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Reference:
Natalia Zabolotnaya
Ob istoriko-kul’turnykh osobennostyah tserkovnogo peniya
domongol’skoj Rusi / On Historical and Cultural Features of Orthodox Liturgical
Music in Pre-mongolian Russia
// Scientific notes of the Gnesins Russian Academy of Music.
2014. ¹ 1.
P. 3-12.
URL: https://en.nbpublish.com/library_read_article.php?id=66098
Abstract:
The multilayered singing practice of Ancient Russia is analyzed in the article. This practice had
been based on establishing laws and strengthening monasterial traditions of church singing. Music books
dating back to 11—14th centuries and carrying deep rooted verbal traditions and Greek written influences
are being described. The experience of singing based on new hymnographic texts in the course
of broadening Slavic cultural heritage is also considered.
Keywords:
Ancient Russian liturgical singing; Russian Orthodox music books.
Reference:
Elena Alkon
Melos, modal’nost’ i musykal’noe myshlenie mifologicheskogo tipa:
k razvitiuju idei E. Kurtha / Melos, Modality and Mythological Thought in Music:
towards the Development of E. Kurth’s Ideas
// Scientific notes of the Gnesins Russian Academy of Music.
2014. ¹ 1.
P. 13-23.
URL: https://en.nbpublish.com/library_read_article.php?id=66099
Abstract:
The author’s views on continuity, mythological thought in music and field theory are based
on E. Kurth’s concept of melos. The ideas presented are being illustrated with Russian folk song
‘Nightingale, my nightingale’, A. Borodin’s Second Symphony and Introduction to R. Wagner’s
‘Tristan’.
Keywords:
Ernst Kurth; melody; modality; mythological thought in music.
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Reference:
Tatiana Tsaregradskaya
Sekventsiya No 5 dlya trombona: Berio i Grock /
Sequenza V for Trombone: Berio and Grock
// Scientific notes of the Gnesins Russian Academy of Music.
2014. ¹ 1.
P. 24-34.
URL: https://en.nbpublish.com/library_read_article.php?id=66100
Abstract:
The article is centered around an emblematic work of Luciano Berio — Sequenza V for
trombone dedicated to the great clown of the first half of the 20th century Grock (real name —
Ch.A. Wettach). By the choice of genre, instrument, elements of musical language and specific perfoming
gestures Berio fulfils his aesthetic goal — the multivalence and “multilayerness” of the text
that create the impression of unlimited shades of meaning in the music.
Keywords:
L. Berio; Grock; Sequenza No 5; trombone; theatricality of musical performance.
Reference:
Alexander Merkulov
Mimika i zhestikulyatsija pianista v sisteme ispolnitel’skikh
vyrazitel’nykh sredstv / Facial Expressions and Gestures of a Pianist in the System
of Performing Resources
// Scientific notes of the Gnesins Russian Academy of Music.
2014. ¹ 1.
P. 35-50.
URL: https://en.nbpublish.com/library_read_article.php?id=66101
Abstract:
The article is an initial part of a research dealing with the problem rarely considered in musicological
discourse: that is pianist’s behavior on stage. The author’s arguments are based on documents and
memoirs of outstanding musicians and musical critics of the 19th – 20th centuries. To be continued
in the next issue.
Keywords:
piano; performing art; pianist’s facial expressions and gestures.
Reference:
Boris Borodin
Sext Empiric: musyka v svete «absolutnogo skeptitsizma» / Sextus
Empiricus: Music in the Light of “Absolute Scepticism”
// Scientific notes of the Gnesins Russian Academy of Music.
2014. ¹ 1.
P. 51-65.
URL: https://en.nbpublish.com/library_read_article.php?id=66102
Abstract:
The author analyses the treatise “Against Musicians” by Sextus Empiricus, an antique philosopher
of the second century. This treatise is a part of bigger work “Against Scholars” where the ideas of Greek
and Roman sceptics that used to greatly influence the philosophy of the New Age are fully presented.
Sextus Empiricus’ views on music are typical for musical theory and practice of Hellenism.
Keywords:
Sextus Empiricus; scepticism; music; Ancient music theory.
Reference:
Valentin Sereda
Garmonicheskaya zadacha i ejo rol’ v musycal’nom razvitii studentov
/ Exercises in Harmonisation of Melody and their role in Music Students’
Development
// Scientific notes of the Gnesins Russian Academy of Music.
2014. ¹ 1.
P. 66-87.
URL: https://en.nbpublish.com/library_read_article.php?id=66103
Abstract:
Harmonisation of melodies in strict four parts style is one of the basics in professional
music education. Whether one is successful in such exercises depends on correct understanding
of harmonic texture, i.e. of the interdependence of accords’ structure and intonational contents
of parts and also of the differences between thematic and supporting parts. The author illustrates
his ideas with lots of examples of melodies’ harmonisation where the parts’ movement is logical
and clear.
Keywords:
harmony; exercise in harmonisation of melody; voice leading.
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Reference:
Tatiana Krasnikova
Esteticheskaya beskonechnost’ / Aesthetical Infinity
// Scientific notes of the Gnesins Russian Academy of Music.
2014. ¹ 1.
P. 88-89.
URL: https://en.nbpublish.com/library_read_article.php?id=66104
Abstract:
A review of Elena Dolinskaya’s book “Nicholas Medtner” (Moscow: P. Jurgenson, 2013).
Keywords:
N. Medtner; E. Dolinskaya; Russian music of the 20th century.
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