Philosophy of Music
Kameko E.M. —
P.A. Serebryakov’s performance art
// PHILHARMONICA. International Music Journal.
– 2020. – ¹ 6.
– P. 1 - 8.
DOI: 10.7256/2453-613X.2020.6.34518 URL: https://en. nbpublish.com/library_read_article.php?id=34518
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The research subject of the article is the piano art of Pavel Alekseevich Serebryakov, an outstanding Leningrad pianist, pedagogue, artist and director. The research object is the mani-sided activity of this person. The author considers such aspects of the topic and the performer’s individual style, his repertoire preferences, concert, music and social activity. The author gives special attention to particular facts of the great artist’s biography which had influenced his performance path. The author refers to the reviews of various musical critics, colleagues and students, as well as Serebryakov’s own performance views drawn from autobiographical notes and interviews. Based on the author’s conversation with P. Serebruakov’s grandson P.V. Dmitriev, the author reveals the methods of the pianist’s individual work with the repertoire and some peculiarities of his performance thinking. The scientific novelty of the research consists in the fact that it uses rare previously unpublished archive materials covering performance and music and social activity of P.A. Serebryakov, including:
The Serebryakovs family archive documents provided by Serebryakov’s grandson P.V. Dmitriev
Materials, reviews and newspaper articles kept at the Central State Archive of Literature and Arts (fund 214)
Audio recordings from the sound library of St.Petersburg Conservatory
Materials of Serebryakov’s conversations with students
The research material can be used by young musicians, as well as the pedagogues of special music schools for illustrative and educational purposes.
skill, audience, activity, art, performance, music, pianist, Nikolaev, Serebriakov, artist
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