Reference:
Irina Susidko.
Tommaso Traetta: between Manheim and St. Petersburg
// Scientific notes of the Gnesins Russian Academy of Music. – 2014. – ¹ 2.
– P. 57-62.
Read the article
Abstract: Tommaso Traetta’s ‘Sofonisba’ (Manheim, 1762) and ‘Antigona’ (St. Petersburg,
1772) are among the best examples of reformatory operas of the second half
of the 18th century. The author shows the influence of different national traditions
on Traetta’s style giving the examples of the famous Manheim orchestra’s manner
of performance and also highly acclaimed vocal culture of Russian choral singing.
Keywords: Tommaso Traetta; ‘Sofonisba’; ‘Antigona’; opera-seria; opera reform.
References:
Porfir'eva A.L. Traetta // Muzykal'nyy Peterburg. XVIII vek. Entsiklopedicheskiy slovar'. T. 3. SPb.: Kompozitor, 1998. S. 161—165.
Chudinova I.A. Pridvornyy pevcheskiy khor // Muzykal'nyy Peterburg. XVIII vek. Entsiklopedicheskiy slovar'. T. 2. SPb.: Kompozitor, 1998. S. 456—467.
Shtelin Ya. Muzyka i balet v Rossii XVIII veka. SPb: Soyuz khudozhnikov, 2002.
Sartori C. I libretti italiani a stampa dalle origini al 1800. Catalogo analitico con 16 indici. T. 1 Cuneo: Bertola & Locatelli, 1990
Reference:
Margarita Grigor'eva.
Ikonografiya Dzhezual'do: vymysel i pravda
// Scientific notes of the Gnesins Russian Academy of Music. – 2012. – ¹ 1.
– P. 30-36.
Read the article
Abstract:
Keywords:
References:
Cogliano A. Carlo Gesualdo,il principe, l’amante, la strega. — Napoli: ESI, 2005. — 220 p.
Gray C. & Heseltine Ph. Carlo Gesualdo, musician and murderer. —London: St. Stephen’s Press, 1926. — 145 p.
Iudica G. Il Principe dei Musici. — Palermo: Sellerio, 1993. — 201 p.
Maniates M.R. Mannerism in Italian music and culture, 1530—1630. —Manchester (N.C.): Manchester Univ. Press, 1979. — 678 p.
McClary S. Modal Subjectivities selffashioning in the italian madrigal // Berkeley; Los Angeles: Univ. of California Press, 2004. — 374 p.
Newcomb A. Carlo Gesualdo and a Musical Correspondence of 1594 // Musical Quaterly. — Vol. 54 (1968). — ¹ 4. — P. 409—436.
Vaccaro A. Carlo Gesualdo Principe di Venosa. L’uomo e I tempi. —Venosa: Osanna, 1998. — 214 p.
Watkins G. Gesualdo. The Man and his music. — London: Oxford Univ. Press, 1973. — 414 p.
Watkins G. Gesualdo Hex: Music, Myth and Memory / Preface by C. Abbado. — New York: Norton, 2010. — 384 p
Reference:
Natela Enukidze.
Russkie vampuki do i posle «Vampuki»: nekotorye nablyudeniya nad istoriei opernoi parodii
// Scientific notes of the Gnesins Russian Academy of Music. – 2012. – ¹ 1.
– P. 37-58.
Read the article
Abstract:
Keywords: «Vampuka»; opera; parodiya; teatrkabare.
References:
Gnedich P. Kniga zhizni. – L.: Priboi, 1929. – 372 s.
Evgenii Onegin, malen'kii mal'chik, Vinni Pukh i drugie obitateli Sovdepii. – M.: MiK, 1994. – 416 s.
Evreinov N. V shkole ostroumiya. – M.: Iskusstvo, 1998. – 368 s.
Evreinov N. Nesmeshnoe «Vampuki» / Teatr kak takovoi // Evreinov N. Demon teatral'nosti. – M.; SPb.: Letnii sad, 2002. – 534 s.
Enukidze N.I. Krivoe zerkalo opernogo teatra: «Vampuka, nevesta afrikanskaya» // Al'ternativnyi muzykal'nyi teatr v Rossii pervoi treti KhKh veka i ego vliyanie na oper nuyu estetiku: Diss. … kand. isk. – M., 1999.
Kenigsberg A. Karl Mariya Veber. – L.: Muzyka, 1981. – 112 s.
Kuzminskaya T. Moya zhizn' doma i v Yasnoi Polyane. – M.: Pravda, 1986. – 588 s.
Litavrina M. Russkii teatral'nyi Parizh. – SPb.: Aleteiya, 2003. – 224 s.
Nilova T.V. Tipologiya stsenicheskikh situatsii v russkoi klassicheskoi opere: Diss. … kand. isk. – M., 1993.
Panova Zh.V. Il'ya Sats — kompozitor na teatre: (Khudozhnik v zerkale «Serebrya nogo veka
Reference:
Tat'yana Tsaregradskaya.
”Summings ist der Dichter”: ptitsy i struktury
// Scientific notes of the Gnesins Russian Academy of Music. – 2012. – ¹ 1.
– P. 59-68.
Read the article
Abstract:
Keywords:
References:
Boulez P. Leçons de musique: deux décennies d’enseignement au Collège de France (1976–1995). — Paris: Bourgois, 2005. — 758 p.
Boulez P. Orientations. — London: Faber and Faber, 1986. — 541 p.
Goldman J. The Musical Language of Pierre Boulez. — Cambridge: Cambridge University Press, 2011. — XXII, 244 p.
Griffiths P. Modern Music and After. — Oxford: Oxford University Press, 1995. — XV, 373 p.
Heikinheimo S. The electronic music of Karlheinz Stockhausen. — Helsinki: Suomen Musiikkitieteellinen Seura, 1972. — 228 p.
Koblyakov L. Pierre Boulez. A World of Harmony. Chur: Harwood Academic Publishers, 1990. — VIII, 232 p.
Nattiez J.J. On reading Boulez // Boulez P. Orientations. — London: Faber and Faber, 1986.
Peyser J. Boulez. — New York: Schirmer Books, 1976. — 303 p.
Kammings E.E. — Ballada ob intellektuale (Stikhi. Perevod s angliiskogo Andreya Sergeeva) // Inostrannaya literatura. — 1994. — ¹ 11. — S. 106–108