
	Culture and Art Reference: Devyatova, O. L. Dialogue of Cultures in Sergei Slonimsky’s New Music in Terms of Russia’s Issues in the ХХI Century // Culture and Art. 2012. № 5. P. 18-27. URL: https://en.nbpublish.com/library_read_article.php?id=61404 Devyatova, O. L. Dialogue of Cultures in Sergei Slonimsky’s New Music in Terms of Russia’s Issues in the ХХI Century Abstract: The article is devoted to creative work by Sergei Slonimsky who managed the dialogue of cultures between Renaissance, Baroque, Romanticism, Ancient Russia and Russia’s cultural realities of early ХХI century. The author of the article studies the most important innovative compositions created in 2000 – 2010 (Requiem, the twenty Þ rst symphony from Goethe’s Faust, Witch Hazel Ballet) in which the composer raised the issues about national redemption, relations between an artist and government, opposition between mass and elite cultures, national identity and memory of culture. Keywords: cultural studies, culture centralism, dialogue of cultures, neo-Renaissance, neo-Baroque, neo- Romanticism, neo-folklorism, music, requiem, symphony. This article can be downloaded freely in PDF format for reading. Download article This article written in Russian. You can find original text of the article here . References 1. Grigor'eva G. Novye esteticheskie tendentsii muzyki vtoroy poloviny KhKh veka. Stili. Zhanrovye napravleniya / Teoriya sovremennoy kompozitsii. M.: Muzyka, 2007. S. 30–39. 2. Gubaydulina S. K 70-letiyu Sergeya Mikhaylovicha Slonimskogo // Vol'nye mysli. K yubileyu Sergeya Slonimskogo. SPb.: Kompozitor-Sankt-Peterburg, 2003. S. 84–86. 3. Devyatova O. Khudozhestvennyy universum kompozitora Sergeya Slonimskogo. Opyt kul'turologicheskogo issledovaniya. Ekaterinburg: Izd-vo Ural. gos. un-ta, 2003. 408 s. 4. Mezhdunarodnyy forum: «Ot russkogo “Serebryanogo veka” k “Novomu Renessansu” (4–7 aprelya 2012 g.). K 80-letiyu Sergeya Mikhaylovicha Slonimskogo: Nauchno-informatsionnoe izdanie. SPb.: Izd-vo RGPU im. A. I. Gertsena, 2012. 118 s. 5. Konradi K. O. Gete. Zhizn' i tvorchestvo: V 2-kh t. T. 2. Itog zhizni. M.: Raduga, 1987. S. 344–370. 6. Kuraev A. Traditsiya. Tserkov'. Chelovek // Put'. 1992. № 2. S. 183–201. 7. Mokhova N. Rekviem poslevoennykh let (k probleme vozrozhdeniya starinnykh zhanrov) // Zhanrovo-stilevye tendentsii klassicheskoy i sovremennoy muzyki. L.: LGITMIK, 1980. S. 52–70. 8. Ruch'evskaya E. Sochinenie iz verkhnego ryada (S. Slonimskiy. Rekviem) // Muzykal'naya akademiya. 2006. № 2. S. 19–28. 9. Semenova S. Vera, prishedshaya v razum istin (o N. F. Fedorove) // Put'. 1992. № 2. S. 202–247. 10. Slonimskiy S. Burleski, elegii, difiramby v prezrennoy proze. SPb.: Kompozitor, 2000. 152 s. 11. Slonimskiy S. O kompozitorskom remesle // Muzykal'naya akademiya. 2007. № 1. S. 1–8. 12. Trubetskoy E. Smysly zhizni // Trubetskoy E. Izbrannye proizvedeniya. Rostov-na-Donu: Feniks, 1998. S. 17–325. 13. Fedotov G. O natsional'nom pokayanii // Fedotov G. Sud'ba i grekhi Rossii: V 2-kh t. T. 2. SPb.: Sofiya, 1992. S. 41–49

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Devyatova, O. L. Dialogue of Cultures in Sergei Slonimsky’s New Music in Terms of Russia’s Issues in the ХХI Century