Ðóñ Eng Cn Translate this page:
Please select your language to translate the article


You can just close the window to don't translate
Library
Your profile

Back to contents

Philosophy and Culture
Reference:

Martynova E.S. Genesis of Surrealism: Theory and Practice

Abstract: The art of the 20th century remarkably differs from the art life of the previous centuries. In her article Martynova discusses the most significant cultural phenomena that created the image of the century. Undoubtedly, surrealism was the prevailing genre in art in the first half of the 20th century. Firstly, despite its radical nature, surrealism has an extremely rich genealogy. Secondly, surrealists managed to develop a clear art concept. Thirdly, philosophy of post-modernism, the main movement of the second half of the 20th century, was based on the ideology of surrealism.  In her article Martynova has made an attempt to analyze the main art movements of the early 20th century from the point of view of their influence on the development of surrealism. The article is devoted to the genesis of surrealism and provides a detailed description of this cultural phenomenon. There are parts of the article devoted to aesthetics of surrealism, literary and philosophical grounds of surrealism and there is also the part of the article that describes the particular influence of previous art concepts on the development of surrealism. Even though surrealism was a quite original art movement, methodology of surrealism reflected the new interpretation of previous art concepts and therefore was based on findings of these art concepts.  Moreover, surrealist theoretical opinions were based on rather incompatible literary and philosophical sources which created versatility and paradoxes of surrealism. 


Keywords:

surrealism, symbolism, constructivism, futurism, expressionism, dadaism, aesthetics, phenomenology, existentialism, psychoanalysis


This article can be downloaded freely in PDF format for reading. Download article

This article written in Russian. You can find original text of the article here .
References
1. Adaskina N.L. Simvolizm v tvorchestve khudozhnikov avangarda. // Simvolizm v avangarde. M.,2003. – S.10-22
2. Azizyan I.A. Simvolistskie istoki avangarda. Simvol v poetike avangarda. // Simvolizm v avangarde. M.,2003. – S.23-33
3. Antologiya frantsuzskogo syurrealizma. 20-e gody. M., 1994
4. Bazilevskiy A. Deformatsiya v estetike syurrealizma i ekspressionizma.// Syurrealizm i avangard. Materialy rossiysko-frantsuzskogo kollokviuma, sostoyavshegosya v Institute mirovoy literatury. M., 1999.-S. 33-46
5. Balashova T. Mnogolikiy avangard.// Syurrealizm i avangard. Materialy rossiysko-frantsuzskogo kollokviuma, sostoyavshegosya v Institute mirovoy literatury. M., 1999.-S. 22-33
6. Busev M. Kollazh: ot kubizma k syurrealizmu.// Syurrealizm i avangard. Materialy rossiysko-frantsuzskogo kollokviuma, sostoyavshegosya v Institute mirovoy literatury. M., 1999.-S. 98-105
7. Gal'tsova E.D. Aspekty osvoeniya zhivopisi simvolizma v estetike Andre Bretona: sluchay Gyustava Moro.// Simvolizm v avangarde. M.,2003.–S.380-391
8. Dadaizm v Tsyurikhe, Berline, Gannovere i Kel'ne: Teksty, illyustratsii, dokumenty. Otv. red. K. Shuman. M., 2002
9. Dubin S. Syurrealizm v kontekste avangarda: kriterii chernogo yumora.// Syurrealizm i avangard. Materialy rossiysko-frantsuzskogo kollokviuma, sostoyavshegosya v Institute mirovoy literatury. M., 1999.-S. 54-64
10. Kaptereva T. Dadaizm i syurrealizm.// Modernizm. Analiz i kritika osnovnykh napravleniy. M., 1987. – S.185-214
11. Krauss R. Fotograficheskaya obuslovlennost' syurrealizma // Poeziya i kritika, vyp. 1, SPb., 1994;http://www.vavilon.ru/metatext/p_and_c/krauss.html
12. Kulikova I.S. Syurrealizm v iskusstve. M., 1970
13. Kshitsova D. Stil' modern – fenomen integratsii i dezintegratsii simvolizma i avangarda. // Simvolizm v avangarde. M.,2003.–S.51-66
14. Na grani tysyacheletiy. Sud'ba traditsiy v iskusstve XX v. M., 1994
15. Pake M. Rene Magritt. 1898-1967. Mysl', izobrazhennaya na polotne. M.,2002
16. Rene Magritt: al'bom/ Avt.-sost. L.A.D'yakov.-M., 1998
17. Rozhin A.I. Sal'vador Dali: mif i real'nost'. M., 1992.
18. Smolin A.A. Syurrealizm kak kvintessentsiya real'nogo i sverkhreal'nogo. Avtoreferat dis. na soiskanie uchen. stepeni kand. filosofskikh nauk. Barnaul, 2005
19. Turchin V.S. Po labirintam avangarda. M., 1993
20. Fuko M. Eto ne trubka. M., 1999
21. Khofman V. Osnovy sovremennogo iskusstva. Sankt-Peterburg, 2004
22. Shen'e-Zhandron Zh. Ponyatie poeticheskogo sub'ekta v tvorchestve syurrealistov i avangardistov. Problemy metodologii.// Syurrealizm i avangard. Materialy rossiysko-frantsuzskogo kollokviuma, sostoyavshegosya v Institute mirovoy literatury. M., 1999.-S. 9-22
23. Shen'e-Zhandron, Zh. Syurrealizm. M.,2002
24. Yakimovich A K. Realizmy dvadtsatogo veka: al'bom. M., 2000
25. Yakimovich A.K. Dvadtsatyy vek. Iskusstvo. Kul'tura. Kartina mira: ot impressionizma do klassicheskogo avangarda. M., 2003
26. Alquie F. The philosophy of Surrealism. The University of Michigan Press,1965
27. Balakian A. Surrealism: the road to the absolute. The noonday press, New York, 1959
28. Bohn W. The Rise of Surrealism. Cubism, Dada, and the Pursuit of the Marvelous. State University of New York Press, 2002
29. Cardinal R., Short R.S. Surrealism. Permanent Revelation. London, 1970
30. Caws M.A. The Surrealist Look: an erotics of encounter. The MIT Press, 1997
31. Fantastic Art, Dada, Surrealism. Edited by Alfred H.Barr, Jr; essays by Georges Hugnet. The Museum of Modern Art, New York, 1936
32. Four modern masters: De Chirico, Ernst, Magritte and Miro. New York, Glenbow museum, 1981
33. Fowlie W. Age of Surrealism. Bloomington, Indiana University Press, 1960
34. Gablik S. Magritte. Thames and Hudson, London, 1976
35. Gedo M.M. Looking at art from the inside out: The Psychoiconographic Approach to modern Art. Cambridge University Press, 1994
36. Gimferrer P. Magritte. Barcelona, 1986
37. Gordon D.E. Expressionism. Art and Idea. Yale University Press, New Haven and London, 1987
38. Henning E.B. The Spirit of Surrealism. Catalog of an exhibition held at the Cleveland Museum of Art Oct.3 – Nov.25, 1979
39. Magritte, edited by David Larkin, introduction by Eddie Wolfram. London,1972
40. Magritte. Sarah Whitfield. London, The South Bank Centre, 1992
41. Matthews J.H. The imagery of surrealism. New York, Syracuse University Press, 1977
42. Matthews J.H. Languages of Surrealism. University of Missouri Press, Columbia, 1986
43. Read H. A Concise History of Modern Painting. New York, Washington, 1975
44. Read H. The Philosophy of Modern Art. London, Faber and Faber, 1964
45. Rene Magritte, text by A.M.Hammacher, translated by James Brockway. Harry N.Abrams, inc. New York
46. Richter H. Dada: art and anti-art. London, Thames and Hudson Ltd., 1978
47. Rubin W.S. Dada and Surrealist Art. New York
48. Sandrow N. Surrealism: theater, arts, ideas. New York,1972
49. Schneede U.M. Rene Magritte. Leben und Werk. Verlag M.DuMont Schauberg, Koln, 1973
50. Spitz E.H. Museums of the Mind. Magritte's Labyrinth and Other Essays in the Arts. Yale University Press, New Haven and London, 1994
51. Surrealists on Art. Edited by Lucy R. Lippard. Prentice-Hall, Inc. Englewood Cliffs, New Jersey, 1970
52. Twentieth century art theory: urbanism, politics, and mass culture. Edited by Richard Hertz, Norman M. Klein, New Jersey, Prentice-Hall, Inc., 1990
53. Verkauf W.(ed.) Dada, Monograph of a Movement. New York: Wittenborn, 1957; 2nd edition Arthur Niggli Ltd. Teufen (AR) Switzerland, 1961
54. Waldberg P. Surrealism. Thames and Hudson, London, 1965, reprinted 1978