos ¹ 2, 1999. – S.103-111.
Podoroga V. Mimesis. Materialy

Abstract: The author of the article analyzes the impact of a critical feminist statement in the field of contemporary art on the social position of women in post-Soviet society. It is considering the confrontations that feminist art is faced in discursive and social fields and possible solutions of listed problems. The reasons and events that led the modern feminist discourse to the position in which this phenomenon exists today in Russian society and the dynamics and interference of feminist art with academic and public spheres are described and analyzed in the article. The investigation method can be designated as experimental. In the process of creating a work, there are applied tactics such as observations, simulations, comparisons. We can get an extensive view based on historical and scientific facts, comparing the achievements of the previous studies, in cooperation with the empirical experience. The main conclusion of the research is that for changing the perception of the phenomenon of feminism by the large society feminist artists and activists should popularize the gender theories and the feminist art. The important perspectives of feminist art are civil activism, the spreading of art through graffiti, stickers, social networks, video and zines (Self-publishing). Feminist art is intended not only for professionals in the art and gender studies field but also for the nonprofessional viewer, who wants to understand and sort out the phenomenon of feminist rhetoric. To win a non-professional audience and make art understandable and accessible to the masses, feasibly by attracting the attention of society to socially sensitive topics that rise in works and acts of feminist artists. That kind of art can become a powerful lever of influence on the formation of public consciousness. In addition very important to develop institutions which can receive a systematic education, to develop a verbal and visual language expressing the values of feminist discourse. As a result, more artists and activists will be able to attract attention to the social problems faced by millions of people each day, it will give an opportunity for correctly inspiring others, who afraid of openly expressing their views, it can afford a platform for the utterance of oppressed groups, to allow the subject to quest about correctness of the social norms grafted to him by default.

Keywords: Gender roles, contemporary art, russian feminism, gender studies, activism, gender, feminist art, feminism, critical art, Post-Soviet feminism

References:
Pollock G. Feminism/Foucault-Surveillance/Sexuality // Visual Culture: Images and Interpretation / Bryson N., Holly M. A., Mokheu K. (eds.) London: University Ptess of New England, 1994, rr. 14-15.
Hanisch C., "The Personal Is Political", 1969. http://www.carolhanisch.org/CHwritings/PIP.html
Usmanova A., "Zhenshchiny i iskusstvo: politika reprezentatsiy. // Vvedenie v gendernye issledovaniya. Ch. 1. SPB 2001, s. 465-493.
Plungyan N., "Gender v rossiyskom iskusstve ili otsutstvuyushchiy sub'ekt". http://polit.ru/article/2009/09/30/gender/
Kamenetskaya N., Sarkisyan O., "Zen d'ART 1989-2009. Gendernaya istoriya na postsovetskom prostranstve". Moskva, 2010. Ch. 1, s. 14, 20-25, 27-29. Ch. 3.s. 278-283, 308.
Zdravomyslova E., Temkina A., "Vvedenie. Feministskiy perevod: tekst, avtor, diskurs. Khristomatiya feministskikh tekstov". SPB., 2000. s. 19.
Bolotyan I., Vinnik M., Mikaela, "I-iskusstvo F-feminizm, aktual'nyy slovar'". Moskva, 2015. s. 15.
Barchunova T.V., "Egoitstichnyy gender, ili vosproizvodstvo genderno

Abstract: The subject of the research is communication between the life strategy, phenomenal manifestations of will and subjects as the existing in male/female lifeworlds. Admitting the fact of man's and woman's beginnings in each person with one of them prevailing , it is claimed that the male mode of will is a rational will (Kant), and the femail mode is a irrational will (Schopenhauer). In her article Khafizova demonstrates how will, being a source of an intentionality of temporary and spatial structures of consciousness, together with one's gender life strategy places priorities in the influence of these structures on male/female lifeworlds. The main methodology of the description of temporary and spatial structures of existing is the phenomenology of consciousness of Gusserl and Heidegger owing to the fact that a kernel of gender life strategy is this or that form of activity of consciousness. In her article the author develops her approach to understanding gender as a style, the way of realization of the super-goals reflecting this or that strategy of life (gender is the answer to the question 'how' but not 'what'). For the first time based on ancient myths and the psychological facts of daily occurrence philosophical justification is given that the man's vital world is more connected with toposy, and women's - with chronos. Conclusions of the research can be used to describe further preferences and connotations of axioligical space male/female lifeworlds.

Keywords: phenomenology, lifeworld, gender life strategy, gender, irrational wil, rational will, chronotope, masculinity, femininity, axiology

References:
Khafizova N.A. Maskulinnost' i feminnost' kak stili (na primere issledovaniy M. Mid) // Vestnik Permskogo natsional'nogo issledovatel'skogo politekhnicheskogo universiteta. Kul'tura, istoriya, filosofiya, pravo. – 2015.-¹ 3. – S. 20-30.
Zhiznennyy mir // Filosofiya. Entsiklopedicheskiy slovar'. – M.: Gardariki, 2004.-[Elektronnyy resurs] : http://ariom.ru/wiki/ZhiznennyjjMir.
Khaydegger M. Veshch' // Khaydegger M. Vremya i bytie. – M.: Respublika, 1993. – S. 316-326.
Kogay E. A., Samoylov A.N. Zhiznennyy mir v evropeyskoy traditsii: opyt retseptsii / Uchenye zapiski : elektronnyy Nauchnyy zhurnal Kurskogo gosudarstvennogo universiteta. – 2014. – ¹ 4 (32).-[Elektronnyy resurs] : http://www.scientific-notes.ru/pdf/037-011.pdf.
Gusserl' E. Kartezianskie razmyshleniya /E. Gusserl'. – Sankt-Peterburg: Yuventa, Nauka, 1988.-315 s.
Zheleznyak V.N. Myshlenie i volya: printsip tozhdestva myshleniya i voli v klassicheskom ratsionalizme i ego istoricheskaya evolyutsiya. – Perm': izd-vo PNIPU, 2015. – 616 s.
Bovuar Simona de. Vtoroy pol. V 2-kh