Abstract: Due to the constant interest in the study of religious images and motifs in literary works, it becomes relevant to study the motifs contained in literary texts on religious subjects. One of the key features of the work of the poetess of the mid – 19th century Yu.V. Zhadovskaya (1824-1883) is an artistic reinterpretation of the Christian traditions of spiritual weeping and "cleansing" prayer. The subject of the study is the motif of prayer tears as an external sign of "cleansing prayer" in the lyrics of Yu.V. Zhadovskaya.
The object of the research is the texts of religious and spiritual subjects of the first lifetime collection of poems "Temptation" (1845), "Calmly over me Again" (1846), "Monologue" (1846), "When reading the History of Peter the Great" (1846), the texts of the second lifetime collection of poems "Wonderful Minute!" (1847), "Night... Chu! into the shady Garden" (1846), "The Awakening of the Heart" (1848), "Who are my relatives" (1850) and unpublished texts "I remember that evening and quiet and beautiful", "Who loved and believed passionately", "The curly birches are noisy, noisy". To conduct the research, the method of historical and philological analysis, the biographical method, the comparative method, as well as the method of complex text analysis were used. A special contribution of the author to the study of the topic is the identification in the lyrics of Yu.V. Zhadovskaya of a group of poems of religious and spiritual themes, the lyrical event of which is focused on the Orthodox prayer tradition.
The main conclusions of this study are the identification of the religious component of the author's worldview. Turning to the Christian tradition of spiritual purification allows, on the one hand, to define the basic framework of readers' expectations, and on the other hand, to violate the peculiar genre canon of "cleansing" prayer, embodying the poetess's special worldview, which consists in a "dual" worldview: the desire to find inner harmony and tranquility is combined with a tragic sense of God-abandonment. The artistic reinterpretation of the tradition of Orthodox prayer is primarily associated with the use of such an element of "cleansing" prayer as crying and tears in the lyrics. A special prayerful state and poetic communion with God in lyrical situations containing the motif of prayer tears are a sign of entering the "field of purity" for spiritual purification and prayer, as well as a sign of inner transformation. The novelty of the research lies in conducting a systematic analysis of the motive of prayer tears in religious and spiritual texts.

Keywords: the author's picture of the world, The lyrical plot, tragic worldview, artistic reception, poems of religious and spiritual themes, lyrics, The theme of loneliness, The motive of prayer tears, Julia Zhadovskaya, the genre of prayer

References:
Afanas'eva, E.M. (2021). Prayer lyrics of Russian poets. Moscow: Izdatel'skij Dom YaSK.
Zhadovskij, P.V. (1885). From the publisher. [Zhadovskaya Yu.V. Complete works], 5–26. Sankt-Peterburg: BI.
Fedorova, A. (1887). The memory of Yu.V. Zhadovskaya, Historical Bulletin (Pp. 394-407). Vol. 1. Sankt-Peterburg: BI.
Blagovo, V.A. (1981). Poetry and personality of Y.V. Zhadovskaya. Saratov: Izdatel'stvo saratovskogo universiteta.
Hohlova, E. V. (2002). The experience of modeling a female character in the prose of Yu. V. Zhadovskaya. Women. History. Society: Collection of scientific articles, Vol. 2. (pp. 244-250). Tver: Tver Regional Book and Magazine Publishing House.
Trushina, E. A. (2018). The genre of prayer in the lyrics of the poet of the XIX century Yu. V. Zhadovskaya. The field of the Lord. Bulletin of the Penza Theological Seminary, 4(10), 88–94. Penza: Penza Theological Seminary.
Vojtenko, I.V.

Abstract: The object of research in this article is the lyrical subject in works related to the lyrics of the non-classical stage of the poetics of artistic modality (S. N. Broitman). The subject is bodily images that perform the function of the boundary between the hero and the world in the lyrical works. The purpose of the study is to identify and describe the value-semantic parameters of bodily images that perform the functions of the boundary between the hero and the world in the works of non-classical lyrics.
The focus of this article is on the specifics of the relationship of the lyrical subject/character with the outside world, expressed by bodily images that carry the semantic meaning of the boundary between him and the world. Identifying and describing the features of these images, it is worth noting that the images of the similarity of the world to the human body and, conversely, the human body to the world are most directly related to them. The main method used in this work is historical and poetical analysis, namely, the identification in the texts under consideration of those features that are due to its belonging to a certain stage of the evolution of poetics. The scientific novelty of the study is determined by the fact that for the first time it theoretically summarizes observations on bodily images that perform the function of the boundary between the hero and the world in the lyrics of the non-classical stage of the poetics of artistic modality.
In non–classical lyrics, the semantic emphasis in works depicting the world through the body and/or the body through the world, in our opinion, is placed on the external similarity of the lyrical subject and the phenomena of the external world (and more broadly, man and being), illustrating the relationship of the original connection between them with autonomy from each other. The images of the mutual similarity of man and the world in the lyrical works of this stage of poetics express the theme of the inseparability of these two spheres, the outer world of the hero and the inner world of the hero, with their a priori non-identity to each other.

Keywords: historical poetics, lyric plot, poetics of modality, non-classical art, body images, lyrical experience, border, lyric subject, poetry, lyrics

References:
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Lotman, Y. M. (1996). Inside thinking worlds. Man – text – semiosphere – culture. Moscow: Languages of Russian culture.
Rymar, N. T. (Ed.). (2006). The border and the experience of the border in the artistic language. Issue 4. Samara: Publishing house "Samara University".
Farino, E. (2004). Introduction to literary studies. St. Petersburg: Publishing House of A. I. Herzen Russian State Pedagogical University.
Podoroga, V. A. (1995). Phenomenology of the body. Moscow: Ad marginem.
Kabakov, G. & Kont, F. (2005). The body in Russian culture. Moscow: New Literary Review.
Dickson, S. (2001). The body – some body – any body: Achim von Arnim and the romantic chameleon. German Quarterly, 74(3), 296-307.
Krotova, D.V. (2021). The poetics of corporeality in V. Shalamov's lyrics. Proceedings of the Smolensk State Unive